Sentences with phrase «audio story on»

The overall audio story on Pixel 2 is a big deal: it does away with the headphone jack, but it also supports a bunch of new audio codecs over Bluetooth 5.

Not exact matches

[24:40] Most entrepreneurs attempt too many businesses in the beginning [24:50] Find your flagship, that you will commit everything to [25:20] Business is also about your own psychology [25:30] Master one thing at a time [26:30] Massive focus and big risks [27:00] The 3 beliefs you must have when starting a business [28:00] Learning how to maximize [28:20] The business you're in and the business you're becoming [28:50] The 80 % of what I do [30:00] The business you are in and the business you are becoming [30:20] Intertwining your personal and professional brands [31:30] The importance of intent [33:20] Tony's take on social media [34:00] Why Tony prefers audio over text [36:40] The value of Facebook Live [37:20] Tony's social media director weighs in on Instagram Stories [38:00] Success without fulfillment is the ultimate failure [39:00] Learning how to master the mind [39:40] What's a magnificent life for you?

If your kids are looking for some new apps to play with on the family iPad, Disney has a brand new app that lets your kids build their own stories, complete with animation, audio narration and sound effects!

If the story's worth a significant investment in time, it can become a video or audio interview or even a full - on documentary presentation (though maybe only be a few minutes long) or a data - driven multimedia extravaganza.

Here's some audio the Times has on the race, along with the story.

Victoria Gill and Andrew Luck - Baker of BBC Radio 4 won the Gold Award in the audio category for a story on menopause among killer whales and the role of sprightly matriarchs who can be seen breaching the coastal waterways between British Columbia and Washington state.

Her dating advice has been featured in over 1000 media stories and she's the author of the bestseller, «The Perils of Cyber-Dating: Confessions of a Hopeful Romantic Looking for Love Online,» which was re-released this year on Audible, where she narrated audio book version.

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An extended audio version of this story can be heard on.

The simple, predictable gameplay is one barrier, the abstract nature of the story another, creating an experience that's big on audio - visual power and artistry but short on the stuff that made Journey truly magical.

EXTRAS: In addition to an audio commentary by director Travis Knight, there's a series of featurettes on making the film (from animating the monsters and water effects to composing the score), a closer look at the Japanese inspiration for the story and more.

The Blu - ray and DVD both includes special features such as an extensive featurette on the eerie true story behind «The Possession,» along with separate audio commentaries with Bornedal and the film's writers.

The cutscenes between campaign chapters illustrate how an enriched audio element can bring gravitas to a story that might not look so hot on paper.

Scenes allude to the band's gloomy inclinations, bass - driven melodies and innovative use of audio effects (one band member uses an aerosol spray can to form a beat), but the story of Joy Division is an afterthought in the movie, replaced instead by a much more routine study of depression and the effects of sudden success and touring on a marriage.

Director / co-writer James Mangold provides an audio commentary which focuses almost exclusively on the story and the acting.

Since its inception, the institute has brought together emerging artists and award - winning audio veterans and masters of the craft to offer concrete tools and advice on ways to make a story more vibrant with sound.

EXTRAS: In addition to an audio commentary by director Andrew Stanton, co-director Angus MacLane and producer Lindsey Collins, there's a series of featurettes on topics like crafting the story and animating Hank the octopus, some deleted scenes, the short film «Piper» and more.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

EXTRAS: There's an audio commentary by director Peter Landesman, a pair of featurettes on making the movie and the true story that inspired it, and deleted scenes.

Last but probably not least, we get an audio commentary on the feature presentation by writer - director Steve Purcell and head of story Derek Thompson.

On Disc One, which contains the theatrical version of the film, there's Cholo's Reckoning, an interview with actor John Leguizamo; Charlie's Story, an interview with actor Robert Joy; The Pillsbury Factor, an interview with actor Pedro Miguel Arce; Four of the Apocalypse: The Zombies of Land of the Dead, interviews with actors Eugene Clark, Jennifer Baxter, Boyd Banks, and Jasmin Geljo; the Dream of the Dead IFC TV special with optional audio commentary by director Roy Frumkes; deleted footage from Dream of the Dead; a set of deleted scenes (titled The Remaining Bits on previous releases); the film's theatrical trailer; and a photo gallery with 111 imageOn Disc One, which contains the theatrical version of the film, there's Cholo's Reckoning, an interview with actor John Leguizamo; Charlie's Story, an interview with actor Robert Joy; The Pillsbury Factor, an interview with actor Pedro Miguel Arce; Four of the Apocalypse: The Zombies of Land of the Dead, interviews with actors Eugene Clark, Jennifer Baxter, Boyd Banks, and Jasmin Geljo; the Dream of the Dead IFC TV special with optional audio commentary by director Roy Frumkes; deleted footage from Dream of the Dead; a set of deleted scenes (titled The Remaining Bits on previous releases); the film's theatrical trailer; and a photo gallery with 111 imageon previous releases); the film's theatrical trailer; and a photo gallery with 111 images.

The 20 - minute biographical portrait Tati Story features generous clips of Tati on film, stage and TV, the six - minute Au - del de Playtime reveals rare behind - the - scenes footage from the city set he built on the outskirts of Paris, there's a rare audio interview with Tati from the Q&A of the U.S. debut of Playtime at the 1972 San Francisco Film Festival and Jacques Tati in Monsieur Hulot's Work, a 1976 program on the director made for the BBC art series Omnibus.

Extras on The Transformers: The Movie (available for viewing in either widescreen or full frame) include audio commentary by director Nelson Shin, story consultant Flint Dille, and co-star Susan Blu; a retrospective making - of piece; storyboards; and TV spots.

In a medium that relies on a concerto of audio and visual, Krasinski is able to completely engage us and cause us to lean deeper into the story, in a movie that at times, is devoid of any sound whatsoever.

Extras on The Immortal Story include audio commentary by film scholar Adrian Martin; an interview with co-star Norman Eshley; and the 1968 documentary Portrait: Orson Welles.

Of course, we learn a lot about the effects, but we also find info about cast and performances, shooting on location and dealing with weather, real tornadoes and research, story and characters, music and audio design, and a mix of other production topics.

The show looks at how De Bont came onto the project and convinced the studio its effects would be viable, cast, characters and performances, story choices, practical and visual effects, weather on location, stunts, production design, and audio.

Leading the pack is an audio commentary by director Ron Howard that is both informative and insightful, while the in - depth making - of featurette covers all of the usual details (casting, production design and costumes) as well as a few behind - the - scenes stories about the cast regarding their work on the film.

All four segments are presented in preliminary story reel form with stand - in audio and can be viewed on their own or all at once.

We're afraid, not because we're wrapped up in the story or the danger that the characters are in, but because Wan and company keep turning the crank on the metaphorical jack - in - the - box, as we hear the eerie music amid the dark environments and we brace ourselves for the sudden appearance of a horrific looking apparition that appears out of nowhere, accompanied by the sound of someone pounding on a piano that sounds to be about 10 times louder than the rest of the audio.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

If you can get past the director's accent, there are a few stories of particular note, but you're better off spending your time with the commentary audio off, discovering the nuances of multiple viewings on your own.

The indie drama Sexy Evil Genius — now available on DVD, digital download and VOD, and including audio commentary with director Shawn Piller and actors Seth Green and Harold Perrineau — tells the story of a group of people who...

The special features section of the film starts off with an enjoyable full - length audio commentary with director Tim Story (only on the theatrical cut) and four deleted scenes showing off some of Jimmy Fallon's funnier scenes.

However, in 2016, director Alexandra Dean and producer Adam Haggiag unearthed four never - before - heard audio tapes of Lamarr speaking on the record about her incredible life, finally giving her the chance to tell her own story.

, a feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»

Feedback Interviews: These are similar to audio interviews, but instead of asking students to tell their stories, you ask them for specific feedback on your teaching practice.

Apart from the audio tracks, the CD also includes the following: - A licence to perform the work; - Notes for a teacher on how to put on the musical; - Story of Orpheus; - Complete Lyrics Sheets; - Narrative script; - Full production script; - A songbook adaptation for piano and voice; - Instrumental scores for violin, viola, cello, trumpet, clarinet, piano and conductor's full score; - Photos of cast members and musicians; - Backing tracks with synchronised lyrics for children to practise to, or perform with, if you don't have access to musicians.

Your instructional designer / content writer is effectively writing a screenplay in which the audio / voice talent reads the story line; the visuals are the actors that enter and exit the screen (stage) on queue (synchronized with the audio track).

eLearning courses require a great deal of writing for on - screen text, audio scripts, learning objectives, assessments, interactivity, feedback, case studies, stories, etc..

«The ability to seamlessly switch back and forth between reading text on any Kindle and listening to the same title in audio on your smartphone — and always pick up where you left off — means that the story can continue during those times of the day when you can not look at a screen.

«The ability to seamlessly switch back and forth between reading text on any Kindle and listening to the same title in audio on your smartphone — and always pick up where you left off — means that the story can continue during those times of the day when you can not look at a screen,» said Audible Founder and CEO Donald Katz in a statement.»

Mashable wrote that Booktrack «debuted as an iOS app focused on professional authors like Salman Rushdie; a total of 40 titles sold more than 250,000 downloads,» but then pivoted in 2013 to become a platform where «writers can embed songs from a catalogue of 20,000 licensed audio files, adding mood music, ambient audio and sound effects to play in tune with story lines, paced to a user's reading speed.»

But trust me, this one is different... It is truly the finest example of interactive children's story telling I have ever seen, it contains custom movies on every spread, background audio, professional narration and read aloud text highlighting, placed web code, personalisation, interactive animations and puzzles!

Her book is also available in audio, so you can take her story with you on the road.

You can use Creatavist to write and edit your books and stories, add pictures and audio and publish it on the web or download it as an enhanced ebook.

Magazines feature a super-fast, 3D - like page turn and include built - in hot spots for readers to quickly jump to specific articles and go deeper on a subject or story through audio, video, and Web linking.

Back when our children were small, we'd have an audio book playing on even short journeys as the stories were just a few minutes long and the children would happily listen to the same story, or parts of it, again and again - and again!

The Flash Audio Series features audio versions of stories published on our site.

Students can also record audio on each page to narrate their stories.