Sentences with phrase «audio story for»

The Stonecutter audio story for children is just over seven minutes in length.

Not exact matches

[24:40] Most entrepreneurs attempt too many businesses in the beginning [24:50] Find your flagship, that you will commit everything to [25:20] Business is also about your own psychology [25:30] Master one thing at a time [26:30] Massive focus and big risks [27:00] The 3 beliefs you must have when starting a business [28:00] Learning how to maximize [28:20] The business you're in and the business you're becoming [28:50] The 80 % of what I do [30:00] The business you are in and the business you are becoming [30:20] Intertwining your personal and professional brands [31:30] The importance of intent [33:20] Tony's take on social media [34:00] Why Tony prefers audio over text [36:40] The value of Facebook Live [37:20] Tony's social media director weighs in on Instagram Stories [38:00] Success without fulfillment is the ultimate failure [39:00] Learning how to master the mind [39:40] What's a magnificent life for you?

The result was about two dozen professional writers and editors brainstorming for two full days about story ideas, writing techniques, audio and video production, and assignment and deadline management.

Plus a selection of story books, guides and audio CDs for kids that tackle issues children face in an age - appropriate way.

If your kids are looking for some new apps to play with on the family iPad, Disney has a brand new app that lets your kids build their own stories, complete with animation, audio narration and sound effects!

Likewise, books and audio books can provide the bases for their stories.

There are 10 rich and complex sound stories for you to choose from with different layers of audio you can add or take away from each one.

Designed for children ages 3 years and older, the interactive sound book has an attached seven - button audio module for animating the story with sounds and music.

We also listen to audio books for kids; like the Narnia series, where each story is 4 hours long.

I've taken a bit of a look through the LuniiStore and found that you can get 18 stories for around $ 10, which I think is good value compared to buying books or audio books.

Choose print books for babies because they may find the animations and audio effects in digital books and story apps very distracting.

A story may start out in print, for instance, and then be read aloud to become an audio podcast or live - stream internet radio.

You don't have to ask for something complicated, since sometimes the most effective tool is a good story, whether it's in written form or told via audio or video.

Victoria Gill and Andrew Luck - Baker of BBC Radio 4 won the Gold Award in the audio category for a story on menopause among killer whales and the role of sprightly matriarchs who can be seen breaching the coastal waterways between British Columbia and Washington state.

«A Deep Dive Into Your Food Story» is a fascinating audio presentation with Marc David, Founder of the Institute for the Psychology of Eating.

Her dating advice has been featured in over 1000 media stories and she's the author of the bestseller, «The Perils of Cyber-Dating: Confessions of a Hopeful Romantic Looking for Love Online,» which was re-released this year on Audible, where she narrated audio book version.

Sex on the side free sex personals adult online dating personal ads for local men women and couples seeking discreet sex 100 % free adult stories, erotic fan fiction and porn audio.

The product consists of a core book written by Rob, a series of presentations given by Rob and Bobby in video, audio and written format, and a book to help you generate ideas for your own stories.

The Extras The Franco brothers and screenwriters Scott Neustadter and Michael H. Weber join Wiseau and Sestero (appearing via telephone) for an audio commentary, which exists for two main reasons: Wiseau giving the true story about things that happen in the film and Franco pressing Wiseau for more behind - the - scenes information about himself and The Room.

Yes, the hide - and - seek multiplayer gameplay is alluring and incredibly immersive thanks to the graphics and well - done audio presentation, but the amount of effort put into detailing the game's back story and the «briefing» for each level makes me feel a plot - driven singleplayer component would have been well justified.

EXTRAS: In addition to an audio commentary by director Travis Knight, there's a series of featurettes on making the film (from animating the monsters and water effects to composing the score), a closer look at the Japanese inspiration for the story and more.

Oh the Japanese and their fondness for school uniforms:p haven't had much of a look at the other dlc yet other than the free Japanese audio, though I still haven't even completed all the story modes.

Summary The Light Between Oceans is a depressing story that the viewer knows can not end well for the characters; however, the film is beautifully shot, delivers wonderful surround - sound audio, and is carried by outstanding performances from its cast.

Blu - ray Highlight: Instead of the typical audio commentary, director Marc Forster sits down for a somewhat brief discussion about the movie, including the challenges of maintaining the story's authenticity, filming in South Africa, and casting the lead roles.

Hollywood is increasingly looking at the popular audio medium for stories to mine, and Come Sunday is one of the first high - profile projects to come out of this trend.

Running time: 95 minutes Distributor: 20th Century Fox Home Entertainment DVD Extras: «Nimrod and Stinky's Antarctic Adventure,» «Ladies and Gentoomen» and «Ready for Their Close - up» featurettes, deleted scenes with optional commentary by director Mark Waters, editor Bruce Green and visual effects Supervisor Richard Hollander, gag reel, audio commentary with director Mark Waters, editor Bruce Green and visual effects supervisor Richard Hollander, original story sampler, theatrical trailer and a sneak peek.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

It makes me wonder if Eddie Redmayne (or a sound - alike) was recorded just for this game yet audio clips ripped directly from the movie were used in the story levels.

Nice to see this game will likely have dual audio for those of us who like to hear the games native language, I don't buy games like this if it's only available in English, not after the likes pandoras tower, arc rise fantasia, the last story etc, the voices in those games was make or break for me, I really appreciated Platinum giving us the option in the Wonderful 101, and they'll most likely do it with Bayonetta 2 as well, I don't know why Japanese game developers or publishers (whoever makes the decision) can't just leave them in there as an option, it's not like they lose anything by doing so, fyi, this game looks AMAZING.

The 20 - minute biographical portrait Tati Story features generous clips of Tati on film, stage and TV, the six - minute Au - del de Playtime reveals rare behind - the - scenes footage from the city set he built on the outskirts of Paris, there's a rare audio interview with Tati from the Q&A of the U.S. debut of Playtime at the 1972 San Francisco Film Festival and Jacques Tati in Monsieur Hulot's Work, a 1976 program on the director made for the BBC art series Omnibus.

Extras on The Transformers: The Movie (available for viewing in either widescreen or full frame) include audio commentary by director Nelson Shin, story consultant Flint Dille, and co-star Susan Blu; a retrospective making - of piece; storyboards; and TV spots.

Both sit together for this running, screen - specific look at the tale's origins and development, various story / character issues and influences, cast and performances, the flick's title, sets and visual design, music, audio and editing, abandoned / altered sequences, animation and technical topics, and trivia.

Both sit together for a running, screen - specific look at story / characters, cast and performances, sets and locations, music and audio, stunts and action, effects, and related domains.

The more that you put into searching for the audio diaries and looking out for sublime hints to the story progression the more you will get out of it and the better the overall experience will be but it still ultimately feels that the links to the first game needed to be more prominent and not just a simple, optional, backstory.

We're afraid, not because we're wrapped up in the story or the danger that the characters are in, but because Wan and company keep turning the crank on the metaphorical jack - in - the - box, as we hear the eerie music amid the dark environments and we brace ourselves for the sudden appearance of a horrific looking apparition that appears out of nowhere, accompanied by the sound of someone pounding on a piano that sounds to be about 10 times louder than the rest of the audio.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

DVD Extras Original theatrical trailers, deleted scenes (which make for some interesting viewing), out - takes, audio commentary by Ridley Scott, artwork & photo galleries, original story boards, isolated original score, and alternate music track.

«Dennis Christopher's Fellini Story» (12:53) is a clip seemingly recorded for but not used in the audio commentary.

For its audio and visual design alone, it is stunning, but for its ability to use the video game medium to bridge our understanding of mental illness while also telling a personal and powerful story, it is a masterpieFor its audio and visual design alone, it is stunning, but for its ability to use the video game medium to bridge our understanding of mental illness while also telling a personal and powerful story, it is a masterpiefor its ability to use the video game medium to bridge our understanding of mental illness while also telling a personal and powerful story, it is a masterpiece.

Roseman joined Morning Edition to break down his process for this year's mashup; hear the full story at the audio link.

He most most recently did production audio and story consulting for The Return.

Feedback Interviews: These are similar to audio interviews, but instead of asking students to tell their stories, you ask them for specific feedback on your teaching practice.

Apart from the audio tracks, the CD also includes the following: - A licence to perform the work; - Notes for a teacher on how to put on the musical; - Story of Orpheus; - Complete Lyrics Sheets; - Narrative script; - Full production script; - A songbook adaptation for piano and voice; - Instrumental scores for violin, viola, cello, trumpet, clarinet, piano and conductor's full score; - Photos of cast members and musicians; - Backing tracks with synchronised lyrics for children to practise to, or perform with, if you don't have access to musicians.

eLearning courses require a great deal of writing for on - screen text, audio scripts, learning objectives, assessments, interactivity, feedback, case studies, stories, etc..

Many of our titles are even accompanied by audio CDs for lively story times.

For example, students who are more auditory learners are motivated through the use of an audio of a narrated poem or story, while students who need to physically connect with content are afforded those opportunities through virtual interactive media pieces.

And now that my books are in audio form, I can vouch for the read your story out loud!

News stories included EU antitrust proceedings against Amazon, Tor's audio experiment, an incentive for authors published through Amazon imprints, buy boxes going to the lowest bidder, and fake news about ebook sales being down across the board.

«We've long been interested in providing audio versions of our stories, but have found that existing text - to - speech solutions are not cost - effective for the speech quality they offer,» said Joseph Price, Senior Product Manager, The Washington Post.

I surmise that one of the big growth opportunities is for these companies to develop their own audio player apps that only read the stories aloud to the readers, therefore making them more accessible to people who have vision disorders.