Sentences with phrase «aural character»

There's none of the aural character that you get with even the turbocharged Carreras; with every last piece of the engine set - up totally devoted to performance, you get an assortment of whistles, chirps and whooshes that drown out six cylinders.

The Lambda V6 intake system also employs an intake sound induction pipe into the cabin to ensure this engine's aural character matches its visceral appeal.

When it's running, the petrol motor lends the car aural character as well as pace, with the electric motor tangibly filling in the low - end torque gaps and letting it punch out of corners with more or less instant throttle response.

In Sport Mode, however, the valve is permanently open and the B4 Bi-Turbo thrills with its distinctive aural character under hard acceleration — when additionally selecting Sport (S) or Manual (M) Shift Mode the exhaust will deliver an occasional burble on the overrun.

The Lambda V6 intake system also now employs an intake sound induction pipe into the cabin to ensure this engine's aural character matches its visceral appeal.

The turbocharged 3.0 - litre striaght six unit has been heavily reworked by M division engineers to provide the sort of performance, response and aural character expected of a full - blown M car engine.

The driver can vary the engine's aural character using the M Sound Control button, enabling a quick switch to a far more understated sound.

Its engine, although clearly a diesel in aural character, is superbly isolated from the cabin.

The 187bhp 2 - litre TFSI really needs to be worked hard to deliver any meaningful performance; sadly this highlights its rather unpleasant aural character.

Genesis is making much ado about its Active Sound Design creating «an aural character that reflects the engine load and driving mode settings.»

Not exact matches

All characters, he explains, get their own aural profiles.

Hallmarks of Altman's aural and visual style are evident everywhere - overlapping dialogue, life - like improvised roles and ensemble acting, multiple means of communication to connect the characters (phone calls, tape recordings, radio and TV, and P.A. announcements), a continuously moving camera, long takes, and imaginative sound and film editing.

The film's overplayed central track (a throwback to self - titled movie singles that explain the plot of the film) is created before our eyes in a montage of melded styles, the characters all bringing something to the table to make the film's proudest (if aural quantity is to be considered) achievement.

Rather than supply motivations for his characters, Altman provides them — and us — with a climate of reference comprised largely of the stops and starts of behavior and modulated by visual and aural structures at his beck and call.

The theme is not pushed forward by plot or by character but by feeling and emotion, which is enormously difficult in such a visual and aural medium.

Notable features of Trailblazers include a Campaign Mode that includes both Single Player and Multiplayer challenges, an aural and visual feast of styles and soundscapes rarely experienced in a racing title, and a multitude of Characters and Race Cars that you will have the opportunity to customize as you play.

As in In the Mood for Love, Wong repeatedly finds the perfect visual and aural complements to his characters» romantic rapture, as in the stunning (goddamn stunning) slow - motion shot of Faye watching no. 663 drink a cup of coffee, or the screwball comedy of Faye's apartment - cleaning sequences, or the ways in which Wong uses the Mamas and the Papa's «California Dreaming» (over and over again) to express the lovers» tumultuous relationship.

Having sampled the lack of aural delight of this new engine I can not help thinking that the gain in performance has been at the expense of something far more important - engine character!

The recommended handling in an aural rendering of the content is either to skip a phonetic - transcription element or to read each character aloud.

Along with a constantly evolving storyline, players will be treated to a fantastic visual and aural experience, featuring stunning hand - drawn characters and environments, coupled with music from Adam Skorupa, whose previous work includes The Witcher, Bulletstorm, Painkiller, and EVE Online.

«We see Rocksteady at the height of its game for visual and aural storytelling, going to great lengths to find the best perspective for a shot, whether it's from first - person, third, panned, or through the eyes of a different character.»

That said, Gigant's aural output is near faultless, with partial voice - acting competently delivered and a varying soundtrack that complements each lead character.

Linking situations, stories, and characters, Tribe constructs an aural and visual dialogue that navigates between culture and nature as if they were part of the same fluvial path.

Consistent aural use is just as important as consistent visual use to the preservation of the distinctive and recognizable character of the MARKS.