Sentences with phrase «audio piece from»

In fact, here's a link to an audio piece from a pharma rep who transitioned to surgical sales with some career coaching help.)

In addition, an audio piece from Howard opens the section, as he quickly explains the concept of deleted scenes.

Not exact matches

The adult dating service BigChurch.com offers advanced search capability, tips and pieces of advice from other Christians and Catholics, relationship guidance, Bible commentaries, on - line video and audio chat and many others.

Most of the DVD's extras repeat here, and we open with an audio commentary from director Jan De Bont, who offers a running, screen - specific piece.

What we didn't know was that this was intentional: there were missing audio elements from the copies used for Twilight's Blu - ray transfer, so they were forced to create a soundtrack with bits and pieces from both languages.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

From the clickety - clack of Lego pieces during the assembly sequences to the crystal clear dialogue and action sequences, this is a reference - grade audio presentation.

ScottFeinberg.com: Last week, I posted a piece about the legendary director Stanley Donen, 86, to whom the Film Society of Lincoln Center is paying tribute over the next week, featuring audio clips from my recent interview with Donen as well as video clips of the most memorable song - and - dance numbers that -LSB-...]

Presented in 2.35:1 with original English mono audio, this transfer is an exuberant rendering of a finicky mood piece which, besides York at her finest, features an agitating score from John Williams (which features sounds from famed Japanese percussionist Stomu Yamash» ta, who also worked on The Man Who Fell to Earth and Phase IV).

The DD 5.1 audio is better than expected — indeed, probably better than it should be, what with a good deal of atmospherics appearing nonsensically from the rear channels (especially during the «crossfire» set - piece).

Whether it's to edit an interview, to extract the relevant parts from the recording of a lecture, or to trim a piece of music you're using as a soundtrack to your eLearning videos to the right size, you'll need an audio editor.

====== OPTION PACKAGES: BURMESTER HIGH - END SURROUND SOUND SYSTEM: 16 individually driven loudspeakers including a 25 - cm 300 - watt active subwoofer with Class D digital amplifier, complex high - end components such as special ribbon tweeters (air motion transformers (AMT)-RRB-, preset sound sets and sound conditioner, WHEELS: 21 911 TURBO DESIGN: front / rear: 10J x 21RO50, 1 - piece alloy wheels, wheel centers and full - color Porsche crest, Wheel Arch Extensions, Tires: 21, PREMIUM PACKAGE PLUS: Front Seat Ventilation, seat squabs and backrests in the front featuring three - stage ventilation and separate controls for left and right, Porsche Dynamic Light System Plus (PDLS), Lane Change Assist (LCA), a visual signal from the exterior mirrors, Porsche Dynamic Light System Plus (PDLS Plus), Panoramic Roof System, 2 segments of tinted safety glass, electrically operated sunscreen covering entire glass and comfort closing facility, Reversing Camera with Front & Rear ParkAssist, a color camera image with dynamic guidelines on the audio system CDR Plus and the Porsche Communication Management (PCM) screen facilitates controlled and precise reverse parking and maneuvering, Electric Sunblinds for Rear Side Windows Horsepower calculations based on trim engine configuration.

Inside, a custom leather interior from Katzkin, Kenwood audio, and custom - painted trim pieces elevate the occupant experience.

The only bright spot among the electronics comes from the Naim audio system, a true hi - fi piece of equipment.

But the most exciting piece of tech in the Panamera Turbo S» cabin is the premium audio system, from German company Burmester.

The service offers bits of ad - free content like audio editions of pieces from publishers like The Wall Street Journal, The Onion, The New York Times, and Charlie Rose, while other selections are from original content producers.

Alongside every piece of art seemingly lifted from the early part of the last century, the audio effects go right along with it.

Part of Develop's ongoing Audio Special, Schütze's piece explores how developers today can reap unexpected rewards from adopting modern generative audio methodologies, which allow the audio team to use small «sound building blocks» to create audio effects in real time.

While I got a measure of satisfaction from forecasting the plot, I also enjoyed fleshing out the story with the random audio logs placed throughout the world — and smashing rogue Corebots to pieces.

[In the latest of his Sound Current pieces, Jeriaska brings a first - person report about the game audio available from Tokyo's video game and manga fan forum Comiket — one of the largest and most bustling examples of independent fan - based creative culture in Japan.]

Sound designer at Creative Assembly Charles Pateman also recently wrote an opinion piece for the December issue of AMI, in which he discusses how working in audio for games differs from linear media...

Using audio from a Sanders rally, the piece already has almost 3 million views:

Claerbout himself often refers to his work as «audio pieces embedded in video», «Travel» (1996 - 2013) is a work that was inspired by, and ultimately born from the soundtrack — a synthesised therapeutic music score composed by French composer Eric Breton, designed to reduce stress and induce sleep.

Featuring visual and audio overlays, the pieces in the exhibition bring the library to life in new ways, from dynamic bookmarks to time travel clocks.

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

«House Party,» integrates audio from Esther Ferrer, the 81 - year - old Spanish performance artist, and pieces made in response to the audio objects by other invited artists, including grotesque stuffed jars and textiles.

Songs VI is exhibited with other works from the ongoing project Golden — another audio piece, Golden Hour, 2006, and two site - specific installations, Untitled (Pavilion) and Untitled (Shower), 2017.

Anchoring the exhibition are two iconic works from the 1960's: Robert Morris» Box with the Sound of Its Own Making (1961), a seminal piece from early process - based art and Joseph Beuys» multiple Ja ja ja ja ja nee nee nee nee nee (1969), a stack of felt with an audio tape in its center that plays Beuys chanting the German words for «yes and no,» thereby muffling the potential for discourse.

For the piece the artist appropriates a slice of the audio from composer Steve Reich's Come Out (1966), that quotes Daniel Hamm, a young Harlem resident accused of murder and beaten by the police, describing to a court how he managed to convince the cops to release him: «I had to open the bruise up and let some of the blues... bruise blood come out to show them.»

The show features sculpture, audio and video installation, as well as performance pieces from the museum's media arts collection.

Those plans include helping sculptor Jedediah Caesar — known for entombing trash from his studio in gigantic lumps of resin — to create a large abstract sculpture in a yet - to - be-named public place, and helping photographic artist Walead Beshty create a sculptural piece with audio elements inside a local mall.

These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including Coughing Piece, a never - before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures.

From the audio of the video piece «Somewhere» echoing throughout the open space on the ground floor, to the strong Continue reading →

While Etchell's video plays on a constant loop, 6 - minute audio from British artists Andy Holden & David Raymond Conroy's piece Leaving the Relationship (2013), a series of dramatic readings from David Foster Wallace's book Brief Interviews with Hideous Men, intermittently demands attention and punctuates the space.

The three - channel piece combines footage and audio of various soundmaking set - ups: a balloon inflated, stuck onto the end of a flute, and allowed to wheeze its air through the instrument; a merry - go - round with a violin affixed to its outer edge, so that every time it rotates it strikes a bow placed, just so, by the artist; an accordion hung from a lamp post, groaning as it stretches its bellows.

9.30 h — 10.30 h: Ian Waelder will perform the audio piece «Fuck Off, Martin Creed» from a Ford Focus around the center of Palma.

Installed across from the painting is CalArts alumnus Tony Oursler's (Art BFA 79) strawberry ecstasy green, an audio - visual piece whose colors reference those in Molmenti's painting.

Special features include a presentation of Andy Warhol's Rainforest, which includes his famous helium - filled silver balloons, and Charles Atlas's MC9, which will fill one of the MCA barrel vault galleries with 35 years of clips from Cunningham pieces in a dazzling audio - visual realization.

Viennese sound artist Konrad Becker provides the audio for this piece, with five tracks from his ground - breaking 1982 album, Monotonprodukt 07.

The audio - visual piece, created specifically in response to Fowler's residency at the ICA, will consist of new work generated from his research into the ICA archive.

He played some of the sounds that will be featured in the show and explained, «The audio piece is eight hours long divided in 15 minute pieces: 15 of the Caribbean Sea, 15 from the Renaissance, 15 different Sea Sounds and 15 of the Yanomami.»

My educated guess about how the Desmogblog writer knows about the scans: Gelbspan was that site's star blogger from 2006 to 2011; Desmogblog's Jim Hoggan noted in his January 2008 piece «s 4th paragraph, «Ross Gelbspan, whose defining books Boiling Point and The Heat is On were a big part of the inspiration for starting the DeSmogBlog...»; and Gelbspan himself corroborated that just 6 seconds into this November 2012 audio interview, (backup here)

In addition to reformatting into smaller pieces, some lawyers would also benefit from reformatting into different types (i.e. visual, audio, video, etc).

You could even stream two different audio sources to two different audio devices at the same time, so two people could be listening to two different pieces of music, but streaming from the same phone.

Playing the two side by side makes it strikingly clear that with Echo Dot the sound comes out of a piece of plastic, while audio from Home Mini comes from a device whose entire face is a speaker.

The Smart Audio Report from NPR and Edison Research is a milestone piece of research which establishes the smart speaker category as a fast - growing audio distribution platform that is vigorously embraced by early adopters of all ages.

From virtual surround and Google Cast connectivity to consider, and big decisions to make like whether you want a subwoofer or not, it can be hard to pick a good piece of audio equipment out from the crFrom virtual surround and Google Cast connectivity to consider, and big decisions to make like whether you want a subwoofer or not, it can be hard to pick a good piece of audio equipment out from the crfrom the crowd.

Listening to a long list of tracks from our music catalog, as well as Pandora and FM radio, we found the Hidden Radio a fairly pleasant purveyor of ambient music, and the device's clever design and wireless connection made it a fun and convenient piece of gear to use, overriding some of its audio shortcomings.

The call quality is fine, and the audio from the ear - piece and the speaker unit is loud as well as every single beat can be felt.