The 5.1 DTS - HD master
audio mix also warrants praise, with its prominent use of hip - hop and other songs as well as its distribution of dialogue.
The 5.1 DTS - HD master
audio mix also offers an appropriate amount of engagement for a 2015 studio film.
The 5.1 DTS - HD master
audio mix also offers some kick, from prominent needle drops to some explosions and gunfire.
Not exact matches
Also, although the soundtrack isn't the «hit - em - over-the-head» variety, it is a great example of well - blended and properly balanced
audio mixing, which makes it the perfect complement for the video presentation.
There's
also an English «
audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1
mix), plus a French Dolby Digital 5.1 track.
The 5.1 DTS - HD master
audio mix is
also without issue, even if there are few moments where you'll notice sound design.
The accompanying
audio, in not - dissimilar 7.1 DTS - HD and 5.1 Dolby Digital EX configurations, mainly adds low - end to the original mono
mix (
also on board) and broadens its dynamic range so that the dubbed dialogue, for example, sounds less squelched.
The BD's 5.1 DTS - HD master
audio mix is
also quite capable, distributing music and dialogue crisply and with some slight directionality.
The default 5.1 DTS - HD master
audio mix is
also terrific.
The complete soundtrack is
also presented in 5.1 on a separate
audio track, offering a more precise
mix (though oddly, lacking extra bass present in the regular track) of Cole Porter's naughty lyrics and some impressive orchestra passages (arranged by Andre Previn and Saul Chaplin).
The lossless DTS - HD monaural
mix reveals a few
audio problems that must have come up in production and post-production, but it
also allows the film a fuller sound.
Digitally restored to its original theatrical aspect ratio (1.75:1) and boasting
audio tracks in 5.1 Disney Enhanced Home Theater
Mix, the two - disc set
also offers a bunch of bonus extras.
Typically, Disney
also blows out the stops in the
audio department: the DTS - HD Master
Audio 7.1 lossless
mix is just the ticket to maximize the raging - seas soundscape while
also expertly handling subtler shoreside effects, all with the (successful) intent of audience immersion.
Of course, we learn a lot about the effects, but we
also find info about cast and performances, shooting on location and dealing with weather, real tornadoes and research, story and characters, music and
audio design, and a
mix of other production topics.
The DVD is
also the first from Touchstone Pictures (or anything other than Walt Disney Pictures, for that matter) to feature the Dolby Digital 5.1 Enhanced Home Theater
Mix audio track.
The 5.1 DTS - HD master
audio mix is
also sufficiently potent.
The Blu - ray dispensed with the awful fake stereo track from the DVD and just went with the appealing monaural
mix that
also appeared on that release; the DTS - HD MA mono was a little warmer and cleaner than the DVD's
audio.
The 5.1 DTS - HD master
audio is
also sure to please, offering a wide, engaging, and effective
mix of atmosphere and music, albeit with lots of dynamic jolts.
A very fine 2.0
audio mix is
also serviceable and may even have the advantage of reproducing dialogue with slightly more clarity.
The DVD
also offers two English
audio tracks: a Dolby Digital 5.1 Disney Enhanced Home Theater
Mix (apparently the same one used on the Platinum Edition) and the same Restored Original Theatrical Soundtrack found on the Blu - ray.
It
also comes with two English
audio mixes (5.1 or 2.0) and an optional Spanish - language track.
It includes cruise control, front and rear parking sensors, a 360 - degree camera, dual - zone climate control, power - adjustable front seats that are
also heated, a 400 - Watt
audio system, sat - nav, Bluetooth connectivity, and an impressive
mix of fine materials.
Also in the
mix, media-wise: Android Auto, Apple CarPlay, premium Bose
audio and a Blu - Ray / DVD rear - seat entertainment system.
You can
also record
audio directly in the OneNote app and
also attach videos from YouTube, Vimeo or Office
Mix.
If that's not enough, you
also get Story Maker which allows you to take all your photos and video content and
mix it together with a custom
audio track to create some really nice videos that are then able to be shared with friends and family.
However, on the plus side and keeping with previous Warrior titles, the
audio is competent and you can
also change what music is playing during battle, so if you get sick of the same tunes you can
mix it up with a decent amount of tracks to choose from.
Sadly the developers
also use this opportunity to drop
audio logs into the
mix, from which you'll glean insight into what has been going on without the unreliable narration of T.O.M.. It's a little bit of a shame to see
audio logs get used since they feel awkward within the story, but it's understandable I suppose.
It's primarily a vehicle for unlocking extras in Dead Space 2 when it ships — those extras being a hack suit with bonus perks, a weapon skin, bonus
audio logs, and extra power nodes, health packs, and credits within the game — but you
also get a little extra back story setup for Dead Space 2 with a few mini games
mixed in.
The package
also includes the actual
mixer which connects to an 3.5 mm
audio plug and a usb output, from there the
mixer has to outputs, one for the actual headset and one for smart phones etc..
The
audio is
also weak, with a soundtrack being a generic
mix of rap and some alt rock music that tends to repeat or not play at all, and the cars producing fairly anemic growls.
You can
also use certain headsets if you want to
mix game and chat
audio.
I am
also currently
mixing an album of post punk pop for an up - and - coming artist, doing foley and post
audio on an independent film, and recording a sound library for a video game developer.
The Sonos Play: 3 and Oppo Sonica both offer much better
audio quality and multiroom integration for the same cost (though with less volume capacity), and Klipsch offers its well - regarded RW - 1 for $ 50 cheaper, which
also supports Play - Fi multiroom streaming to
mix and match speakers from multiple brands.
It
also builds
audio joiner and
mixer.
You can
also mix audio from two devices simultaneously so that you're able to answer calls or texts while you're playing a game.
Looking at the status bar above, the Mi
Mix seems to
also have support for two SIMs, a popular feature in China, and Xiaomi
also notes it has a 192Hz / 24 - bit DAC chip for higher - resolution
audio.
There are
also four presets that
mix and match sound frequencies and decibel scales to help produce high - quality
audio.
With deep Skype integration,
audio and video conversations are
also in the
mix.
LG
also claims that the SJ9 employs an adaptive
audio system that analyses the frequency levels of the sound you're feeding it to produce an optimum sound
mix based on what you're watching.
Quick charging is thrown into the
mix, there is
also high - res
audio and Boomsound is back.
This technique could
also be used to
mix audio from your iPhone with ambient sound around you.
The latest and greatest development in surround sound offers not only discrete
audio for height channels, but
also a new way for sound engineers to
mix audio for the most accurate, hemispheric immersion to date.