The 5.1 DTS - HD master
audio mix most comes to life with music, which flows regularly and prominently.
Not exact matches
Most are
audio, but visual and
mixed alarms are encountered too.
Surrounds are used often and
most efficaciously to generate a broad dispersion of the
audio, with booming LFE adding serious punch to the
mix's low end.
Editor / sound re-recording
mixer Walter Murch brings some Apocalypse Now flair to the soundmix, presented here in crisp 5.1 Dolby Digital;
most of Jarhead is relatively quiet, which was perhaps the rationale for leaving off a DTS option, but one does note the slightest timidity in the explosions and gunfire and wonder if the
audio is living up to its potential.
The 2.0 soundtrack isn't too hot - the two native characters are often tough to understand, and a number of other characters are as well - the
audio just hasn't been
mixed very well and while it probably wasn't the
most high - tech
audio tracks to begin with, it should be more distinguishable than this.
Equally mediocre is a Dolby 5.0
audio mix that squanders several opportunities for rustling atmospheric madness while giving over
most of its fidelity to a recreation of the stock score; it's the kind of spooky music bullstuff one can probably find at the local Paper Warehouse round about this time of year.
A Dolby 2.0 stereo
audio mix is fine, given over for the
most part in a reproduction of Newman's score but showing off a nice baby rumble during a key thunderstorm.
Unlike
most other first - wave Ultra HD titles, the
audio is presented here in an efficient and compelling Dolby Atmos lossless
mix.
The PlayStation uses a
mixed - mode format with
most data in Mode 2 / Form 1 and streaming
audio / video data in Mode 2 / Form 2.
«I learned a bunch of music techniques like mastering and
mixing, all that helps, but the thing I use the
most probably is game
audio implementation.»
Updated Samsung's Windows
Mixed Reality headset is the
most expensive of the lot, but it comes with built - in
audio.
Though it has the ability to switch to four different presets — Signature Sound, Bass Boost, Bass + Treble Boost, and Vocal Boost — the quality of the Signature Sound mode was excellent in every test I ran, holding
most true to the
audio mix that developers intended for their game and allowing me to hear my party chat when I was in one.
Each series comes in a steelbook case designed by the company behind the show's opening credits and no doubt will have all manner of behind - the - scenes footage and commentary, but it is the inclusion of the rare expansive
audio mix that makes them
most exciting.
There's a noticeable sense of height to the SJ9's delivery, so where Atmos is used to its
most extreme in
audio mixes you'll be able to sense
audio objects placed in the room around you.
The latest and greatest development in surround sound offers not only discrete
audio for height channels, but also a new way for sound engineers to
mix audio for the
most accurate, hemispheric immersion to date.