Sentences with phrase «auf weidersehen»

But for now - Auf Wiedersehn to the crazy navy blue and red scheme, HELLO to restful green.

Check out my homepage; auf dieser Seite

Feel free to visit my site... auf dieser Seite

It's pretty obvious that Robinson and Harmsen are not ready to say Auf Wiedersehen to their lifestyle, real estate firm or Connect magazine anytime soon.

Ich biete Psychotherapie auf Deutsch an.

vermeidend - öffnungsbereite Gruppe sogar besonders niedrige Werte in kognitiver Vermeidung auf, statistisch waren diese Unterschiede allerdings nicht bedeutsam.

Diese Hinweise auf kausale Zusammenhänge müssen jedoch in experimentellen Studien überprüft werden.

befand, sogar auf 60 % erhöhte.

Auf dem Hintergrund der psychologischen Rahmenbedingungen des Verfahrens wurden das subjektive Erleben und die hoffnungserhaltenden Bewältigungsstrategien der Frauen mit Hilfe einer sprachpragmatisch orientierten interpretativen Textanalyse rekonstruiert.

The Luxembourg Financial Regulator CSSF issued a warning against investments in cryptocurrencies and ICOs (Initial Coin Offering), Cointelegraph auf Deutsch reported today, March 17.

According to Cointelegraph auf Deutsch, data from the vehicles will be transmitted to Daimler and converted into MobiCoins, which will be stored in a mobile app.

According to Swiss National Bank (SNB) governing board member Andréa Maechler, private cryptocurrencies have advantages over central bank digital currencies (CBDC), Cointelegraph auf Deutsch reported Sunday, April 8.

The German fintech incubator FinLab AG and Block.one, developer of the Blockchain software platform EOS.IO, announced a $ 100 mln joint venture to develop projects that use EOS» software, Cointelegraph auf Deutsch reported today, March 21.

The Blockchain initiative B31, run by several international insurance companies, has announced the formation of the startup B3i Service AG in Zurich, Cointelegraph auf Deutsch reported on Monday, March 26.

Cointelegraph auf Deutsch reported that the German Federal Ministry of Finances has mandated that cryptocurrencies will be tax exempt if they are being used as a payment method.

Six days ago, we released a batch of free tickets to the Disrupt Berlin Hackathon and — faster than you can say auf wiedersehen — they were gone.

Yesterday, Cointelegraph auf Deutsch reported the news that the company was now working with XAIN, a German start - up, to explore options on using blockchain apps in Porsche vehicles.

The melody would even strike a chord with an unworldly judge in its echoes of JS Bach, Wachet Auf and the second movement of his Keyboard Concerto No 5 in F Minor.

I still remember one of their replies: «Wir lassen uns nicht auf die Bühne ziehen.»

«So when the Germans say «Auf Wiedersehn AGW» it really is time for the rest of the world to sit up and take notice.

Auf Wiedersehen.

Since I speak fluent German and grok Dutch, your reference to the Dutch website Klimaatveranderung (Klimatveranderung auf Deutsch) carries about as much weight as a reference to John Cook's SkepticalScience (where even the site name is the opposite of the site facts).

p. 138 Provokante Kunst auf der Suche nach den Wurzeln.

Geneve, Switzerland La Prima Idea: Aktuelle Malerei auf Papier, Graphische Sammlung derETH Zurich.

Rose's work with dance includes choreographing Ariadne auf Naxos at the Munich Staatsoper, directed by Tim Albery and her collaborations with choreographer Matthew Hawkins, including Angels and Exiles at the Royal Opera House.

Öl auf Masonit, 66 x 90,8 cm.

Sigmar Polke, German, 1941 — 2010, The Hunt for the Taliban and Al Qaeda (Die Jagd auf die Taliban und Al Qaida), 2002, Digital print on tarpaulin, 21 ′ 4 5⁄16 ″ x 16 ′ 1 1⁄8 ″ (651 x 490.5 cm).

Sam Lewitt, More Heat Than Light, Blick auf A Weak Local Lexicon (MHTL), 2016, Kunsthalle Basel, 2016.

Arbeiten auf Papier / Works on Paper at Mike Karstens Graphics in 2005 this publication documents the printmaking collaboration of Richter and the printer Mike Karstens

Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle Zürich, Zürich, Switzerland; organized by Andreas Schweizer (30 Oct. - 27 Dec.) Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee, The Rotunda Gallery, Brooklyn, NY; curated by Dena Shottenkirk (10 Sept. - 17 Oct.) University of Texas at San Antonio Art Gallery, San Antonio, TX (3 Sept. - 16 Oct., cat.)

David Hockney, A Bigger Splash, 1967 Acryl auf Leinwand 96 x 96 © David Hockney, Collection: Tate Gallery, London, 2011

Margaret Raspé, SCHWEINESCHNITZEL, 1971; BLAU AUF WEISS, RÄNDER UND RAHMEN, 1979 Courtesy of the artist.

Moderne Kunst auf alten Plätzen, Salzburg Foundation, Salzburg, Austria Art, dos punts.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

2001 Words and Landscape, Art Affairs, Amsterdam, NL Conception: Conceptual Documents 1968 - 1972, Norwich School of Art and Design, Norwich, UK; The Library, Henry Moore Institute, Leeds, UK; Chisenhale Gallery, London, UK; Baskin Gallery, University of British Columbia, Vancouver, CA Rolling Stones Adorned With Starlight, Galerie Hubert Winter, Vienna, AT Words + Landscape, Art Affairs, Amsterdam, NL The Starving Artists» Cookbook Video Series, Anthology Film Archives, New York, US; Galerie Rachel, Haferkamp, Cologne, DE «Für Hanne», Galerie Ascan Crone, Hamburg, DE Yossi Breger, Douglas Gordon, Jonathan Monk, Lawrence Weiner, Dvir Gallery, Tel Aviv, IL Dead, The Roundhouse, London, UK Vette Vazen, Brutto Gusto, Rotterdam, NL AM The Record Man: Artists» Audio Projects, Art Metropole, Toronto, CA From the Marzona Collection, Kunstverein Ludwigsburg, DE Presentation of the Works, Frankfurt, DE Imago Mundi, CAPC - Musée d'Art Contemporain, Bordeaux, FR Group Exhibition, Cab Gallery, London, UK Collaborations with Parkett, Museum of Modern Art, New York, US DIN ART 4: 540 Künstlers und 1 Formular Sammlung Klaus Hömberg, 1985 bis 1997, Museum für Telekommunication, Frankfurt, DE; Museum für Kommunikation, Hamburg, DE; Museum für Kommunikation, Berlin, DE The First Ten Years: Selected Works form the Collection, Irish Museum of Modern Art, Dublin, IR Nothing, Northern Gallery for Contemporary Art, Sunderland, UK; CAC, Vilnius, LT; Rooseum, Malmö, SW Sammlung Ingo Glass, Herbergen - Museum des Münchner Stadmuseums, DE Counting Coup / Undo, The Theatre for the New City, New York, US Wall > Sculpture, Margarete Roeder Gallery, New York, US Wert Wechsel, Zum Wert des Kunstwerks, Museum für Angewandte Kunst, Cologne, DE So Oke, Benefit Auction for Infoscreen, Futuregarden Kunstverein, Vienna, AT Archilab 2001, 3rd Intern» l Architect, Conf, Ville d'Orléans, FR Drawings, Regen Projects, Los Angeles, California, US Von Edgar Degas bis Gerhard Richter: Arbeiten auf Papier aus der Sammlung des Kunstmuseum Winterthur, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Munster, DE Markers: Outdoor Banner Event of Artists and Poets, part of 49th Venice Biennale, org.

Arturo Herrera Ariadne auf Naxos 2012,  collage and mixed media on paper,  three elements, 25 1/4 x 19 1/2 inches each.

«Zum Sleep - In auf dem Holzschuppen.»

Lyonel Feininger (German / American, 1871 - 1956) Barke und Brigg auf See, from the published edition, titled Segler in the portfolio Die Febel, Erste Mappe, 1919, published by Karl Lang Verlag, More...

Keith Haring, ohne Titel, 1985, Acryl auf Holz, 35,6 x 40,6 cm, The Blinder Family Collection © The Keith Haring Foundation

1993 Merce Cunningham Dance Company Benefit Art Sale, 65 Thompson Street, New York, USA I am the Enunciator, Thread Waxing Space, New York, USA Darkness and Light, Blaffer Gallery, University of Houston, USA (curated by Marti Mayo) Zeichnungen setzen Zeichen, Galerie Raymond Bollag 1, Zurich, Switzerland 44 Kunstler der Documenta IX: Arbeiten auf Papier Rewriting History: The Salon f 1993, Montgomery Glasoe Fine Art, Minneapolis, USA Painting, Texas Gallery, Houston, USA Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice, Italy (Under the aegis of the 45th Venice Biennale — Reinstalled at the Guggenheim Museum Soho, New York) XLV Biennale di Venezia, Italy, Tresors de Voyage (al Monastero dei Padri Mechitaristi dell» isola di San Lorenzo degli Armeni) Abstract — Figurative, Robert Miller Gallery, New York, USA Eight Painters: Abstraction in the Nineties, Carl Solway Gallery, Cincinnati, USA Living with Art: The Collection of Ellyn & Saul Dennison, Morris Museum, Morristown, USA

Dziembowski gained her first practical experience during her studies of applied cultural sciences at the University of Lüneburg as a member of the student curatorial team for the exhibition «Auf Bewährung.

Ein Museum auf dem Prüfstand zeitgenössischer Kunst» («On probation.

Sigmar Polke Mephisto, 1988 225 x 305 cm, Acryl, Dispersion, Kunstharz und Pigment auf Leinwand «la Caixa «Collection.

2014 «Parrottree, Building for Bigger Than Real», The Renaissance Society, Chicago 2013 «Stative auf der Flucht / The tripods» escape», Isabella Bortolozzi Galerie, Berlin «A Moveable Feast - Part IV», Campoli Presti, Paris «Rug Import», Campoli Presti, London 2012 «Portikus Printing Plant and Portikus Sounds», Frankfurt, Germany 2011 «COMMA 35», Bloomberg Space, London «Figurazione / Substituzione», Pavillon, Luca 2010 «Avere luogo», Fondazione Giuliani, Rome «Tunnel» Sutton Lane (Campoli Presti), London and Paris «Hebezeug», Galerie Isabella Bortolozzi, Berlin Fondazione Galleria Civica - Centro di Ricerca sulla Contemporaneit, Trento 2009 «Nora Schultz», solo show as part of «Non-Solo Show, Non-Group Show» project, Kunsthalle, Zurich Art / 40 / Basel, Art Statements with Sutton Lane (Campoli Presti) «10 9 8 7 6 5 4 3 2 1 0», Koelnischer Kunstverein, Cologne 2008 «Nora Schultz», Reena Spaulings, New York «Hidden Fox», Dependance, Brussels 2007 «Zero Ruler», Sutton Lane (Campoli Presti), London «Carriers in Search of the Time - Tilted Weight», Isabella Bortolozzi, Berlin «Nora Schultz», Kjubh, Cologne 2006 «The Metal Magazine», Galerie Meerrettich, Berlin 2003 Turmgalerie Hochheim, Hochheim am Main «Fenster zur Stadt», Garage 13, Frankfurt / Main

Ausblicke auf die Sammlung MARTa», Herford, Germany Palazzo Grassi / Punta della Dogana, «Mapping the Studio: Artists from the François Pinault Collection», Venice, Italy MoMA The Museum of Modern Art, «Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection», New York NY

: Auf Zeit.

Neue Blicke auf die Sammlung — Museum für Konkrete Kunst, Ingolstadt from picasso to koons: the artist as jeweler — Bass Museum of Art, Miami, FL Il Guggenheim.

A former editor of Everything Magazine, his most recent publication is the book Bussard Ramjet (Artwords 2008) and he is currently exhibiting work at the Pittoresk: Neue Perspektiven auf das Landschaftsbild group show at MARTa in Germany.

Auf wiedersehen, «Haggadah (P2)».

If you want to be boring, talk abou... Hugh McLeod's «Cocktail Party Rule» trifft es auf den Punkt.