Through the natural spaces of the island, historical ruins and plantation houses, the film alludes to the complex narratives that have
authored contemporary experience and questions of collective identity in the post-colony.
Not exact matches
Each of these three theistic
authors is engaged in a difficult but necessary task, the attempt to craft a conceptual scheme adequate to the full range of
contemporary human
experience, giving appropriate attention to the valuable insights of venerable theistic traditions.
For, the first chapters of the Book of Genesis were never meant to be taken as history or science, as «eyewitness» accounts, either of God or of someone impossibly «interviewing» God, but as a spiritual, theological, and mystical statement about God's relationship with the world; as an «aetiological myth,» to use Rahner's phrase, that provides an explanation, based on the human
author's
contemporary experience, of how things must have gotten to be the way we see them.
Contemporary author and filmmaker John Sayles says, «Jim Tully stands out in American literature as one of the few realist writers who did not just visit the rougher environs of human
experience for material, but was fully of those depths... That Tully wrote at all was a miracle; that he wrote so well is a gift to the world.»
Jane Friedman and I have been observing the
experiences of
authors in the
contemporary marketplace as it has developed over many years.
Publishing companies must create a more interactive
experience, and one that taps into not only an
author's expertise, but a wealth of other resources: downloadable walking tours, music from top singers of the region, photo spreads from the big
contemporary artists of the moment.
Gloria Sutton is Assistant Professor of
Contemporary Art History and New Media at Northeastern University and
author of The
Experience Machine: Stan VanDerBeek's Movie - Drome and Expanded Cinema published by MIT Press.
Gloria Sutton,
author of The
Experience Machine: Stan VanDerBeek's Movie - Drome and Expanded Cinema (Cambridge, MA: MIT Press, 2015) is Assistant Professor of
Contemporary Art History and New Media at Northeastern University.
To accompany the exhibition Miró: The
Experience of Seeing, the museum is hosting a series of book discussions featuring
contemporary Catalan
authors.
He is the
author of Flyboy in the Buttermilk: Essays on
Contemporary America and Midnight Lightning: Jimi Hendrix and the Black
Experience and the editor of Everything but the Burden: What White People Are Taking from Black Culture.
The volume also addresses the impact of thought - limiting, action - orientated polemic ideas.Integrating
contemporary theory with cutting edge technique, the
author focuses on the personal nature of the intersubjective process, locating the therapist's
experience in the centre of the transformational intensity of group life.