Sentences with phrase «aughts by»
The Olsens raised the eyebrows of many a beauty snob in the aughts by showing up to red carpet events and appearances with uber - chipped nails.
http://www.thefashionspot.com/ Not exact matches
Almost by the nature of pixels themselves, the early business is transitory; few models or people survive, professionally, from the late»90s or early aughts.
«It must rather be conceived,» he tells us,» as a quiescent form, comprising within its limits an indefinite magnitude of individual constituents, which, for aught we can tell, may be moving one among the other, each animated by its own inherent projectile force, and deflected into an orbit more or less complicated, by the influence of that law of internal gravitation which may result from the compounded attractions of all its parts.»
We'd previously reserved photo - printed pullovers for our memories of the early aughts (when board shorts by Roxy and O'Neill ruled our closets).
While Lady Bird revels in the hyper - specificities of suburban teenagehood in the early aughts (Dave Matthews Band songs, puka shell necklaces, TV news consumed by the burgeoning war in Iraq), it also waxes universal about young love and sex, class and mother - daughter dynamics, and the ever - shifting meaning of home.
While this new direction (influenced in part by the great Terrence Malick cinemtographer Nestor Almendros) can be seen in all his work from the aughts, it might be best represented as a starting point in «Gerry» and «Elephant.»
Rather than articulating a broad, theoretical case for reforms that have been embraced by policymakers, the books of the «aughts» were more likely to engage in debates over evidence, articulate a strategy that had not been adopted, or do battle against the strategies that policymakers did adopt.
Some books from the aughts did make theoretical arguments for new reforms, but those reforms have not been embraced by policymakers, at least not yet.
Haspiel and Neufeld were previously published by Alternative during the early aughts when Geoffrey Mason ran the -LSB-...]
Featured images in slider: Eva Hesse — Aught, 1968; Richard Serra — Tearing Lead from 1:00 - 1:47, 1968; Barry Le Va — Criss Cross Shift, 1970 - 71; Jackie Winsor — Bound Grid, 1971 - 72; an artwork by Lynda Benglis; Keith Sonnier — Ba - O - Ba VI, 1970.
In this essay by Hans Ulrich Obrist, originally published in Phaidon's Defining Contemporary Art, the esteemed curator discusses No Ghost Just a Shell, the groundbreaking collaborative work that put the pair on the map and introduced the art world to AnnLee, one of the art world's most famous fictional characters of the early aughts.
This facile tactic — one artwork loosely related to the convolute, plus one text, then repeat — persists throughout the show: four photos of mannequins in shop windows by Lee Friedlander, each titled New York City and taken in the late aughts, illustrate «The Flaneur»; Mike Kelley's aluminum light fixture, modeled on his childhood home in Detroit and casting an ominous, unfriendly glow, serves as an inconsequential helpmeet to «Dream City and Dream House, Dreams of the Future, Anthropological Nihilism, Jung»; Good Hand Bad Hand (2010), Rodney Graham's photographic diptych mounted on lightboxes of a stone - faced man playing poker is used in concert with «Prostitution, Gambling.»
ENERGY THAT IS ALL AROUND features over 130 early and formative works by five artists — Chris Johanson, Margaret Kilgallen, Alicia McCarthy, Barry McGee, and Ruby Neri — who began their careers in the early 1990s in San Francisco's Mission District and, by the early aughts, had been identified and celebrated as key members of the so - called Mission School.
In addition to Internet art in the Aughts that simulated a series of imagined art installations, Ichikawa has created has a series of blogs on Facebook around food organized by color, touching upon issues of cultural identity, food sourcing, gentrification, environmental concerns, and greenwashing while sharing nutrition and cost - cutting tips: I ♥ Yellow Food, I ♥ Orange Food, I ♥ Red Food, I ♥ Green Food, and I ♥ Blue Food.
Two iconic 1968 works by Eva Hesse, Aught and Augment, which are well known through photographs of the «9 at Leo Castelli» show, an early Postminimal exhibition, are brought together again in their original arrangement, Aught hanging loosely off the wall and Augment below on the floor.
Latex, a rubbery material used for molds, was adapted by Hesse for its inert and artless quality; unfortunately, it is not an archival material, and nearly 50 years later Aught appears to be on the verge of crumbling into dust, which most likely would have pleased Hesse, who loved the expression of fragility in her work.
Among highlights here are two renowned late monumental works by Eva Hesse: the latex and canvas floor work «Augment» and the four - part wall piece «Aught», both created in 1968.
Sure, there were a lot of Wal - Marts thrown up in the Aughts, but Daniel Libeskind's addition to the Royal Ontario Museum in Toronto surpasses the ugliness of bland functional buildings by being both ugly and useless.
The film is a twist on Steven Soderbergh's early aughts heist series (Ocean's Eleven, Ocean's Twelve, Ocean's Thirteen), a trilogy in which the crew pulling off the central «impossible» caper grew by one person each time.