Dubbed KDP Select, the fund aims to let indie authors and publishers «make money in a whole new way»... [When] a KDP
author or publisher chooses to make any of their books exclusive to the Kindle Store for at least 90 days, those books are eligible to be included in the Kindle Owners» Lending Library and can earn a share of the KDP Select fund.
If
an author or publisher chooses to put a book on sale or make it available for free — that's great.
Not exact matches
This would be far more understandable a concern if most consumers knew how much an
author's work is stripped away in the editorial process by major
publishers, and then understood that self - published
authors often
chose to pursue indie authorship because random gatekeepers had deemed their book wasn't fit
or worthy enough for mass market publication.
The Big 5
or any traditional
publisher will give the
author no say and
choose an illustrator who can imagine what no one else could possibly imagine from the words, and they might draw a child bouncing on a bed with crumpled sheets as waves, and the pet dog, representing the shark, jumping in the bed as well — creating a far more rewarding reading and visual literacy experience for the reader.
Authors know that when they work with a
publisher, they're partnering with a company that has years, decades
or even centuries of experience
choosing, editing, designing, marketing and selling books.
Publishers (
authors, musicians, and filmmakers) can
choose on what format they like their materials would be delivered to the customers: either electronically (eBook, MP3, video)
or traditionally (print, CD, DVD).
Yesterday, I heard from yet another frustrated
author whose
publisher is promoting books in the same way as books were promoted 5 years ago: sending out books and media kits to the conventional media, following up, and trying to persuade journalists, reporters, producers, and hosts to
choose their story, review their book,
or set up an interview with their
author.
But I'm not interested in seeing
publishers, agents,
or authors who
choose a different path as The Enemy, either.
Too often, IBPA has noticed a bias against self - published
authors, independent
publishers, and hybrid presses when it comes to
choosing titles
or authors for book review consideration, book award contests, association memberships, and inclusion on independent bookstore shelves.
Traditional
publishers have limited slots they can use for merchandising, and they
choose to use them for
authors who are taking off,
or who they think should be taking off.
There are other reasons
publishers may
choose to make a book free, such as for a promotion
or because the
author /
publisher just wants to get the information in front of an audience.
Each
author (
or publisher) can find the sweet spot for each book that maximizes its individual earnings...
or choose a spread across different books that maximizes their portfolio earnings.
PubSmartCon, a writers» conference held in Charleston, SC, next month, has shifted the focus away from desperately seeking an agent
or publisher and
chosen to focus instead of building in time for
authors to network, both with big names in the industry and with their fellow in - the - trenches writers to uncover their keys to success.
First, more
publishers than ever before signed
authors who had previously self - published their books, a far cry from the days only a few years ago when
choosing to self - publish was an all -
or - nothing choice.
IMO, you and the other
authors could have
chosen other
publishers or to publish your own books.
When this became popular, some
authors wanted to be able to pick and
choose which services the subsidy
publisher would perform and which they could do themselves (
or hire someone to do).
Where additional royaties paid to the illustrator may occur, is in the event of the
author or self
publisher choosing to create new products such as merchandising items like t - shirts, for the purpose of financial gain and profit.
Given that truth, and given that many
authors choose to self - publish
or that some
publishers have cut back on the editing stage of the process, we might need to pay freelance editors for some (
or all) of the editing our story requires.
This is common knowledge, of course, but I just wanted to reiterate that as an
author, you've
chosen to publish your work (either through self - publishing
or a traditional
publisher).
However
publishers choose to price their ebooks, there are also different acceptable prices for different genres
or different types of content, as well as different priority prices for different
authors and their work.
We know this movement is great for all writers, whether
or not they
choose to self - publish and ALLi members are proud of our indie status and carry that pride into all our ventures, negotiations and collaborations, with
publishers, services and other
authors.
Using Blio, readers can sample and purchase Smashwords books, create digital libraries for purchased and sampled titles, publish text
or YouTube video book reviews, and «favorite» their
chosen authors,
publishers, and titles.
Smaller independent
publishers or self published
authors may also
choose a name other than their own
or that of their businesses to promote their book publishing work.
Many
authors are
choosing to self - publish their books instead of waiting around for a literary agent
or publisher to publish their books.
If you
choose to blog an ebook, before you upload a manuscript to Amazon's Kindle, Barnes & Noble's Nook
or even Apple's iBook, you become an
author and
publisher of an ebook in the process of writing and publishing it.
Our editors
choose the best of the books that
authors and
publishers submit to us so you won't have to deal with poorly - formatted books, books with excessive typos,
or annoying plot lines.
We offer deals on all retailers, but sometimes
authors or publishers have
chosen only to list their books on certain retailers.
The
author or publisher can then
choose to enroll the Kindle edition in the MatchBook program.
«Not too far in the future, the
author comes to the Pubslush site,» Ioannou says, «gets a checklist of the steps that the book needs; gets to
choose an editor who has lots of experience with that kind of book
or a young editor just starting out who will do the work more cheaply; sees samples of the work of a lot of cover designers and picks one; sees an array of
publishers who might be interested in publishing the book —
or gets various options to self - publish; and gets help to pay for it all» with crowdfunding «
or can just pay for it all on the spot if that option appeals more.»
If a traditional
author chooses to put zero (
or minimal) sweat equity into marketing, relying on the
publisher's salesforce to sell the book to booksellers, they may still have great sales.
«Too often, IBPA has noticed a bias against self - published
authors, independent
publishers, and hybrid presses when it comes to
choosing titles
or authors for review consideration, book award contests, association memberships, and inclusion on independent bookstore shelves,» said IBPA CEO Angela Bole.
That's nice for the «universe of
authors,» but yet again it does not mean that individual
authors can not do equally well at $ 14.99 (
or any other price point above $ 9.99) than they would at that $ 9.99 price point, nor should that assertion mean that
publisher should be required to sell their wares at that price point if they
choose not to.
An
author,
publisher, agent,
or other related entity («promoting entity») may
choose to offer readers the opportunity to join an external, dedicated promotional email list for the purpose of providing those readers with information relevant to their reading interests.
Thank you to each and every
Author & /
or Publisher who
chooses to send an entry for this special program.
With options for
publishers and
authors,
choosing Bookmasters as your global print book distributor (and /
or eBook distributor) means your titles will be available to wholesalers, retailers, independent bookstores, libraries, and ultimately, the readers you're trying to reach.
«Too often, IBPA has noticed a bias against self - published
authors, independent
publishers, and hybrid presses when it comes to
choosing titles
or authors for review consideration, book award contests, association memberships, and inclusion on independent bookstore shelves.
This suggests, said Cornford and Lewis, that «traditional
publishers are decent arbiters of quality» and that «the reading public finds, in these
authors» work, the same high standard (
or marketable writing, at least) that led
publishers to
choose them in the first place».
For producers of legal information, be they
publishers,
authors,
or libraries, moving up the pyramid would facilitate the creation of more compelling products that focus more on attributes like design, reducing anxiety, and potentially even belonging, but without the end users getting to
choose what tools they use these things are not valued in the way they could be.