Sentences with phrase «authority on contemporary art»

Golden is an authority on contemporary art by artists of African descent and an active lecturer and panelist speaking about contemporary art and culture at national and international institutions.

She is a noted authority on contemporary art, including work by self - taught and outsider artists.

The advertisement that ran for the exhibition in the New York Times quoted a statement by no less an authority on contemporary art than the influential critic Clement Greenberg, describing Kline as the «Most striking new painter in the last 3 years» (fig. 3).6 In Kline's case, not only did these artistic and professional breakthroughs appear to occur at once but they also coincided with a series of group exhibitions staged in New York around this time.

Also appearing are several leading authorities on contemporary art including former curators and art historians: Diane Waldman, Deputy Director and Senior Curator (1965 — 1996), Guggenheim Museum, Kirk Varnedoe, Chief Curator and Painting and Sculpture (1988 — 2001), Museum of Modern Art, and Robert Rosenblum, Professor of Fine Arts at New York University and Associate Curator at the Guggenheim Museum.

Not exact matches

It took three years for Holly Block, the Bronx Museum's director and an authority on contemporary Cuban art, to arrange the show, in exchange for one that will travel to New York.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.

The book's editor and author, Melissa Chiu, is a leading authority on Asian contemporary art.

Acquired sixteen years after the artist served as a juror for the museum's first biennial exhibition, the painting was recommended by no less an authority on contemporary painting than Alfred Barr, then the director of New York's Museum of Modern Art.

Widely regarded as an authority on China's contemporary art scene, he was co-curator, with Alexandra Munroe and Hou Hanru, of the 2017 «Art and China After 1989: Theater of the World» exhibition at the Solomon R. Guggenheim Museum in New Yoart scene, he was co-curator, with Alexandra Munroe and Hou Hanru, of the 2017 «Art and China After 1989: Theater of the World» exhibition at the Solomon R. Guggenheim Museum in New YoArt and China After 1989: Theater of the World» exhibition at the Solomon R. Guggenheim Museum in New York.

«AIDS, A Community in Crisis,» Jamaica Arts Center, Jamaica, NY, 1991 «Language: Body and Dream,» PS 122, New York, NY, 1991 «1991 Biennial Exhibition,» Whitney Museum of American Art, New York, NY, 1991; catalogue «We Interrupt Your Regularly Scheduled Programming,» White Columns, New York, NY, 1991 «Interrogating Identity, Grey Art Gallery and Study Center,» New York, NY 1991; traveled to the Museum of Fine Arts, Boston, MA; Walker Art Center, Minneapolis, MN; Madison Art Center, WI; Center for the Fine Arts, Miami, FL; Allen Memorial Art Museum, Oberlin College, Oberlin, OH; catalogue «Positions of Authority,» Art in General, New York, NY, 1991 «Color Theory,» Amelie A Wallace Gallery, State University of New York at Old Westbury, Old Westbury, NY, 1991 «Text Out of Context,» SoHo Center, New York, NY, 1991 «New Work,» PS 122, New York, NY, 1991 «Spent: Currency, Security and Art on Deposit,» The New Museum of Contemporary Art at Marine Midland Bank, New York, NY, 1991 «Works on Paper,» Selena Art Gallery,» Long Island University, Brooklyn, NY, 1991 «Rutgers National «90: Works on Paper, Stedman Art Gallery,» Camden, NJ, 1991; brochure «Art of Resistance,» El Bohio, New York Public Mirror, Art against Racism, The Clocktower Gallery, New York, NY, 1991

On the occasion of the opening of the Elbphilharmonie, the Deichtorhallen Hamburg will be showing a major exhibition in cooperation with HamburgMusik gGmbH with support from the Hamburg Cultural Authority under the title ELBPHILHARMONIE REVISITED, which will be on view in the Hall for Contemporary Art at the Deichtorhallen from 10 February to 1 May 201On the occasion of the opening of the Elbphilharmonie, the Deichtorhallen Hamburg will be showing a major exhibition in cooperation with HamburgMusik gGmbH with support from the Hamburg Cultural Authority under the title ELBPHILHARMONIE REVISITED, which will be on view in the Hall for Contemporary Art at the Deichtorhallen from 10 February to 1 May 201on view in the Hall for Contemporary Art at the Deichtorhallen from 10 February to 1 May 2017.

A leading authority on Asian contemporary art, she has initiated a number of major initiatives at the Asia Society Museum, including the launch in 2007 of a contemporary art collection to complement the museum's renowned collection of traditional Asian art.

Ligon's authority on the subject was probably all Walker needed to settle the dispute around his work once and for all, but in the volatile climate that defines our current times, even the most brilliant view doesn't stick around for long without being challenged a second time, and disagreements over Walker's work reached a new height again on the occasion of «Direct Drive,» his solo exhibition at the Contemporary Art Museum St. Louis last September.