Sentences with phrase «audio mix for»

Finally, the Alienware Audio app lets you create the perfect audio mix for your games.

Audio - Matching the video quality in terms of futility, the audio mix for Natty Gann sounds like an old worn - out videocassette.

Not exact matches

Adobe's Creative Cloud includes Adobe Premiere Pro for editing video; After Effects for video effects, titling, color correction; Audition for audio fixes and mixing; and Media Encoder to render out an H. 264 file perfect for You Tube, Vimeo and all crowdfunding websites.

AI Pro will provide a minimum of five weekly podcasts (audio content) for listeners with a mix of Anfield Index podcasters as well as professionals and ex-professionals from the world of football and football media.

An eclectic mix of yoga, weight training, cardio intervals, meditation, inspired affirmations, and heart - pumping music for an audio - guided workout to move your body and change your life.

The 5.1 DTS - HD master audio mix is more thrilling yet, utilizing all speakers tastefully and heavily, never drowning out dialogue or making you reach for the remote.

Also, although the soundtrack isn't the «hit - em - over-the-head» variety, it is a great example of well - blended and properly balanced audio mixing, which makes it the perfect complement for the video presentation.

The mix of fetish wear, brilliantly designed cyber punk technology and super cool actors (both Reeves and Fishburne were catapulted into mega-stardom by this film) makes for an audio visual cocktail that influenced virtually every film that followed.

Active and scary, but properly modulated for dialogue scenes, this is a reference - quality audio mix.

Disney was generally doing 5.1 mixes for their direct - to - video films back in 2002 and you'd think this would get one now, or at least an uncompressed two - channel DTS - HD master audio mix.

There's also an English «audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.

Conversely, for better or worse, nothing stands out about the Dolby Digital 5.1 audio, which reproduces a run - of - the - mill comedy mix with adequate clarity.

As for the audio, the primary audio track on the DVD is a Dolby Digital 5.1 mix.

For what is in essence a catalogue title, Paramount graciously provides DD 5.1 audio (adapted, one presumes, from the six - track mix that adorned 70 mm prints of the film) that gives all six speakers a surprisingly muscular, multi-directional workout.

Editor / sound re-recording mixer Walter Murch brings some Apocalypse Now flair to the soundmix, presented here in crisp 5.1 Dolby Digital; most of Jarhead is relatively quiet, which was perhaps the rationale for leaving off a DTS option, but one does note the slightest timidity in the explosions and gunfire and wonder if the audio is living up to its potential.

Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.

- Mixing & Mastering - Stereo & Stem track mixing - Clean up of vocal or instrument tracks - Noise reduction - Post production for TV / film / YouTube - Voice overs, Ad bumpers & Podcast Intros - Sound design - Video gameMixing & Mastering - Stereo & Stem track mixing - Clean up of vocal or instrument tracks - Noise reduction - Post production for TV / film / YouTube - Voice overs, Ad bumpers & Podcast Intros - Sound design - Video gamemixing - Clean up of vocal or instrument tracks - Noise reduction - Post production for TV / film / YouTube - Voice overs, Ad bumpers & Podcast Intros - Sound design - Video game audio

A distortion - free 5.1 audio mix in Dolby Digital and DTS configurations demonstrates a little weakness in its centre channel (which can be compensated for to some extent through equalizing), but for source material of this age, the sound demonstrates a remarkable fidelity.

The accompanying audio, in not - dissimilar 7.1 DTS - HD and 5.1 Dolby Digital EX configurations, mainly adds low - end to the original mono mix (also on board) and broadens its dynamic range so that the dubbed dialogue, for example, sounds less squelched.

All three of these audio tracks sound crisp and well - mixed, and the English dub is especially commendable for the excellent vocal nuances of its ADR cast.

«One of the final stages of the process was having a print of the film prepared with the music stripped out for the live mix; the mix in the rehearsals and concert being a constant conversation between the on - stage performances, the film's audio and the room's acoustics, requiring a huge amount of skill and awareness of the moments where a particular element (be it the music, dialogue or sound effects) needs to come to the fore, or be shaded off to make way for another layer.

The 5.1 DTS - HD master audio mix also offers an appropriate amount of engagement for a 2015 studio film.

The DD 5.1 audio adequately delivers a predictably front - heavy mix with next to no rear - channel usage, save a near - closing shout - out to Death Cab for Cutie that I simultaneously welcomed and cringed at.

As for the attendant 5.1 Dolby TrueHD audio, it's certainly heftier than the DD track of the DVD, though the mix itself is still only intermittently enveloping.

Dolby Digital and DTS 5.1 soundtracks grace the platter, both of them rendering a loud and detailed but not especially discrete mix with comparable clarity, though I prefer the DTS audio for the extra punch it gives the action beats of the picture.

Equally mediocre is a Dolby 5.0 audio mix that squanders several opportunities for rustling atmospheric madness while giving over most of its fidelity to a recreation of the stock score; it's the kind of spooky music bullstuff one can probably find at the local Paper Warehouse round about this time of year.

A Dolby 2.0 stereo audio mix is fine, given over for the most part in a reproduction of Newman's score but showing off a nice baby rumble during a key thunderstorm.

The 5.1 DTS - HD master audio soundtrack hides the film's age, making it easy to mistake the mix for that of a brand new film.

The 2.40:1 transfer shows off the sharp, interesting filmic look, while sound is offered in both DTS X (7.1 DTS - HD master audio for those who can't support it) and in a DTS Headphone 2.0 mix.

Additionally, the Blu - ray includes four iconic GN» R music videos that have been newly sync'd to both remastered stereo audio and new 5.1 surround sound mixes, plus a brand - new video for «It's So Easy» that was shot in 1989 by the band but was never completely finished — until now in 4K HD from 16 mm film transfers.

You won't mistake the audio here for a more contemporary multichannel mix featuring a plethora of elements and plenty of low - frequency information (a single explosion, for instance, can sound a little thin as it rips through the front and rear channels), but surround - sound mavens shouldn't be disappointed.

Supports up to 128 simultaneous independent audio objects in a mix for rich, realistic, and breathtaking sound

Reproduces up to 128 simultaneous audio objects in a mix for rich, realistic, and breathtaking sound.

As for the film's soundtrack, because it's rendering a dialogue - heavy mix, the DD 5.1 audio is totally adequate — and barely given a workout outside a thunderstorm during the burial of a certain yappy dog.

Dolby Digital 5.1 audio mixes in Cantonese and dubbed English are nearly identical save for the latter being slightly goofier than the former — the rear channels don't get much of a workout except during a few of the fight scenes (which aren't showcase material, after all, but not bad).

Joining the video is a surprisingly tame DD 5.1 track; of course, the song selections are so banal that they wouldn't give the speakers a workout under the best conditions, but aside from some decent low - end for the sci - fi components, the mix is as humdrum as the movie itself — although the audio on the DVD is without any serious defects.

audio mix is underused save for a volcano escape in the second segment that gives the 0.1 channel a nice rumbly workout.

The old Miramax release was criticized for having a mediocre 5.1 mix that was basically jerry - rigged from the mono audio to which they had rights.

A subtle but undeniably effective DTS - HD Master Audio 5.1 mix provides the audio equivalent, sharply rendering the theatrical experience for the home with clear dialogue prioritization and pleasingly sensitive ambience.

The DVD is also the first from Touchstone Pictures (or anything other than Walt Disney Pictures, for that matter) to feature the Dolby Digital 5.1 Enhanced Home Theater Mix audio track.

As for audio, it's definitely «reference quality»: the lossless DTS - HD Master Audio 5.1 surround mix is a masterpiece of discrete separation and pinpoint clarity, delivering a potent, immersive experience on par with the theatrical one.

As for the audio mix, dialogue is well - prioritized and the wraparound sound creates an impressive immersion with robust treatment of the superheroic score and explosive action (as expected, the climax proves particularly powerful).

The monaural audio for the original Porky's disc was pretty bad, and the Dolby Surround 2.0 mix generated for the reissue wasn't any better.

The mix of neighbor - waking bursts of music and softer stretches of dialogue may have you reaching for the remote, but the pop - heavy audio delivers a reasonable good time and doesn't challenge one's hearing acuteness.

The 5.1 DTS - HD master audio mix gives musical numbers real weight you doubt they originally had in theaters, but it too satisfies for turning back the clock and keeping all elements crisp and easily heard.

Once again, the Dolby Digital 5.1 track is one of the best - mixed audio presentations for a sitcom on DVD.

THE BLU - RAY DISC For as little as there is to recommend the thing, lo, here's a packed Blu - ray presentation of Event Horizon — running at a smooth, beefy 45 mbps with a booming 48khz audio mix to vomit up the soundtrack jangles at regular intervals.

After that, Dunkirk took two quick Oscars, both for its audio, one for Sound Mixing and the other for Sound Editing.

During his 10 - year tenure at Microsoft, Brian continued to drive and advance game audio technologies through tools such as the award - winning «XACT» (Xbox Audio Creation Tool); the first - of - its kind tool to provide interactive mixing for video games.

Powerful new tools let audio professionals create, mix, master, and edit high - quality Dolby Atmos content for Blu - ray, digital delivery, gaming, and virtual reality.