Maybe the studio will hire more
auteur filmmakers like Nolan to helm their DC adaptations, no offense to Martin Campbell, but he's a very workmanlike director who has as many misses as hits on his resume — for every Goldeneye and Mask of Zorro there's a Vertical Limit and Legend of Zorro.
Not exact matches
Very much a genre stylist in the mold of golden - age Hollywood directors
like Anthony Mann or Raoul Walsh, Uchida showed little discernible personal style to mark him as an
auteur in the French critical mold, but the uniformly high quality of his works and his ability to succeed in a variety of genres mark him as a
filmmaker very ripe for (re) consideration by critics.
Along with highly - anticpated new projects from notable TFF alumni
like Neil LaBute, Michael Winterbottom and David Gelb, this beloved TFF section also showcases stories from up - and - coming
filmmakers and
auteurs like Ken Loach, Paolo Taviani, and Vittorio Taviani.
On one side of the coin, collaborations with indie
filmmakers and esteemed
auteurs like Bong Joon - ho, whose new film Okja plays in competition in this year's Cannes Film Festival, ensure that more and more diverse creative voices are being heard.
When respected
filmmakers like Wes Anderson (Fantastic Mr. Fox) and Tim Burton (Corpse Bride, Frankenweenie) have embraced the medium, expectations have been somewhat different, with critics approaching the works as part of their
auteurs» oeuvres.
Their curious non-competitive status notwithstanding, these narrative and documentary premieres read
like a wanna - see list for major indie names, either behind the camera or in front of it: movies you'd see whether it was the world premiere or not, with
auteurs /
filmmakers whose surnames stand on their own,
like Solondz, Lonergan, Reichardt, Lee, Herzog, and much more.
Eubanks» skill as a
filmmaker seems commensurate with the impact of his story; his work here is higher - minded than mere low - budget viscera, but not as thoughtful, or thought through, as the material of budding
auteurs like Neill Blomkamp or Rian Johnson.
A bit of a double edged sword for a prolific
auteur like Allen, as he sticks with his strengths as a
filmmaker but when you've made as many films as he has about this subject, it's difficult to find enough wiggle room to emerge with an original work.
One of the most important
filmmakers of the last quarter - century, Haneke feels
like an
auteur tailormade for Criterion's deep analysis, although I've always felt
like he was a
filmmaker who believed the work speaks for itself, refusing to answer questions about films open to interpretation
like «Cache» or «The White Ribbon.»
Both films are the product of internationally renowned
auteurs, Larrain's star rising
like a comet in a year in which he's had three critically - acclaimed films and Farhadi maintaining his status as one of the most respected
filmmakers on the planet.
While successful
filmmakers like Martin Scorsese (Boardwalk Empire) and Mark and Jay Duplass (Togetherness) who have had success with television projects are no longer outliers, it's growing more and more common that cinema
auteurs are abandoning their comfort zones to expand their artistry and hone their storytelling craft through the relatively new format of streaming episodic content.
Directed by legendary
auteur Zhang Yimou, incontestably one of the world's greatest living
filmmakers, the man's list of classics including cinematic essentials
like Raise the Red Lantern, Hero, House of Flying Daggers, Ju Dou and To Live, the movie is a visual feast.
The French
filmmaker uses more mirrors than Versailles to reflect the morphing psychological states of his characters, directing
like an
auteur punch - drunk on Hitchcock, Brian DePalma and David Cronenberg.