Sentences with phrase «audio mix with»

It can inject Dolby Atmos spatial sound into your PC and console audio mix with the headphones that you already own.

The audio mixed with a video delivers the content much faster than anything else.

Not exact matches

Still, the idea of Sonos» audio quality and connectivity mixed with the Echo's intelligence is compelling, although the new Echo and Apple's HomePod will give the One some competition.

AI Pro will provide a minimum of five weekly podcasts (audio content) for listeners with a mix of Anfield Index podcasters as well as professionals and ex-professionals from the world of football and football media.

This idea has received mixed reactions from audio fans who believe that the numbers are more important, but Bose has stuck to this philosophy and continued to produce comfortable hi - fi headphones with reliable high standards.

Another extra examines the nervous, fancy opening titles sequence, with two commentaries and several versions, audio mixes, etc..

Surrounds are used often and most efficaciously to generate a broad dispersion of the audio, with booming LFE adding serious punch to the mix's low end.

In BURDEN, Timothy Marrinan and Richard Dewey look at the artist's works and private life with an innovative mix of still - potent videos of his 70s performances, personal videos and audio recordings, friends, fellows students and colleagues, critics» comments and latter day footage at his Topanga Canyon studio, all peppered with his thoughts and musings through the years.

Further inspiration arrives with an alternate «audience participation» audio track, which mixes the film's normal sound with properly timed screams and cheers from a theater full of fans.

An intense and genre - defying musical journey combining organic electronic music and a live orchestra, recorded and mixed in 3D audio with the Brussels Philharmonic at Galaxy Studios, Belgium, Derivière's score conveys a vast spectrum of emotions whereby all the music is connected directly to the meaning of the game.

The Blu - ray reflects the film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying completely.

The 5.1 DTS - HD master audio soundtrack is surprisingly robust, getting your attention with crisp recordings of proper weight and fittingly mixed and distributed effects and music.

Conversely, for better or worse, nothing stands out about the Dolby Digital 5.1 audio, which reproduces a run - of - the - mill comedy mix with adequate clarity.

Housed in a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio mix, and optional English and Spanish subtitles.

The audio is a DTS: x mix that works well with this strong soundtrack.

The Blu - ray's default 7.1 DTS - HD master audio mix is equally lively and commendable, engulfing with effects and music that never drown out the dialogue.

The audio mix plays well with what's happening on screen.

The sharp, clean picture is complemented by potent 7.1 DTS - HD master audio sound, with Warner seemingly recently becoming the first studio to make 7.1 mixes the new standard.

Mix tracks, experiment with audio effects, and stream live to your friends over the PlayStation Network by using 4 am's unique Virtual Audio Canvas to control your composition with the PlayStation Move's full range of motion.

There is a very fun audio commentary with Writer / Director Daniel Kwan, Writer / Director Daniel Scheinert, Production Designer Jason Kisvarnay, and Sound Mixer / Fartist Brent Kiser... and NO you did not misread that... this film has a fartist.

The 5.1 DTS - HD master audio does not offer a particularly immersive mix, with dialogue remaining quiet and low - key.

«One of the final stages of the process was having a print of the film prepared with the music stripped out for the live mix; the mix in the rehearsals and concert being a constant conversation between the on - stage performances, the film's audio and the room's acoustics, requiring a huge amount of skill and awareness of the moments where a particular element (be it the music, dialogue or sound effects) needs to come to the fore, or be shaded off to make way for another layer.

In the remastered edition, players will head back on the open road with the ability to timehop between the classic and remastered modes, and mix - n - match audio, graphics and user interface options as they wish.

The DD 5.1 audio adequately delivers a predictably front - heavy mix with next to no rear - channel usage, save a near - closing shout - out to Death Cab for Cutie that I simultaneously welcomed and cringed at.

Better than Turkish Delight, both versions offer English audio tracks in DTS 5.1 Digital Surround Sound and 5.1 Disney Enhanced Home Theater Mix, with subtitles in French and Spanish.

Patriots Day adds to that tradition with a sharp - looking 2.40:1 Blu - ray transfer and lively default 7.1 DTS - X / DTS - HD master audio mix.

The audio mixes do nothing to confirm that they're prepared with five distinct channels in mind.

They include some funny deleted scenes, an eclectic mix of featurettes, a karaoke sing - along (with and without lyrics) and audio commentary from both Favreau and Farrell.

The DTS - HD master audio mix wails, with obsessive attention to ambient detail (drip, drip...).

A Dolby 1.0 mono audio mix is similarly clear with good volume and dialogue distinguishable and distinct from Franz Waxman's unremarkable score.

Extras: New Q&A in which Jarmusch responds to questions sent in by fans; new readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop; new selected - scene audio commentary by production designer Robert Ziembicki and sound mixer Drew Kunin; new interview with actor Gary Farmer; deleted scenes; Jarmusch's location scouting photos; essays by critic Amy Taubin and music journalist Ben Ratliff.

The 2.0 soundtrack isn't too hot - the two native characters are often tough to understand, and a number of other characters are as well - the audio just hasn't been mixed very well and while it probably wasn't the most high - tech audio tracks to begin with, it should be more distinguishable than this.

The BD's 5.1 DTS - HD master audio mix is also quite capable, distributing music and dialogue crisply and with some slight directionality.

An «Alternate Opening Concept» (8:53) treats us to an ambitious start in a mix of storyboards and previsualization CGI with optional McG audio commentary shedding light on it.

Dolby Digital and DTS 5.1 soundtracks grace the platter, both of them rendering a loud and detailed but not especially discrete mix with comparable clarity, though I prefer the DTS audio for the extra punch it gives the action beats of the picture.

A DD 5.1 audio mix is roomy and professional — sedate almost, though it'll occasionally surprise with the bass refrain and the stray atmospheric in the rear channels.

The default audio is an English dub (credibly voice cast and overseen by Mike Schlesinger of the Americanized Godzilla 2000) in rich, transparent Dolby Digital 5.1, and while it sounds technically fantastic, purist that I am, I will always watch Time and Tide in Cantonese (5.1, too, with dialogue mixed a bit quieter).

A Dolby 5.1 audio mix shows surprising fidelity through every channel — a rich, faithful presentation with a hearty bass rumble and nice rear - channel effects.

This Blu - ray is a testament to that, with its flawless and detailed 1.78:1 video and noticeably immersive 7.1 DTS - HD master audio sound mix.

The one that «counts,» per se, is probably the «U.S. theatrical version,» which lands the primo disc one spot, along with frickin» four audio options: 5.1 DTS and 5.1 surround (both of which are basically the same track), 2.0 stereo and the original mono mix.

Trivia: Joaquin Phoenix has stated that Lynne Ramsay gave him an audio file of fireworks mixed with gunshots to suggest what's going on in Joe's head.

Beginning with a 2.35:1 anamorphic video transfer that reproduces the picture's lurid, saturated colour palette (all deep reds and greens), Cobb looks as good as it probably can look and sounds, in its booming Dolby Surround audio mix, as good as it probably ever has.

The film's surround audio mix combines a few pulsating songs with Marco Beltrami's synth / orchestral shadings and saturated sound effects, meant to evoke the emphatic «bang!»

Four audio tracks are provided, with the only English version being a Dolby Digital 5.1 mix.

The movie itself comes in 2.0, 5.1 and DTS audio mixes, with optional English subtitles.

The 5.1 DTS - HD master audio mix most comes to life with music, which flows regularly and prominently.

The 5.1 DTS - HD master audio mix also warrants praise, with its prominent use of hip - hop and other songs as well as its distribution of dialogue.

Unfortunately, the sound quality on Race with the Devil isn't all it could be, as the audio mix makes the music and sound effects sound a lot louder than the dialogue track.

The Switch version is a straight port of the original game, with only a few new audio issues showing up to mix in with Skyrim's infamous glitches.

Housed in a regular plastic Amaray case in turn stored in a cardboard slipcover, $ 5 a Day comes to DVD presented in 1.85:1 anamorphic widescreen, with a Dolby digital 5.1 audio mix, and optional, lax English and Spanish subtitles, each of which feature some errors.