The Blu - ray's 2.40:1 picture looks great and the aggressive 7.1 DTS - HD master
audio mix makes an even bigger impression with its enveloping sound design.
Unfortunately, the sound quality on Race with the Devil isn't all it could be, as
the audio mix makes the music and sound effects sound a lot louder than the dialogue track.
The audio mix makes active use of the Dolby Digital 5.1 soundstage, pumping up the out - of - nowhere scares.
Not exact matches
By the end of the iteration process, our algorithm's estimate of the masking function based on its analysis of the
mixed audio is quite close to the actual masking function computed using the true
audio signals that
made up the mixture.
The 5.1 DTS - HD master
audio mix is more thrilling yet, utilizing all speakers tastefully and heavily, never drowning out dialogue or
making you reach for the remote.
It has a middle that's padded, a look that could use a few more light bulbs, a protagonist who never earns our sympathy, and an
audio mix that leans much too heavily on the bass, often
making it impossible to understand what's being said.
Also, although the soundtrack isn't the «hit - em - over-the-head» variety, it is a great example of well - blended and properly balanced
audio mixing, which
makes it the perfect complement for the video presentation.
The
mix of fetish wear, brilliantly designed cyber punk technology and super cool actors (both Reeves and Fishburne were catapulted into mega-stardom by this film)
makes for an
audio visual cocktail that influenced virtually every film that followed.
Similarly, Dolby Digital 5.1 used to represent the peak (and standard) of home theater
audio, but these discs»
mixes feel kind of lackluster, often
making limited use of the sound field despite the genre leanings.
The sharp, clean picture is complemented by potent 7.1 DTS - HD master
audio sound, with Warner seemingly recently becoming the first studio to
make 7.1
mixes the new standard.
Brigadoon was recently released on a
made - on - demand Blu - ray from Warner Archive in a beautiful print, using a new 2K scan and the same 5.1
audio mix used on the 2005 DVD release.
«One of the final stages of the process was having a print of the film prepared with the music stripped out for the live
mix; the
mix in the rehearsals and concert being a constant conversation between the on - stage performances, the film's
audio and the room's acoustics, requiring a huge amount of skill and awareness of the moments where a particular element (be it the music, dialogue or sound effects) needs to come to the fore, or be shaded off to
make way for another layer.
The 5.1 DTS - HD master
audio soundtrack hides the film's age,
making it easy to mistake the
mix for that of a brand new film.
The video is well matched by a DD 5.1
audio mix that blows the shingles off the roof: the musical numbers sound as good as they can, though they're so clean that the obviousness that the vocal tracks are laid on a separate channel
make the scenes as they play out in crowded pubs seem curiously detached.
Even more impressive is the 7.1 DTS - HD master
audio mix, which
makes fine use of the soundfield throughout to deliver effective atmosphere and powerful jolts.
The Dolby Digital 5.1
audio is equally elegant, if beholden to a dialogue - driven affair in the wake of the masterfully -
mixed balloon sequence, with only rainfall
making aggressive use of the rear discretes thereafter.
As usual, the 5.1
audio mix (here encoded to Dolby TrueHD) is much more robust on disc, expanding the dynamic range beyond what the original telecast allowed and
making more aggressive use of the surround channels.
The situation is much better on the
audio front: The Dolby Digital 5.1
mix is probably the third - best of the year in the Dolby format (after Finding Nemo and Terminator 3: Rise of the Machines)-- a moment in which you hear guns being cocked in every corner of the room on the Tomb Raider 2 disc (review forthcoming) is magnificently, if anachronistically, expanded upon here to become a gimmick in any scene involving artillery, while the bass from Nemo's Nautilus is almost intense enough to
make you sick.
As an expert in their own right, mastering engineers understand
audio philosophy and art, specifically sequencing, leveling, processing: how to
make a recording audiobook - ready, and
mixing as it relates to mastering.
Whether you're looking for a Standard Stereo
Mix or Dolby 5.1 Surround Sound, we'll make sure your final audio mix is perfectly balanc
Mix or Dolby 5.1 Surround Sound, we'll
make sure your final
audio mix is perfectly balanc
mix is perfectly balanced.
However, because of the huge advancements that have been
made during the last decade in both game
audio as well as recording and
mixing techniques, it was necessary for us to go out and get new recordings.
It
makes Trotus and the Gameboy an especially interesting listen as the album was composed, produced and
mixed with KORG M01D, the $ 34
audio workstation available on the 3DS eShop.
Given that a lot of the finer
audio details in games tend to get lost in the compressed
mix, spatial surround sound can enhance your performance and it just
makes gaming more fun, too.
Some of the performances just don't click, and the
audio mixing seems a little funky — to the point that we played the majority of the game with the subtitles enabled to
make sure we didn't miss dialogue.
Made in real - time and without the aid of a computer, ScartVideo consists of rewired analogue video
mixing and
audio equipment, further compounded by two films played simultaneously.
Although fewer in number, the exhibition presents some notable
mixed media and
audio visual pieces, such as John Gerrard's new media work, Smoke Tree V, 2006, displayed on a specially -
made computer screen, and the
mixed - media installation, Untitled, 2003, by Peter Maybury and Mark McLoughlin.
I worked with my academic colleagues to select a
mix of assessments (varying standards) in the core areas of law, recording
audio feedback and then
making each snippet available as a hotspot in each essay so students could get a real feel for what works and what doesn't.
If you're going to be monitoring or
mixing (or doing any kind of professional work really) with
audio, a pair of in - ears with a flat response might be a worthy investment to
make.
The
audio picked up from all of them will be
mixed live in outside broadcast trucks to
make a Dolby Atmos soundtrack.
Dolby
makes tools to bring sound all the way from the
mixing booth to your ears, whether you're watching at home or in a theatre or listening on headphones or an expensive
audio setup.
Given that a lot of the finer
audio details in games tend to get lost in the compressed
mix, spatial surround sound can enhance your performance and it just
makes gaming more fun, too.
The possibility of including a tournament - quality
audio mix - amp should finally challenge Astro's hold on the hardcore scene, and additional planes of sound should
make finding enemy players in first - person shooters a breeze.
As always, if you can not
make it we'll repost the
mixed and finalized podcast sometime on Monday, April 17th where you can re-watch the video or listen to the
audio through your favorite podcast app.
The ability to connect other devices with the help of AUX
makes it a solid choice for professionals, DJs and people who do
audio mixing at home.
Audio latency is a serious issue irrespective of the size of the type of the product in which it occurs.
Each series comes in a steelbook case designed by the company behind the show's opening credits and no doubt will have all manner of behind - the - scenes footage and commentary, but it is the inclusion of the rare expansive
audio mix that
makes them most exciting.
In addition, the remote engages the two sound modes the speaker offers: a Surround Mode, which
makes audio feel like it's coming from a wider field; and Bass Boost, which increases the low end in the
mix.
The large, durable headset boasts powerful 50 mm over-ear drivers to immerse players in the action, as well as the company's Superhuman Hearing setting, which boosts subtle sounds in the
mix,
making it easier to pick up minor
audio cues or distant sound effects.
Live
mixing of video and
audio components with hardware and software implements (Mac OS X, Maschine, Novation Launchkey 49, Novation LaunchPad, Native Instruments Komplete, Ableton Live, Faderfox, field recordings and found sounds, guitar and bass, French horn and trombone and custom
made instruments)
Board Operators
make radio broadcasts possible by
mixing audio on
mixing boards.
Ive been an
audio technician / editor
making loops for local bands, recording and
Mixing live sound as well as produce cd's for local bands and churches