Sentences with phrase «audio piece by»

A reverberating echo of thunder — an eerie audio piece by British artist Hannah Rickards — completes the effect.

These audio pieces by various artists, originally commissioned by Arnolfini in 2008, are collectively titled Music for Museums.

Not exact matches

We chose a special piece of music by Dr. Harry Henshaw called Enlightenment, for our Edition 7 Hypnobabies audio tracks» background music and relaxation music that has within it...

I got interviewed by CBS News Radio the day before the event and had heard rumors that they'd used the audio, but it took a while to find a print version of their piece.

It's hard because it's cryptic; this fusion of kingdom building and side - scrolling survival tells you basically nothing overtly, forcing you to figure out how all of its pieces fit together by paying attention to animation and audio cues and learning through repeated deaths and restarts.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras include audio commentary by film critic Stephen Farber; a retrospective piece surrounding the making of the movie; a vintage behind - the - scenes short; and a vintage (and entertaining) half - hour TV production on Camelot's world premiere.

Blu - ray extras include audio commentary by Jones and Gilliam; a 30th anniversary piece that reunites everyone (save Chapman, who passed away in 1989) for an hour - long chat; a making - of featurette; deleted scenes; a look at the musical numbers; and a prologue featuring Idle.

Extras include audio commentary by Cameron and various cast and crew members; an introduction by Cameron to the Special Edition; deleted scenes; a piece on the film's design; pre-production art galleries; and an isolated track of the late James Horner's Oscar - nominated score.

Extras on The Transformers: The Movie (available for viewing in either widescreen or full frame) include audio commentary by director Nelson Shin, story consultant Flint Dille, and co-star Susan Blu; a retrospective making - of piece; storyboards; and TV spots.

Blu - ray extras include audio commentary by directors Anthony and Joe Russo and scripters Christopher Markus and Stephen McFeely; a making - of piece; deleted scenes; a gag reel; and a sneak peek at the upcoming Doctor Strange.

Blu - ray extras include audio commentary by director Rowdy Harrington; separate audio commentary by Road House fans Kevin Smith and Scott Mosier; an hour - long making - of retrospective; an interview with Harrington; a piece on the stunts; vintage interviews with Swayze, Elliott and others; and the theatrical trailer.

Blu - ray extras include audio commentary by director J.A. Bayona, writer Sergio G. Sánchez, producer Belén Atienza and the real - life María Belón; deleted scenes; and a piece on casting the movie.

Running time: 97 minutes Distributor: Criterion Collection DVD Extras: A new digital transfer supervised and approved by director of photography; «Ask Todd,» an audio Q&A with director Todd Solondz; Making «Life During Wartime,» a new documentary featuring interviews with actors; a new video piece in which Lachman discusses his work on the film; the original theatrical trailer; and a booklet featuring an essay by film critic David Sterritt.

When a rookie operative's mistake costs the lives of his entire team, he's forced on the run and must piece together the truth by re-creating the events of the ill - fated mission with only the audio recording to guide him.

The supplement package includes audio commentary by director Martin Brest and three fairly engaging featurettes (a half hour making - of effort and 8 - 10 minute pieces on the film's score and on the casting process - the latter delving into the replacement of Sylvester Stallone by Murphy).

MSRP (with destination): $ 31,970 PRICE AS TESTED: $ 37,805 ENGINE: 3.6 - liter DOHC V - 6 Horsepower: 285 hp @ 6400 rpm Torque: 260 lb - ft @ 4800 rpm TRANSMISSION: 5 - speed automatic DRIVE: Four - wheel WHEELS AND TIRES: 18 - inch aluminum wheels 255 / 70SR -18 Bridgestone Dueler A / T tires FUEL ECONOMY (city / highway / combined): 16/20/18 mpg CURB WEIGHT: 4294 lb CAPACITIES: Doors / Passengers: 4/5 Cargo (rear seats up / down): 46.4 / 86.8 cu ft Legroom (front / rear): 41.0 / 37.2 in Headroom (front / rear): 41.3 / 40.4 in Towing: 2000 lb EXTERIOR / INTERIOR COLOR: Black / Black STANDARD FEATURES: 6 - speed manual transmission Stability and traction control Hill start assist Roll mitigation Part - time four - wheel drive 3.21 rear axle ratio Transfer case and fuel tank skid plates Cruise control 115V auxiliary power outlet Air conditioning 7 - speaker Infinity audio system w / subwoofer Auxiliary audio jack SiriusXM satellite radio w / one - year subscription Tilt steering wheel Temperature gauge and compass Leather - wrapped steering wheel w / audio controls Height - adjustable driver's seat 60 / 40 - split folding rear seats Rear compartment covered storage OPTIONS ON THIS VEHICLE: Altitude Edition - $ 2995 18 - inch painted aluminum wheels Black Jeep grille badge Front and rear bumper body - color appliques Gloss black interior accents Red interior stitching accents Altitude floor mats and hood decal Heated front seats Body - color 3 - piece hardtop Mopar fuel filler door Freedom panel storage bag Rear window washer, wiper, and defroster Connectivity group - $ 385 USB port Electronic vehicle information center UConnect voice control w / Bluetooth 5 - speed automatic transmission - $ 1125 Hill descent control Track - Lok rear limited slip differential - $ 295 UConnect 430N - $ 1035 40 GB hard drive w / 28 available GB SiriusXM travel link w / one - year subscription 6.5 - inch touchscreen display Navigation KEY OPTIONS NOT ON THIS VEHICLE: Dual top group - $ 890 Trailer tow group - $ 295 3.73 rear axle ratio - $ 95 ADDITIONAL SPECS: This is the one of the top - tier Wrangler Unlimited trim levels, only trumped in price by the «Call of Duty: MW3 Edition» Wrangler Unlimited model.

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For instance, by surveying readers they were able to find out that there was a big demand for audio books, so now Matter releases an audio book version of every piece it publishes, which is included in the $ 1 price of subscription.

For instance, while the rest of the economy hung on like a ship wreck victim to a piece of flotsam, the sales of audio books increased by 6 %.

In Here They Lie you must follow a critical path, though along the way there are side rooms where you'll find glowing boxes and drawers containing hints or clue like photographs which are accompanied by audio clips that will keep you thinking as you try and piece the story together.

It's hard because it's cryptic; this fusion of kingdom building and side - scrolling survival tells you basically nothing overtly, forcing you to figure out how all of its pieces fit together by paying attention to animation and audio cues and learning through repeated deaths and restarts.

The file contains nine pieces of original sheet music in PDF format, featuring the following songs written by our award - winning composer and audio director, Darren Korb:

The audio component is composed by Welling's brother, William B. Welling, making the piece a collaborative work between the artist, his grandfather, and his brother.

The melancholic, slightly haunting monologues of Ilona Sagar's film piece and an audio installation by Sharon Hayes to an anonymous lover, complete the exhibition.

His practice includes film pieces as well as work made by combining common junk parts with audio and other components and programming them, in order to produce art that expresses technology's primitive possibilities.

Annual subscribers will receive: 3 limited edition works of art by 3 contemporary artists - each piece signed and numbered by the artist, audio or video artist interviews, professional critiques contextualizing the edition and the honor of helping to bring these works into the world.

These eleven objects — plus five feathered floor mats, a photographic print, and an audio piece — comprise Sound Talisman, the first New York exhibition by Chicago - based artist and musician Lisa Alvarado.

Times Square Show Revisited was the first focused assessment of the landmark exhibition organized by the artist group Collaborative Projects, Inc. [18] Bobby G's audio piece Times Sq..

Claerbout himself often refers to his work as «audio pieces embedded in video», «Travel» (1996 - 2013) is a work that was inspired by, and ultimately born from the soundtrack — a synthesised therapeutic music score composed by French composer Eric Breton, designed to reduce stress and induce sleep.

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

«House Party,» integrates audio from Esther Ferrer, the 81 - year - old Spanish performance artist, and pieces made in response to the audio objects by other invited artists, including grotesque stuffed jars and textiles.

The spectral audio piece occupies unknown dimensions and the breathing light object accompanied by an atmospheric fog creates a genesis of sensation.

Not merely illustrations of audio - visual synaesthesia, several of the pieces act literally as transducers, that is, devices that convert input energy of one form into output energy of another.The range of frequencies detectable by the human ear is about 20 Hz to 20,000 Hz, and the visible light spectrum is 400 terahertz (red light) to 740 terahertz (violet light).

More recently, the Power Station was flooded repeatedly over three months, just to record audio of dripping water for a sound piece by the trio Tobias Madison, Emanuel Rossetti, and Stefan Tcherepnin.

It is not generally known that Smith's events were almost always accompanied by an audio environment specifically created for each piece.

For the piece the artist appropriates a slice of the audio from composer Steve Reich's Come Out (1966), that quotes Daniel Hamm, a young Harlem resident accused of murder and beaten by the police, describing to a court how he managed to convince the cops to release him: «I had to open the bruise up and let some of the blues... bruise blood come out to show them.»

These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including Coughing Piece, a never - before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures.

The juxtaposition of audio and visual components in this piece highlights the paradox of the machine, which is both a scientific instrument, designed to document objectively, and also a means by which the occult and the other - worldly may be revealed.

The three - channel piece combines footage and audio of various soundmaking set - ups: a balloon inflated, stuck onto the end of a flute, and allowed to wheeze its air through the instrument; a merry - go - round with a violin affixed to its outer edge, so that every time it rotates it strikes a bow placed, just so, by the artist; an accordion hung from a lamp post, groaning as it stretches its bellows.

There is also a beguiling room - sized installation by Hank Willis Thomas that recasts the symbols of the Confederate flag in the colors of black nationalism — and projects them in tune with a soundtrack of spoken - word audio (a piece that Times art critic Christopher Knight describes as «enthralling.»)

Hoff's audio piece is influenced by the concept of distribution and the artist's immersive understanding of the history of conceptual writing on a number of platforms (I encourage you to view the artist talk he gave to accompany the exhibition at MCA Denver).

Although fewer in number, the exhibition presents some notable mixed media and audio visual pieces, such as John Gerrard's new media work, Smoke Tree V, 2006, displayed on a specially - made computer screen, and the mixed - media installation, Untitled, 2003, by Peter Maybury and Mark McLoughlin.

Playing the two side by side makes it strikingly clear that with Echo Dot the sound comes out of a piece of plastic, while audio from Home Mini comes from a device whose entire face is a speaker.

This headset is perhaps the chintziest piece of technology I've ever used, with a single earbud, a mutable mic and an impractical plastic clip connected by a single audio cable.

According to a piece by industry analyst Ben Arnold for the NPD Group Blog, the early demand for Apple's flagship smart speaker — called HomePod — signifies that Apple is serious about getting its foot in the door of the audio industry.

The Smart Audio Report from NPR and Edison Research is a milestone piece of research which establishes the smart speaker category as a fast - growing audio distribution platform that is vigorously embraced by early adopters of all ages.