The 5.1 DTS - HD master
audio soundtrack also commands praise, with its crisp dialogue and fine distribution of Gary Yershon's Oscar - nominated score.
The 5.1 DTS - HD master
audio soundtrack also doesn't merit much comment.
The 5.1 DTS - HD master
audio soundtrack also does its part to keep the movie from feeling like an R - rated sitcom.
The 5.1 DTS - HD master
audio soundtrack also gets the job done, most coming to life on music (none of which include the real Hendrix or recreations of his best - known tunes) but presenting dialogue crisply and capably as well.
The 5.1 DTS - HD master
audio soundtrack also satisfies, although it does startle a few times with loud jolts.
The 5.1 DTS - HD master
audio soundtrack also satisfies with its distributing of crisp dialogue and haunting score.
The 5.1 DTS - HD master
audio soundtrack also capably gets the job done.
The 5.1 DTS - HD master
audio soundtrack also pleases, especially when it comes to life in a dynamic climax.
Not exact matches
Also, although the
soundtrack isn't the «hit - em - over-the-head» variety, it is a great example of well - blended and properly balanced
audio mixing, which makes it the perfect complement for the video presentation.
Note: To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar; however, Dolby Atmos
soundtracks are
also fully backward compatible with traditional
audio configurations and legacy home entertainment equipment.
Two
soundtracks were
also released for the features and include music and
audio snippets from the film.
A 5.1 Dolby Digital track is somewhat underutilized and a little quiet, but there is
also a lack of any real need for bombastic five - channel
audio pyrotechnics in the film; all that you need know is the dialogue sounds clear and the indie
soundtrack is appropriately evocative of the Chelsea underground nightlife.
The 5.1 DTS HD master
audio soundtrack gets the job done, most getting your attention with its distribution of period music, though
also keeping dialogue and voiceover full - bodied and crisp.
The accompanying DD 5.1
audio is a predictable blitzkrieg of discrete effects; it's a
soundtrack sure to impress but
also one with a slightly - undercooked centre channel and slightly overcooked surround channels.
The 5.1 DTS - HD master
audio soundtrack is
also quite lively, doing a splendid job of distributing both the catchy needle drops and James Newton Howard's appealing score.
The complete
soundtrack is
also presented in 5.1 on a separate
audio track, offering a more precise mix (though oddly, lacking extra bass present in the regular track) of Cole Porter's naughty lyrics and some impressive orchestra passages (arranged by Andre Previn and Saul Chaplin).
Presented in a widescreen video transfer and Dolby Digital 5.1
audio soundtrack, the «Man on Fire» DVD includes two full - length
audio commentary tracks (the first by director Tony Scott, and the other with producer Lucas Foster, screenwriter Brian Helgeland and star Dakota Fanning), as well as deleted scenes and an alternate ending (
also featuring optional director commentary).
The Blu - ray
also boasts a Dolby Atmos ®
soundtrack remixed specifically for the home to place and move
audio anywhere in the room, including overhead ‡.
The 5.1 DTS - HD master
audio soundtrack is
also up to par, with dialogue remaining crisp and complemented, not overpowered, by music and effects.
The Ultimate Toy Box offered four
soundtracks: Dolby Digital 5.1 EX tracks in English and French (encoded at 384 Kb / s), a sound effects - only track in 5.1 (
also at 384 Kb / s) and the
audio commentary in 2 - channels (192 Kb / s).
The
audio is
also a solid presentation of a 1991 film
soundtrack, but even though it's a full - blown 5.1 DTS HD Master
Audio track, it's still front - heavy with little output for the rear speakers.
Also satisfying is the only
soundtrack option, 1.0 DTS - HD master
audio.
The 5.1 DTS - HD master
audio soundtrack is
also on point, distributing Cliff Martinez's electronic score and the little bit of dialogue well.
Brian was
also a member of a select group of ten game
audio professionals who successfully lobbied NARAS into making video game
soundtracks eligible for the Grammy Award in 1999.
Also included is an alternate 2.0 DTS - HD master
audio soundtrack isolating the music and effects.
The 5.1 Russian DTS - HD master
audio soundtrack is
also agreeable, with English subtitles offering a clean and seemingly quite accurate translation.
The DVD
also offers two English
audio tracks: a Dolby Digital 5.1 Disney Enhanced Home Theater Mix (apparently the same one used on the Platinum Edition) and the same Restored Original Theatrical
Soundtrack found on the Blu - ray.
The
audio is
also dutifully reproduced, with the
soundtrack full of New Age instrumentals making strong use of the field.
Besides the
audio commentary one
also has the option of listening to the Jerry Goldsmith
soundtrack alone while the movie plays.
The
audio system
also features speed - sensitive volume to adapt your
soundtrack to the racetrack.
And since it's
also capable of playing Bluetooth ®
audio and receiving SiriusXM ® Satellite Radio, you can have the perfect
soundtrack for any driving adventure.
Unlike your standard
audio comic, where a single
soundtrack plays when the comic is opened or the reader taps a button, Project Gamma will tailor the sound not only to the action in the comic but
also to the reader's behavior.
In addition to the above - mentioned content, the Nintendo Switch version
also includes an
audio CD with the game's original
soundtrack, consisting of 18 chip - tune tracks.
Brian was
also a member of a select group of ten game
audio professionals who successfully lobbied NARAS into making video game
soundtracks eligible for the Grammy Award in 1999.
The
soundtrack also strikes a good balance between old and new, reimagining some classic character themes, while adding new scores to give each stage its own
audio style.
The «Limited» edition gets you everything previously mentioned, but
also includes a 9 track, 22 minute original
soundtrack disc on
audio CD.
It will have dual
audio, and there is
also a limited edition available for $ 59.99 that includes the game, a
soundtrack, and a hardcover art book, all in a collector's box.
The
audio is
also weak, with a
soundtrack being a generic mix of rap and some alt rock music that tends to repeat or not play at all, and the cars producing fairly anemic growls.
The game uses spatial
audio tech so you can determine where the ball is by sound, and there's
also a top notch
soundtrack and
audio - reactive visuals to boot.
According to a press release, the game's
audio is
also getting a major face - lift with a «fully - remastered game
soundtrack, packed with all the didgeridoos, xylophones and thumpin» bass lines you can handle, as well as newly recorded dialogue from some of the familiar voice actors who appear in the original Crash Bandicoot games, including Jess Harnell and Lex Lang, among others.»
There is
also a beguiling room - sized installation by Hank Willis Thomas that recasts the symbols of the Confederate flag in the colors of black nationalism — and projects them in tune with a
soundtrack of spoken - word
audio (a piece that Times art critic Christopher Knight describes as «enthralling.»)
There is
also a beguiling room - sized installation by Hank Willis Thomas that recasts the symbols of the Confederate flag in the colors of black nationalism — and projects them in tune with a
soundtrack of spoken - word
audio.