Sentences with phrase «audio production as»

According to You Yunting, a Shanghai - based intellectual property lawyer, Amazon China is even not a qualified body to apply for such a license as «video & audio production as well as the electronic publication and making is prohibited for foreign investment.»

Not exact matches

We see a spike in new podcasts every now and then in part because entrepreneurs and small businesses want to market themselves and they see audio podcasting as an inexpensive, easy - to - learn cousin of video production.
I was able to practice as a professional writer, producer of film, video and audio - visual productions and as a PR practitioner and spokesperson for Johns Hopkins Health System, American Red Cross and other Baltimore hospitals.
Entrepreneurs and small businesses that want to market themselves see audio podcasting as an inexpensive, easy - to - learn cousin of video production.
Due to a lack of production time, it went on a hiatus, but was reinvigorated as an audio podcast in mid-2012.
Graduates can join the industry as film or video editors, assistant producers or directors, cinematographers or videographers, production managers, assistant audio engineers, and computer graphics or animation assistants.
As part of dissemination, some of the winning audio - visual productions of the European Science TV & New Media Festival in 2015 were presented at the European Researchers» Night on 30 September 2016 at CERN (the European Organization for Nuclear Research).
Unlike 12 Rounds, CutThroat Island's audio commentary with Renny Harlin is very interesting to listen to as you get a lot of background on the trials involved with filming a production of this magnitude.
Sound: Dolby Digital English, French and Spanish 5.1 Surround Sound Audio tracks will appeal to a linguistically - broad audience and highlight the (as revealed in the extras) mostly production - audio tracks.
The sole audio option is a Dolby Digital 2.0 stereo track that is mostly dedicated to narration, with the most impressive moments being displayed during some of the accompanying score that is as big and as bold as the production itself.
First up is an audio commentary with director Daniel Attias, moderated by Michael Felsher, which goes over much of Attais» involvement with the production, as well as his other film and TV work.
All of the extras from the previous two releases also appear, including both audio commentaries (one with writer / director Whedon, and another with Whedon and cast members Nathan Fillion, Adam Baldwin, Summer Glau and Ron Glass), as well as deleted scenes, six production featurettes, and the Fruity Oaty commercial in its entirety.
The 1.78:1 anamorphic widescreen transfer is unremarkable and often soft, exposing the TV - cheap production values (perfect for the material, as it happens), while the Dolby 2.0 stereo audio underutilizes the soundstage to the extreme.
There is also an audio commentary track both Director John Carpenter and Actor Kurt Russell, as well as another with audio commentary with Producer Debra Hill and Production Designer Joe Alves.
Silly hype notwithstanding, the doc should be viewed before tackling the audio commentary track with Carpenter and Debra Hill because, while some minor information is repeated, the doc acts as a concise intro and visual alternative to watching the film a second time (making a nice buffer between viewings), and adds the perspectives of cinematographer Dean Cundey, production designer / editor Tommy Lee Wallace, and actors Adrienne Barbeau and Janet Leigh.
Extras include an audio commentary by director Wes Ball, co-writer T.S. Nowlin and producer Joe Hartwick Jr., as well as a series of production featurettes, deleted scenes, a gag reel and more.
The video transfer is beautiful, and the extras are excellent, including insightful audio commentary by Zemeckis, Gale and Kurt Russell, a series of radio commercials that perfectly reflect the times, as well as some local car commercials Kurt Russell appears in for the lot that the production actually shot on.
Bonus features include an active - screen main menu, an often unintentionally amusing audio commentary track with Polish - born director Rafal Zielinski, and a pair of interview featurettes — a 10 - minute chat with producer Maurice Smith, who comes across as less skeevy than some of his other credits (Flesh Gordon) might suggest, and a five - minute talk with production manager Ken Gord.
Notable Extras: The single disc includes only an audio commentary, while the two - disc includes that as well as featurettes («The Clone Wars: The Untold Stories», «The Voices of The Clone Wars», «The New Score», «Webdocs»), deleted scenes, concept / production art gallery, a Hologram Memory Challenge, and a digital copy of the film.
Leading the pack is an audio commentary by director Ron Howard that is both informative and insightful, while the in - depth making - of featurette covers all of the usual details (casting, production design and costumes) as well as a few behind - the - scenes stories about the cast regarding their work on the film.
EXTRAS: There are two audio commentaries — one with directors Robert Wilson and Jason Lapeyre, and another with Wilson and the cast — as well as pair of production featurettes.
As has become Criterion's habit, included are a number of features geared toward the cinephiles who make up its fan base, things like film historian Bruce Eder's audio commentary, experts from Francois Truffaut's 1962 audio interview with Hitchcock, and a gallery of production stills.
More interesting is the combined audio contribution — again employing seamless branching technology but to skip uncommented - upon passages — of Hilary Swank (acting as MC), screenwriter Hillary Seitz, DP Wally Pfister, production designer Nathan Crowley, and editor Dody Dorned.
EXTRAS: There's an audio commentary by director / co-writer Nicolas Winding Refn and star Elle Fanning, as well as a pair of featurettes on production and the soundtrack.
The film took 9 months for scoring The Shape of Water to really nail the music and score / songs of the 30's and time period so with as much detail that went into the film for production and composing one would think the technical audio tracks would follow.
EXTRAS: The Blu - ray release includes an audio commentary by director Drake Doremus, cinematographer John Guleserian and editor Jonathan Alberts, as well as some production featurettes.
DVD Features: The two - disc special edition DVD of «Memoirs of a Geisha» is a grand release that includes eleven production featurettes - including «Geisha Bootcamp,» «The Music of «Memoirs»,» and «The Way of the Sumo» - as well as two audio commentaries featuring director Rob Marshall and various crew members.
Technology resources today resemble simple hand tools that have morphed into a combination of every tool — handheld and power — available at Sears, as well as every work vehicle Caterpillar manufactures, an audio recording John Lennon would have appreciated, and a video - production unit capable of contributing content for a National Geographic special.
It's wise to add a broad range of media to your productions, such as background music, audio narrations and attention - grabbing images.
(Week 4) Opportunities to: - explore the importance of audio editing - audacity software - create an audio product - example given is a radio broadcast - the task requires students to bring together everything they've learned in weeks 1 - 3 including microphones, acoustics, purposes etc. - conduct risk assessments before recoding on location as per industry - evaluate own production work
His past audio experience includes production and voice acting on commercials and radio dramas and as an actor in stage performances.
True, the production model isn't quite as dynamic, but it is street legal and comes with a lot more in the way of Lexus luxuries — from heated and ventilated leather front seats to a 17 - speaker Mark Levinson audio system.
As standard, the entry - level 66kW dCi 90 model comes with twin front and side curtain airbags (from January production, plus a phone docking module), stability control, Grip Xtend traction control, hill start assist, rear parking sensors and Bluetooth audio / telephony and a three - person bench seat.
For the industry as a whole, authors and publishers need to pay more attention to audio production and focus on releasing new titles.
So remember to download your actual audio file from ACX to get the full feel for the audiobook production before asking your narrator / producer why the audio quality isn't as crisp as you might expect.
Karen has completed extensive specialized training in voiceover and audiobook narration technique, as well as in digital audio production.
However, as services such as Createspace and KDP simplified print book and eBook production to make it a possibility for thousands of self published authors — and as text - to - speech automation continues to evolve — I don't think it will be long before we see a breakthrough in audio book self publishing capabilities.
He has been an actor, writer, director, and producer and he spent a decade as the Head of Production for Recorded Books, one of the largest audio publishers.
Some authors create full production audio versions of their books for free, such as podcast novelists Scott Sigler, Tee Morris and Philippa Ballantine.
After «retiring» from the road, I used my audio and production skills to install professional recording studios, as well as commercial and residential A / V systems.
ACX's innovative production financing options meant narrators, producers and audio book professionals had the opportunity to audition to produce these Random House titles for distribution as digital audiobooks.
You can't get audio books as part of a bundle, but audio books have to go through a whole extra set of production in addition to the physical / digital versions.
The obvious focus is on print and in particular translations where there is huge potential, but we also see lots of for instance audio, large print and production materials deals being completed as well.
Shortly after the introduction of Wwise in 2006, Brock worked closely with Audiokinetic to integrate Wwise as the primary hands - on tool for introducing audio production students to game audio integration.
However, 15 % of those who worked as employees (either at a game company or an audio production house) reported earning additional freelance income on the side.
Guy's production skills, as well as his attention to detail, are exactly what «TTR: World Tour» needs as we crank up the audio, graphics and gameplay ahead of launch on Playstation 4 and beyond.»
Creators Directory is designed as a portal for developers, audio designers, audio production firms and educational figures such as tutors and schools to hook up and work together.
Grab this month's issue in print or digital to read interviews with iconic adventure game designer and star voice actors, as well as finding out the best way to use licensed music, improve your sound design and voice production, and work with audio outsourcers
Biswas creates a futuristic sensorial drift through the gallery, casting the listener as a post-human participant cognitively fused to the audio, while the Tate Boat segment is a mix of songs, monologues and interviews fading in and out against an assortment of oceanic soundscapes: a blend of anecdotes and simulated acoustic spaces, pitched somewhere between experimental radio documentary (eg Glenn Gould's The Idea of North) and radio play (eg Radio 4's production of The Hitchhiker's Guide to the Galaxy).
Alongside this he is also the co-founder of Emptyset with James Ginzburg, a project that operates as a meeting point for sound, architecture and performance considering full frequency audio, psychoacoustics and the legacy of Structural / Materialist production.
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