Sentences with phrase «audio production with»

At no cost to the author, Dime Show Review offers top - notch audio production with professional... Continue reading →

At no cost to the author, Dime Show Review offers top - notch audio production with professional voiceover talent.

Not exact matches

This «ultimate» pair retains the same audio quality that has kept this decades old headphone in production, but with a modern twist.

Not only did I do extensive research and consult with other top professional reviewers (you can read more about that below), but I also hold a bachelor's degree in both music performance and audio production from Ithaca College.

The technology is deployed in production across an array of fieldwork, heavy manufacturing, and warehousing environments, augmenting workers» experiences with custom voice and gesture - driven apps, and providing HD audio and video feeds for a first - person view into everything from field service training to constructing jet engines.

If they are considering something in electronic media, which is a quickly growing industry for college students, you might want to find something with a wider, clearer screen (for graphic design and production - related majors) or top of the line speakers (if they consider audio production, music, or even broadcast journalism).

Student at Belmont University in Nashville, TN, double majoring in audio production and music business with a minor in theology.

Unlike 12 Rounds, CutThroat Island's audio commentary with Renny Harlin is very interesting to listen to as you get a lot of background on the trials involved with filming a production of this magnitude.

The Blu - ray reflects the film's high enough production values, with the sharp 2.40:1 widescreen transfer and potent 5.1 DTS - HD master audio sound mix both satisfying completely.

EXTRAS: In addition to a pair of audio commentaries (one with director / co-writer Paul Feig and co-writer Katie Dippold, and the other with Feig and various crew members), there's a series of production featurettes covering things like casting, creature design and visual effects, over an hour of deleted / extended scenes, alternate takes and two different gag reels.

Blu - ray extras include audio commentary by Talalay and Petty; interviews with Petty and production designer Catherine Hardwicke (who would go on to direct Thirteen and the first Twilight picture); a vintage behind - the - scenes featurette; and the theatrical trailer.

The sole audio option is a Dolby Digital 2.0 stereo track that is mostly dedicated to narration, with the most impressive moments being displayed during some of the accompanying score that is as big and as bold as the production itself.

Extras repeat the U.K. release including a feature length audio commentary track with the Chiodo Brothers, The Making of Killer Klowns: a 20 - minute featurette looking at the film's production, including an interview with the Chiodo Brothers alongside behind - the - scenes footage, Visual Effects with Gene Warren Jr.: an interview with Charles Chiodo and visual effects supervisor Gene Warren Jr., Kreating Klowns: an interview with Charles Chiodo and creature fabricator Dwight Roberts, Bringing Life to These Things - A Tour of Chiodo Bros..

The supplements (duplicating those on the 2 - disc DVD) begin with a thorough audio commentary by director Sidney Lumet who speaks continuously throughout the film and delivers a vast array of information on all aspects of the production.

EXTRAS: In addition to a new 2K high definition scan that looks great, the Collector's Edition is overflowing with goodies, including three audio commentaries featuring director John Carpenter and star Kurt Russell; producer Debra Hill and production designer Joe Alves; and a new track with actress Adrienne Barbeau and cinematographer Dean Cundey.

Additionally, there's an audio commentary with director Adam McKay and the cast, a making - of featurette, four more production featurettes, a lengthy gag reel, deleted, extended and alternate scenes, clips from the table read, and if you can believe it, much more.

Other places that may shed some light on the production's creative choices are the audio commentary with director Mennan Yapo and actress Sandra Bullock, and the optional director's commentary on some deleted scenes.

There is a very fun audio commentary with Writer / Director Daniel Kwan, Writer / Director Daniel Scheinert, Production Designer Jason Kisvarnay, and Sound Mixer / Fartist Brent Kiser... and NO you did not misread that... this film has a fartist.

First up is an audio commentary with director Daniel Attias, moderated by Michael Felsher, which goes over much of Attais» involvement with the production, as well as his other film and TV work.

All of the extras from the previous two releases also appear, including both audio commentaries (one with writer / director Whedon, and another with Whedon and cast members Nathan Fillion, Adam Baldwin, Summer Glau and Ron Glass), as well as deleted scenes, six production featurettes, and the Fruity Oaty commercial in its entirety.

Creative Sound Design aka: The Recordist is an audio production company founded by Frank Bry in 1993 with digital sound sample offerings for Digital Sampling Keyboards.

The audio commentary with director Catherine Hardwicke and stars Robert Pattinson and Kristen Stewart isn't particularly informative, but the 54 - minute production featurette («The Adventure Begins») remedies that with an in - depth look at making the film.

New to this edition are the 2000 documentary «Hitchcock: The Early Years,» archival interview footage with Alfred Hitchcock from Mike Scott's 1966 television interview, excerpts from François Truffaut's 1962 audio interview with Hitchcock, a visual essay by Hitchcock scholar Leonard Leff, original production design drawings, and a booklet featuring an essay by film critic David Cairns.

EXTRAS: The so - called «Freedom Edition» Blu - ray includes an audio commentary with directors Seth Rogen and Evan Goldberg, five production featurettes, Randall Park's audition video, deleted scenes, alternate takes, a blooper reel and a Discovery Channel special featuring Rogen and co-star James Franco.

EXTRAS: In addition to an audio commentary by director Michaël R. Roskam and author Dennis Lehane, there's a collection of deleted scenes with option commentary and five production featurettes, including a profile on the late James Gandolfini.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras: New Q&A in which Jarmusch responds to questions sent in by fans; new readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop; new selected - scene audio commentary by production designer Robert Ziembicki and sound mixer Drew Kunin; new interview with actor Gary Farmer; deleted scenes; Jarmusch's location scouting photos; essays by critic Amy Taubin and music journalist Ben Ratliff.

Extras: New audio commentary featuring critic Tony Rayns; new video essay on the film's symbols and references, featuring scholar James Steffen; new interview with Steffen detailing the production of the film; «Sergei Parajanov: The Rebel,» a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli; «The Life of Sayat - Nova,» a 1977 documentary about the Armenian poet who inspired «The Color of Pomegranates»; an essay by film scholar Ian Christie.

First up we have an audio commentary track with director John M. Chu and producer Lorenzo Di Bonaventura, which delivers tons of great information about the production.

Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.

The full - length audio commentary with Ruzowitzky is interesting enough, boasting a generous supply of anecdotes about the production and some of the director's thoughts on translating real events into screen material (and inventing a few), but it feels like the 90 - year - old Burger is the real star of the fairly generous slate of extras, almost all of them only in SD.

With absolutely no audio commentaries to be found, the biggest highlight of the set is the 25 - minute «Masters of Design» — a series of production featurettes that cover the creation of props like Sao Feng's map and the Pirate Code book, the Singapore set, and Keith Richard's costume.

New audio commentary by Troy Howarth Exclusive introduction by actress Erika Blanc New interview with critic Stephen Thrower The Night Erika Came Out of the Grave — exclusive interview with Erika Blanc The Whip and the Body — archival interview with Erika Blanc Still Rising from the Grave — archival interview with production designer Lorenzo Baraldi Original Italian and US theatrical trailers Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx

There is also an audio commentary track both Director John Carpenter and Actor Kurt Russell, as well as another with audio commentary with Producer Debra Hill and Production Designer Joe Alves.

Silly hype notwithstanding, the doc should be viewed before tackling the audio commentary track with Carpenter and Debra Hill because, while some minor information is repeated, the doc acts as a concise intro and visual alternative to watching the film a second time (making a nice buffer between viewings), and adds the perspectives of cinematographer Dean Cundey, production designer / editor Tommy Lee Wallace, and actors Adrienne Barbeau and Janet Leigh.

DVD Features: Just in time to ring in the New Year, the single - disc release of «Snakes on a Plane» features hours of special features including an audio commentary track with Samuel L. Jackson and director David Ellis, ten deleted scenes, four production featurettes, a gag reel, and a Cobra Starship music video.

Here we get an audio commentary from Kong, along with an hour long making of documentary called Killer Cuisine which tackles every part of the film's development, genesis and production.

It's a modern production with modern production values, so there are no issues with the audio of video.

Newly restored digital transfer, supervised and approved by director Ken Loach and director of photography Chris Menges, with the filmmaker's original production soundtrack, with uncompressed monaural audio on the Blu - ray edition

In 1979, Hughes, Witteron and Nash conducted an audio interview with Disher, Gow and Levy before commencing production (5).

Bonus features include an active - screen main menu, an often unintentionally amusing audio commentary track with Polish - born director Rafal Zielinski, and a pair of interview featurettes — a 10 - minute chat with producer Maurice Smith, who comes across as less skeevy than some of his other credits (Flesh Gordon) might suggest, and a five - minute talk with production manager Ken Gord.

Also included is an audio commentary with Westfeldt, Hamm, and Director of Photography William Rexer, a couple of basic production featurettes, and some deleted scenes.

That's not to say that they're not impressive, with the audio commentary from director John McTiernan and production designer Jackson DeGovia the main standout where the bonus material is concerned.

His latest film, Phantom Thread, which has quietly been winding its way through post production reunites the director with his star Daniel Day - Lewis, here strangely channeling late - period Ralph Fiennes (just close your eyes, and you can see Fiennes in the role just through the audio association).

The DVD offers excellent picture and audio along with a nice collection of featurettes that embellish our understanding of the production.

Of course, we learn a lot about the effects, but we also find info about cast and performances, shooting on location and dealing with weather, real tornadoes and research, story and characters, music and audio design, and a mix of other production topics.

Special features include an audio commentary track with Zucker and producer Hunt Lowry, deleted scenes, a making - of featurette, a production design featurette and an «Arthurian Legend» commentary.

Sound / vision: Aside from the top - notch picture (the original production was mastered from digital sources, not film), the disc includes English and Japanese audio (with English subtitles).

The special edition kicks off with audio commentary with director Irwin Winkler and actor Kevin Kline and audio commentary with Winkler and screenwriter Jay Cocks, the former more concerned with production and performance, and the latter more concerned with historical perspective and the script (natch).