Sentences with phrase «audio production from»

Not only did I do extensive research and consult with other top professional reviewers (you can read more about that below), but I also hold a bachelor's degree in both music performance and audio production from Ithaca College.

Not exact matches

The technology is deployed in production across an array of fieldwork, heavy manufacturing, and warehousing environments, augmenting workers» experiences with custom voice and gesture - driven apps, and providing HD audio and video feeds for a first - person view into everything from field service training to constructing jet engines.

There's an audio commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921 film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919 film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by film critic Michael Wood, Chaplin's 1940 New York Times defense of the film, a reprint from critic Jean Narboni on the film's final speech, and Al Hirschfeld's original press book illustrations.

Additionally, there's an audio commentary with director Adam McKay and the cast, a making - of featurette, four more production featurettes, a lengthy gag reel, deleted, extended and alternate scenes, clips from the table read, and if you can believe it, much more.

Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.

All of the extras from the previous two releases also appear, including both audio commentaries (one with writer / director Whedon, and another with Whedon and cast members Nathan Fillion, Adam Baldwin, Summer Glau and Ron Glass), as well as deleted scenes, six production featurettes, and the Fruity Oaty commercial in its entirety.

New to this edition are the 2000 documentary «Hitchcock: The Early Years,» archival interview footage with Alfred Hitchcock from Mike Scott's 1966 television interview, excerpts from François Truffaut's 1962 audio interview with Hitchcock, a visual essay by Hitchcock scholar Leonard Leff, original production design drawings, and a booklet featuring an essay by film critic David Cairns.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras include an audio commentary by writer / director Michael Dudok de Wit, a pair of production featurettes and a director Q&A from AFI Fest.

Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.

Blu - ray Highlight: In addition to a fairly informative audio commentary by writer Seth Grahame - Smith, the disc also includes a collection of production featurettes (ranging from a basic making - of documentary, to more specific departments like make - up effects and fight choreography) that fans of the movie will definitely want to check out.

New audio commentary by Troy Howarth Exclusive introduction by actress Erika Blanc New interview with critic Stephen Thrower The Night Erika Came Out of the Grave — exclusive interview with Erika Blanc The Whip and the Body — archival interview with Erika Blanc Still Rising from the Grave — archival interview with production designer Lorenzo Baraldi Original Italian and US theatrical trailers Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx

The Blu - ray release from Warner Bros. highlights the movie's lovely, cozy color scheme and its fabulous production design; the audio track is also sharp and balanced.

Here we get an audio commentary from Kong, along with an hour long making of documentary called Killer Cuisine which tackles every part of the film's development, genesis and production.

That's not to say that they're not impressive, with the audio commentary from director John McTiernan and production designer Jackson DeGovia the main standout where the bonus material is concerned.

Now on to the supplements, in a section I'll call «Bait and Switch, Part Two:» prior to the November 1999 release of the original Haunting DVD, listings indicated it would include an audio commentary from director Jan DeBont and production designer Eugenio Zanetti, plus some deleted scenes and other features.

Sound / vision: Aside from the top - notch picture (the original production was mastered from digital sources, not film), the disc includes English and Japanese audio (with English subtitles).

Some of the theatrical devices of Cocks and Winkler work like gangbusters, since theatre was Porter's primary milieu: lighting transitions, live production audio for the musical numbers, and a freedom from film's typical realistic restraints.

We get a good mix of extras here, and these open with an audio commentary from director / co-writer Tony Gilroy, co-writer Dan Gilroy, editor John Gilroy, director of photography Robert Elswit, second unit director Dan Bradley and production designer Kevin Thompson.

In addition to the movie's original theatrical trailer, we find a running audio commentary from director James L. Brooks, co-producer Penney Finkelman Cox, and production designer Polly Platt.

As has become Criterion's habit, included are a number of features geared toward the cinephiles who make up its fan base, things like film historian Bruce Eder's audio commentary, experts from Francois Truffaut's 1962 audio interview with Hitchcock, and a gallery of production stills.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Features interviews with director Nicolas Winding Refn and actors Tom Hardy and Matt King, featurettes, behind - the - scenes footage and monologues by the real Charlie Bronson (lo - fi audio only, accompanied by stills from the film and the production).

Ridley Scott's audio commentary avoids «Legend's» obvious controversies, and provides a fairly consistent retrospective on pre-and production aspects, focusing on details briefly highlighted or omitted entirely from the DVD's doc.

Jubert, the DJ Project's lanky, dreadlocked audio - production instructor, wants to play his students» latest work: a public - service announcement written and performed by students from the project's introductory audio - production class and expertly layered over a Marvin Gaye sample.

With over 15 years of experience in narration and audio production, Trueblood Voice Talent can handle any project from big to small and a range of rates that will fit your budget.

Apart from the audio tracks, the CD also includes the following: - A licence to perform the work; - Notes for a teacher on how to put on the musical; - Story of Orpheus; - Complete Lyrics Sheets; - Narrative script; - Full production script; - A songbook adaptation for piano and voice; - Instrumental scores for violin, viola, cello, trumpet, clarinet, piano and conductor's full score; - Photos of cast members and musicians; - Backing tracks with synchronised lyrics for children to practise to, or perform with, if you don't have access to musicians.

True, the production model isn't quite as dynamic, but it is street legal and comes with a lot more in the way of Lexus luxuries — from heated and ventilated leather front seats to a 17 - speaker Mark Levinson audio system.

As standard, the entry - level 66kW dCi 90 model comes with twin front and side curtain airbags (from January production, plus a phone docking module), stability control, Grip Xtend traction control, hill start assist, rear parking sensors and Bluetooth audio / telephony and a three - person bench seat.

From cash flow to increasing sales to SEO to website design to cover and interior book design to blurbs to publisher catalogs to distribution of paper books to stores to production to learning how to write more to audio to overseas sales to contracts to bundles to... So much more.

He writes that releases of audiobook editions of titles «is almost always simultaneous with the publication of the printed book, which means that the audiobook benefits from publicity at the time of print publication, but it also reduces the time available for audio production.»

Plan on spending from two to three hours of recording and post-recording production for every hour of finished audio.

So remember to download your actual audio file from ACX to get the full feel for the audiobook production before asking your narrator / producer why the audio quality isn't as crisp as you might expect.

3M and Baker and Taylor both get their audio editions from Findaway World, which is current market leader in production.

Since you are experienced in audio production, you might consider doing freelance editing and mastering for narrators who work from their home studios.

I guess the production rights allow you to make a play or movie from the book's text and are somehow different than audio rights.

And after everything I read about Podium's pedigree, accolades and reputation, I felt comfortable forgoing the profits (if any) I might gain from handling the audio production myself and instead entrusting the responsibility to experts who were asking nothing from me except just that: trust.

After «retiring» from the road, I used my audio and production skills to install professional recording studios, as well as commercial and residential A / V systems.

The ProMagixT digital media system from Velocity Micro is the ultimate workstation for professional - quality digital content creation, ideal for digital video production, audio and MP3 recording, and any combination of multimedia tasks.

You may also order retail print and audio productions (excluding Books - On - Tape brand productions) from a specialty distributor who serves the educational market.

You can now listen to the world's largest library of audiobooks on your all - new Kindle Oasis with Audible — choose from over 375,000 professionally performed audio programs, including audiobooks, original audio productions, and exclusive content.

I have a lot of experience producing audio voice tracks for commercials, and I think many writers who want to create audiobooks would benefit from learning about the relatively simple audio production process.

From the production value in graphics and audio, storytelling, narrative and immensly fun Axe wielding gameplay.

Now, one interesting fact is that in one of the behind the scenes videos in which Camilla Luddington, Lara's voice actress, discusses the role, you can hear some audio from that very scene during production that highlights it was one of a few changes they made before launch.

We seek to emulate this period in most ways, from graphic presentation, to audio production, to general level design philosophy.

Players increasingly expect more from games and the quality of audio production is no different.

These ideas are examined through the production of assemblages and sculptural installations made from furniture, household electronics, found or constructed video footage and existing artworks combined to generate audio compositions.

You will be involved in various aspects of game's creation from concept to finished product including coding, programming, audio, design, production and visual arts.

Work ranges from digital engagement campaigns — to audio and video production — to website development — to social media interaction — to mobile marketing.