Sentences with phrase «author of the essay painting»
James Montier, author of the essay Painting By Numbers: An Ode To Quant, which I use as the justification for simple quantitative investing, authored an article in -LSB-...]
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James Montier, author of the essay Painting By Numbers: An Ode To Quant, which I use as the justification for simple quantitative investing, authored an article in September 2008 specifically dealing with net nets as a global investment strategy: Graham» s net - nets: outdated or outstanding?
Not exact matches
Artist Walead Beshty, who authored the essay for the exhibition's illustrated catalogue, explains, «Just as the ritual object accrues meaning incrementally and over time through a repetitive process of investment and stewardship, DeFeo came to favor producing paintings through a process of slow accumulation in lieu of the explosive and loose gestural compositions that were common at the time.»
In their respective essays, Agee, the Evelyn Kranes Kossak Professor of Art History at Hunter College, and Sandler, author of the seminal work The Triumph of American Painting, touch on similar tangents.
This volume gives an overview of these recent shifts in Williams» paintings and includes essays by British fiction author and journalist George Pendle, and curator and writer Dan Nadel.
Alain Madeleine - Perdrillat teaches at the Institut National d'Histoire de l'Art (INHA) and is the author of an important monograph on Georges Seurat (1990), a study of the letters of Nicolas de Staël (2003), and numerous articles and essays on literature, painting, and photography.
It is co-authored by Montclair Art Museum Chief Curator Dr. Gail Stavitsky and Baltimore Museum of Art Senior Curator of European Painting & Sculpture Katy Rothkopf, and includes an essay entitled «Cezanne and the American West» authored by Phoenix Art Museum curator Jerry Smith.
He is the author of Lincoln Perry's Charlottesville, a collection of his paintings of that city, and a selection of his watercolors illustrates a 2012 edition of Henry David Thoreau's essay «October, or Autumnal Tints.»
Barbara Rose is the author of American Art Since 1900, American Painting, Autocritique: Essays on Art and Anti-Art and many other books and catalogues on modern and contemporary art.
An expert on 20th - century American art, he is the author of The Nude in American Painting, 1950 — 1980, Pop Art, and H. C. Westermann at War: Art and Manhood in Cold War America, as well as essays in American Art, Art Bulletin, and Art Journal.
During her tenure, Myers served as the project director, author and general editor of French Paintings 1600 — 1900: The Collection of the Nelson - Atkins Museum of Art, a collection catalogue featuring essays on more than 100 paintings and pastels to be published online beginningPaintings 1600 — 1900: The Collection of the Nelson - Atkins Museum of Art, a collection catalogue featuring essays on more than 100 paintings and pastels to be published online beginningpaintings and pastels to be published online beginning in 2018.
In the elegantly designed catalogue for the exhibition, Alicia Longwell — Lewis B. and Dorothy Cullman Chief Curator, Art and Education at the Parrish and author of one of the four substantive essays — quotes Freilicher on the support they offered one another: «There was some sort of affinity in our painting, but it wasn't actually that we influenced each other.
Yardwork includes an essay by Dave Hickey that places Hume's paintings in the context of a group of artists the author names abstractionists of daily life.
With new photography documenting Julie Mehretu's (born 1970) studio process, plus details and large - scale reproductions of paintings and drawings, and essays by renowned authors, this book documents her richly layered visual universe.
In addition to the catalogue essays and entries for those shows, he has written the biography of the British sculptor Alfred Gilbert (Yale University Press 1985) and is the author of a «Catalogue of the British Paintings in the Philadelphia Museum of Art» (Weidenfeld, 1986).
In essays that address links with the poetry of Robert Frost and the paintings of Edward Hopper, Charles Sheeler and other artistic peers, the authors consider Wyeth's statement that he was, in fact, an abstract painter.
About Barbara Rose Barbara Rose is the author of American Art Since 1900, American Painting, Autocritique: Essays on Art and Anti-Art and many other books and catalogues on modern and contemporary art.
Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol Look, Andy Warhol Museum, 1997 Blank Generation Reviseted: Early Days of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008
This essay not only christened the Pollock / de Kooning group and put the spotlight on its painting techniques, it also brought its author instant fame as an important interpreter of modern art.
A writer and independent curator, Antonini is the author of the essay Revolution in (Re) Form: More Thoughts on Abstract Painting Today for the exhibition and catalogue NEW NEW YORK: Abstract Painting in the 21st Century that is on view at The Art Gallery at UHM from October 4 — December 4, 2015.
Yardwork includes an essay by Dave Hickey that places Hume's paintings in the context of a group of artists the author has named «abstractionists of daily life.»
Around 1966 — 67, he wrote «Abstract Mannerism» in which he juxtaposes a well - known quotation about the paradigmatic status of the framing edge for modernist painting from Greenberg's essay ««American - Type» Painting» with a quotation about the role of the frame in Mannerist painting from a book by Jacques Bousquet to demonstrate that the two authors are basically arguing the sampainting from Greenberg's essay ««American - Type» Painting» with a quotation about the role of the frame in Mannerist painting from a book by Jacques Bousquet to demonstrate that the two authors are basically arguing the samPainting» with a quotation about the role of the frame in Mannerist painting from a book by Jacques Bousquet to demonstrate that the two authors are basically arguing the sampainting from a book by Jacques Bousquet to demonstrate that the two authors are basically arguing the same thing.
She curated High Times, Hard Times: New York Painting, 1967 - 1975, and is the author of numerous essays on modern and contemporary art.
In addition to painting, he experimented with abstract sculpture and was the author of Cubist Poems (1913), Essays on Art (1916), and Primitives (1926).
In a catalog essay on my recent paintings, Carmen Machado, author of Her Body and Other Parties: Stories, wrote «Deborah Zlotsky's paintings are, at their essence, a convergence: of Renaissance images and pop art, of the past and present, of science fiction and reality, of physicality and illusion.»
Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong, this publication includes an essay by critic and curator Michael Bracewell, in which the author takes an in - depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium.