Sentences with phrase «audio track from»

Along with that, it shows turn - by - turn navigation information and even the currently playing audio track from a connected iPod or USB drive.

(Though released on CD by Delos, the disc lacks «Requiem for a Cavalier» - an edited 25 minute audio track from a 1968 Canadian CBC radio documentary on star Errol Flynn, which was also broadcast by the BBC in England, and by ABC in Australia, in a longer 50 minute version.)

This is the listening comprehension audio track from unit 1A, the one about speed dating.

The North American Mario Party 10 website has finally been updated, showing off new images and videos, along with several clean audio tracks from the game.

Through this, they will be able to access a wide catalog of audio tracks from various artists.

Look for the small text icon: beside selected audio tracks from past issues.

Those who choose to preorder the title from special retailers will get a bonus in the form of Kat's white costume and Select Soundtrack containing nine audio tracks from the game (Director's Choice Soundtrack).

Not exact matches

NASA uses a technique called data sonification to take signals from radio waves, plasma waves, and magnetic fields and convert them into audio tracks to «hear» what's happening in space.

is a powerful hypnotic audio track guides that you deeply into hypnosis and directs you to relax the muscles all around your baby, to release any fears and concerns that may be holding you back from entering labor, and to let go of any control issues as well.

USB Enabled: If you want to be able to play not only records on your new music system, you need to be on the lookout for something that is USB enabled, so it can play music from your phone or rip you vinyl tracks to audio tracks.

The guided audio tracks walk you through relaxing your entire body and mind, while the personal pod keeps you from thinking about the outside environment.

The Dolby Digital track appears to have been mastered at a substantially lower level than the DTS version, but other than that, to this reviewer's ears the two audio tracks had little to separate them from one another in terms of fidelity or definition.

Shirley Jackson's classic 1959 novel The Haunting of Hill House gets the full effects - laden, end - of - the - century treatment from action director De Bont (Speed, Twister), which essentially means more computer - generated phantasms and a much, much louder audio track than Robert Wise's superlative 1963 version.

That first scene is so immersive, we flinch and duck (it scared my cat out of the room)-- from the breaking waves around the carrier to the incoming mortars to the zipping past of bullets, it's a layered, thickly - crafted audio track, with distant shots and center - channel machine gun fire making full and brilliant use of the entire soundstage.

Further inspiration arrives with an alternate «audience participation» audio track, which mixes the film's normal sound with properly timed screams and cheers from a theater full of fans.

The Blu - ray debut features all the supplements of that release: three commentary tracks (one by director Terry Gilliam, one by stars Johnny Depp and Benicio Del Toro, and one by producer Laila Nabulsi and author Hunter S. Thompson), deleted scenes with commentary by Gilliam, the 1978 BBC «Omnibus» documentary «Fear and Loathing on the Road to Hollywood» (with Hunter S. Thompson and artist Ralph Steadman), the ten - minute featurette «Hunter Goes to Hollywood,» an audio documentary on the controversy over the screenplay credit, a survey of the marketing campaign, selections from the correspondence between Johnny Depp and Hunter S. Thompson (read on camera by Depp), an excerpt from the 1996 audio CD «Fear and Loathing» starring Maury Chaykin, Jim Jarmusch, Harry Dean Stanton, and Glenne Headly, background notes on Oscar Zeta Acosta (the real life activist and attorney who inspired the character of Dr. Gonzo), and galleries of storyboards, stills, and Ralph Steadman art.

Recycled on another track is the audio commentary from the 2007 Platinum Edition DVD, featuring Roy Disney, Jeff Kurtti (half of DVD producers Kurtti - Pellerin), animators Davis, Ward Kimball, Ollie Johnston, and Frank Thomas, Leonard Maltin, animation historian John Canemaker, Kerry and her Wendy counterpart Kathryn Beaumont, and Walt Disney hissownself.

The Blu - ray's default track, 5.1 DTS - HD master audio, offers a highly satisfactory rendering of it, making impact with everything from helicopters and gunfire to poignant music, rain, and tropical birds chirping from a distance.

The audio likewise receives a substantial upgrade: Although the DVD's DTS soundtrack was a ripe, robust pinnacle for the format, it simply lacks the complexity of this disc's 5.1 DTS - HD MA track, sourced from the 35 mm magnetic master at 48kHz / 24 - bit.

Its slate of bonus material is most impressive, though, kick - started by a superb audio commentary track from Eisner.

I only noticed audio coming from the center channel on this track, as there were no significant stereo, surround or subwoofer effects.

Blu - ray extras consist of audio commentary by Franklin; footage from Cheadle's screen test; the theatrical trailer; and an isolated track of Elmer Bernstein's score.

The Blu - ray ports over the same extras from the previous New Line DVD: audio commentary by Gary Ross, isolated score track with commentary by Randy Newman, a half - hour making - of documentary called The Art of Pleasantville, Fiona Apple performing an «Across the Universe» music video directed by Paul Thomas Anderson, and the theatrical trailer (none of the latter three in HD).

The audio is top of the range, with entertaining commentary tracks that don't suffer from the repetition that plagued previous entries and accurately convey what's occurring on screen.

There will be special features added to the Blu - Ray that will include a audio commentary track from the DVD, which will be feature director Tommy Lee Wallace and actors Dennis Christopher, Tim Reid, John Ritter and Richard Thomas From what we know, more special features to follow are not confirfrom the DVD, which will be feature director Tommy Lee Wallace and actors Dennis Christopher, Tim Reid, John Ritter and Richard Thomas From what we know, more special features to follow are not confirFrom what we know, more special features to follow are not confirmed.

For what is in essence a catalogue title, Paramount graciously provides DD 5.1 audio (adapted, one presumes, from the six - track mix that adorned 70 mm prints of the film) that gives all six speakers a surprisingly muscular, multi-directional workout.

It's surprising to find a movie as major as this with neither audio commentary nor deleted scenes, especially given Sonnenfeld's tracks on the first two movies and the undoubtedly well - supplied cutting room floor that must have resulted from the film's reshoots.

In the meantime, listen to an excerpt from Leigh's audio commentary track on our release, and watch Three Reasons: Life Is Sweet below.

The former begins with a bright blue screen, the big blocky PLAY text in the upper left, and the tracking lines and audio drops familiar from that seemingly ancient home - video technology.

Unfortunately, the Peter Brunette audio commentary and Herbie Hancock music - only audio tracks couldn't be carried over from the Warner Bros..

The good news is that the Blu - Ray edition from Warner Bros. sports a beautiful transfer that is alive with color and complexity, and a fantastic audio track that is a wonderful showcase for your audio system.

Aside from offering the uncensored version of the film in a 1.85:1 video transfer and 5.1 Dolby Digital audio track, the single - disc release includes a few hours of special features and hilarious interactive menus that show the duo arguing over the audience's failure to choose an option.

The audio commentary by director Danny Boyle is probably the DVD's only highlight, while an additional commentary track (by Dr. Brian Cox from the University of Manchester) is probably about as interesting as one of his lectures.

The fifth disc sums up this amazing collection of extras with yet another audio commentary track and a great featurettes «All Our Variant Futures: From Workprint to Final Cuts», which covers every possible aspect of the various cuts.

The «Select Scenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginning).

Extras include an audio commentary track with director Doug Liman and editor Stephen Mirrione, a commentary with writer / actor Jon Favreau and Vince Vaughn, «Making it Hollywood» documentary series, a short film, Swingblade, deleted footage taken from raw dailies, and a trailer.

The release includes: Five discs (four audio, one data) containing over five hours of music, including tracks from the base...

Aside from brightened - up picture and a thrilling audio track, it includes two previously - recorded commentary tracks, one by screenwriter Abbe Wool, actors Gary Oldman and Choe Webb, critic Greil Marcus, filmmakers Julien Temple and Lech Kowalski, and musician Eliot Kidd, and a second one by Alex Cox and actor Andrew Schofield.

The mono audio (24 - bit from an optical track print) is clear, forceful when it needs to be.

Both Flaming Star and Follow That Dream from Screen Archives» Twilight Time Blu - ray label offer beautiful transfers, excellent separated audio tracks and fun for the whole family.

The special features including an audio commentary track from executive producers Barry Bernholtz and Jeffrey Schneck, as well as producers Peter Sullivan and director John Shepphird.

The improvement to the audio is almost as dramatic, a richness of sound apparent in this disc's uncompressed PCM track that was missing from the DVD's thinner, treble - heavy Dolby Digital track.

A DTS - ES 6.1 soundmix shares space on the first disc with fulsome Dolby Digital 5.1 EX audio and a commentary track from Craven and Locke.

This version has never been released on Blu - ray before, which is a cool thing but I expected so much more from the «25th Anniversary release» The audio tracks includes are a DTS - HD Master Audio 5.1 for the English track and only a LPCM 2.0 for the Japanese track.

That can be achieved by toggling with the audio track after selecting this from the menu, or simply playing the film regularly and choosing the second English subtitle track.

Conversely, the Dolby Digital 5.1 audio is irreproachable; equalized for home - theatre playback, the track immerses the viewer from the opening frames — and is sometimes a bit too much like a high - end relaxation tape for its own good, soothing the viewer past a trancelike state into light snoozing.

As you'd expect from a CD game, Downtown features Red Book (full CD) audio for each music track.

The Blu - ray release from Warner Bros. highlights the movie's lovely, cozy color scheme and its fabulous production design; the audio track is also sharp and balanced.

The DTS - HD Master Audio 5.1 audio track does delivers with the dialogue, action and fun music from Billy Joel, Betty Midler and Huey Lewis.

-- An ultra-realistic gaming experience, thanks to the improved graphics, physics and audio guaranteed by the new Unreal ® Engine 4 — All the riders, bikes and tracks of the 2016 season, including the Monster Energy FIM Motocross of Nations — The Career Mode that will allow players starting from the MX2 category to enhance their reputation and compete with other riders to become the new MXGP World Champion — An even more complete level of bike and rider customization: more than 300 official components from over 75 brands, 40 % more than in the past edition — One of the most popular and acclaimed features of the MXGP series, up to 10 2 - stroke bike models with dedicated physics and audio that can be used in any game mode