«I think what you see is that when you choose the giver approach, yes, you are at risk for being taken advantage of but you also have people cheering for you and rooting for you,» says Wharton professor and
author of bestseller Give and Take Adam Grant.
Not exact matches
She is the
author of the national
bestseller, «Why Are All the Black Kids Sitting Together in the Cafeteria» and Other Conversations About Race, which explores the psychological construction
of race and the systemic advantages that define racism, and calls for open discussion
of what it means to have privilege and what it might mean to
give it up.
British
authors Louise Voss and Mark Edwards
gave up on their dream
of writing a
bestseller years ago when their two finished thrillers failed to attract the attention
of publishers.
Are the
Bestseller Lists so much hogwash and do they periodically switch the Lists around so as to
give every
author a taste
of Bestseller status?
The New York times, a very respected publication in terms
of their
Bestseller lists, is a positive step forward for a company to
give reader suggestions and assemble the
authors you need to know about.
«A
bestseller accolade can
give an
author a sense
of accomplishment and sparks them to keep up promotional activity.
But there's been no one huge book promotion hit — no, not even an appearance on «Oprah» — that can guarantee an
author will sell a specific number
of books on a
given day, or that the number
of books sold will be enough to catapult the book to the
bestseller lists.
While this report doesn't include print sales, nor does it include
authors who make a lot but who aren't on
bestseller lists, it
gives you a good look at the state
of the publishing industry.
In fact,
given that indy
authors tend to pay editors and proof readers, and want value for money, whereas editors in traditional houses are involved in a large number
of projects, and are well - known to spend the bulk
of their time in meetings rather than editing, and proofing is contracted out - often to the same proof - readers as many indies use (and some editors care how good it is, and some don't) the standards may well be higher in indy
bestsellers.
So once again, the more interesting question for those
of us is this: Are indie
authors who choose to stay with KU
giving up
author earnings for broader readership and longer
bestseller list visibility?
Given the very slow publishing schedules in mainstream publishing and the fact that there is a limit to how many books a publisher wants from any given midlist author in a year, the money odds for «most» of us who are not famous or breakout bestsellers... is in the indie side of things, because we can publish on a faster timetable, while still keeping the qualit
Given the very slow publishing schedules in mainstream publishing and the fact that there is a limit to how many books a publisher wants from any
given midlist author in a year, the money odds for «most» of us who are not famous or breakout bestsellers... is in the indie side of things, because we can publish on a faster timetable, while still keeping the qualit
given midlist
author in a year, the money odds for «most»
of us who are not famous or breakout
bestsellers... is in the indie side
of things, because we can publish on a faster timetable, while still keeping the quality up.
Indeed, another way to look at this is that by insisting on these higher ebook prices (compared with 2008 and 2009), the publishers have wrapped up another 30 %
of the
bestseller list, attached a bow, and
given it away to indie
authors.
It talks about the value
of connecting well with your readers, distributing your ebook to as many online retailers as you can,
giving your book away for free, developing your
author platform, maximizing «virality,» and studying
bestsellers in your genre.
So once again, the more interesting question for those
of us here at
Author Earnings is this: Are indie authors who choose to stay with KU giving up author earnings for broader readership and longer bestseller list visib
Author Earnings is this: Are indie
authors who choose to stay with KU
giving up
author earnings for broader readership and longer bestseller list visib
author earnings for broader readership and longer
bestseller list visibility?
However, indie titles receive on average less compensation per borrow than per sale, so the question remains
of whether indie
authors in KU are
giving up
author earnings for broader readership and longer
bestseller list visibility.