Ganxy lets
authors and publishers create «showcases» to sell books and control marketing and promotions.
According to an article by Laura Hazard Owen for paidContent, «Ganxy already lets
authors and publishers create ebook «showcases» that can be tweeted and embedded on sites like Facebook, or can stand alone as websites.
«We look forward to seeing what
authors and publishers create for Kindle customers using the new functionality of the Kindle apps.»
Offering a combination of
author and publisher created content and unique tools, the ALC strives to level the playing field for all authors and creators.
Not exact matches
Title: Guerrilla Marketing to Heal the World: Combining Principles
and Profit to
Create the World We Want
Authors: Jay Conrad Levinson (1933 — 2013), Shel Horowitz Contributing writers: Cynthia Kersey (Unstoppable), Frances Moore Lappé (Diet for a Small Planet), Ken McArthur (The Impact Factor), Yanik Silver (Evolved Enterprise)
Publisher: Morgan James Pub date: April 19, 2016 • Price: $ 24.95 ISBN: 978 -1-63047-658-8 (paperback); 978 -1-63047-659-5 (eBook)
Summary: Title: Guerrilla Marketing to Heal the World: Combining Principles
and Profit to
Create the World We Want
Authors: Jay Conrad Levinson, Shel Horowitz Contributing writers: Cynthia Kersey, Frances Moore Lappé, Ken McArthur, Yanik Silver
Publisher: Morgan James Pub date: April 19, 2016 ISBN: 978 -1-63047-658-8 (paperback); 978 -1-63047-659-5 (eBook) Price: $ 24.95 Contact: Shel Horowitz, 413-586-2388, or via email
While I am on the subject of the publishing industry, let me make one little tiny suggestion to
publishers and book agents: Please, out of respect
and courtesy to the
authors who submit books to you, don't you think it would be wise to
create a little form letter that you send to
authors whose books you reject?
Teachers can reuse
and edit premium content, upload their own schemes of learning, search for activities
created by other teachers or reliable
authors and publishers, or
create their own content using 20 + pre-built activity templates, all mapped on learning objectives.
As early implementers, these educators have gone both to the «source» of the standards
and used other proxies for quality
and alignment: They've worked directly with
and learned from the standards»
authors themselves
and / or used tools
created by them (e.g., the
Publishers» Criteria developed by Student Achievement Partners
and several other groups).
Some years ago, I signed on as an editor at a major
publisher of elementary school
and high school textbooks, filled with the idealistic belief that I'd be working with equally idealistic
authors to
create books that would excite teachers
and fill young minds with Big Ideas.
They include Emily Callahan
and Amber Jackson, who are using their skills
and intellect to turn oil rigs into coral reefs; Nate Parker, the activist filmmaker, writer, humanitarian
and director of The Birth of a Nation; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker
and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas
and is the
author of «Is Shame Necessary»; Brent Stapelkamp, whose work promotes ways to mitigate the conflict between lions
and livestock owners
and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up,
and an expert in crowd funding
and social innovation; Alan Eustace, who worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder
and CEO of the Lending Club — the world's largest online credit marketplace working to make loans more affordable
and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold
and Greg Segal, whose goal is to flip supply
and demand for organ transplants
and build the country's first central organ donor registry,
creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9)
and sister Isabel Rose (age 12),
Publishers of the Orange Street News that has received widespread acclaim for its reporting,
and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker
and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas
and is the
author of «Is Shame Necessary»; Brent Stapelkamp, whose work promotes ways to mitigate the conflict between lions
and livestock owners
and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up,
and an expert in crowd funding
and social innovation; Alan Eustace, who worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder
and CEO of the Lending Club — the world's largest online credit marketplace working to make loans more affordable
and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold
and Greg Segal, whose goal is to flip supply
and demand for organ transplants
and build the country's first central organ donor registry,
creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9)
and sister Isabel Rose (age 12),
Publishers of the Orange Street News that has received widespread acclaim for its reporting,
and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
Earlier this year,
Author Solutions acquired another one of its competitors, Xlibris; entered partnerships with traditional
publishers Thomas Nelson
and Harlequin to
create self - publishing imprints;
and partnered with Sony to make all of their books available as eBooks.
Top literary agents make simultaneous submissions to
publishers with well - planned
and well - coordinated «attacks» that cause excitement,
create maximum leverage, start bidding wars,
and get the best terms for their
authors.
«The online leviathan Amazon says it is attempting to «lower ebook prices»; publishing conglomerate Hachette argues that it is seeking «terms that value appropriately for the years ahead the
author's unique role in
creating books,
and the
publisher's role in editing, marketing,
and distributing them.»
The fact that so many
authors feel that they were not given the right advice
and direction, makes me think that there is an opportunity for
publishers to
create an «
author branding department.»
The project also aims to get in touch with other interested subjects: first of all the
publishers but also foundations, associations, fairs, museums, science centres,
authors who may be interested in
creating a network of exchanges
and collaborations to promote quality non-fiction titles.
The Solution: Here's how Rob transformed a B - level
author into a major bestseller
and created dramatic financial results for the
publisher:
A prominent literary agent recently told me that unless an
author receives a hefty advance of $ 100,000 or more most
publishers will do virtually no promotion, leaving it to
authors to
create and exploit their own platforms via social media
and networking connections, workshops
and webcasts.
I did want to provide a networking opportunity for writers
and publishers, but I also wanted to
create an opportunity for readers to meet
authors they might have read as well as discover new
authors.
The classic books include: AuthorYOU:
Creating and Building Your
Author and Book Platforms by Judith Briles How to Avoid 101 Book Publishing Blunders, Bloopers & BooBoos by Judith Briles 1001 Ways to Market Your Book by John Kremer How to Make Real Money Selling Books by Brian Jud APE:
Author,
Publisher, Entrepreneur by Guy Kawasaki
«
Publishers can now take advantage of OverDrive's EPUB3 support to
create enhanced eBooks using open standards that display children's picture books as the
author and publisher intended, as well as to add interactive elements within the page to further engage the reader,» said Alexis Petric - Black, OverDrive's Director of Publisher
publisher intended, as well as to add interactive elements within the page to further engage the reader,» said Alexis Petric - Black, OverDrive's Director of
Publisher Publisher Services.
Interestingly,
authors and publishers will have the option to decline participation in the Library Direct program, as Smashwords» fundamental business model is to put the control back in the hands of those who
create the books.
The Big 5 or any traditional
publisher will give the
author no say
and choose an illustrator who can imagine what no one else could possibly imagine from the words,
and they might draw a child bouncing on a bed with crumpled sheets as waves,
and the pet dog, representing the shark, jumping in the bed as well —
creating a far more rewarding reading
and visual literacy experience for the reader.
New distribution platforms make it easier than ever for independent
authors and small
publishers to
create audiobooks.
You (as
publisher or self - published
author) might have to sell 600 copies just to recover the expense of
creating the plates
and setting up the press for a run.
If, as an
author, your intent is to
create a book that will help you build towards a franchise of books from which you could one day make a living, or to
create a book that takes your career to new heights or is a marketing tool for your business, then think about becoming an indie
publisher and not an indie
author.
Dale: «Indie
authors create books just as exciting
and polished as the big
publishers produce, but we don't have the overhead, so we can fill in the gaps.»
Shelf Media Group is an elite staff of editors
and designers from a variety of national
and international magazines, book
publishers,
and independent presses with a mission to
create something that hasn't been done before for a new generation of
authors and readers.
Through a growing network of retail distributors, open publication APIs,
and global print facilities, Lulu has effectively
created a one - stop shop for
authors, developers,
publishers,
and businesses alike.
In an effort to help
authors and self -
publishers create an outstanding product, we have compiled a list of Preferred Providers.
growing network of retail distributors, open publication APIs,
and global print facilities, Lulu has effectively
created a one - stop shop for
authors, developers,
publishers,
and businesses alike.
Authors and publishers can easily
create their own Booktrack by choreographing their stories to Booktrack's extensive library of over 20,000 free - to - use music
and ambient audio tracks.
Specific, in - depth nuts -
and - bolts guides include The Unofficial Scrivener Workbook by M.J. Carlson, Excel for Writers by M. L. Humphrey (walks through how to
create spreadsheets that track time spent writing, page production, year - to - year metrics,
and keep track of your works), Excel for Self -
Publishers by M. L. Humphrey (amazingly useful for indie
authors, how to track ads
and effectiveness, revenue by sales channel, keywords, amazon reports,
and more),
and The
Author's Guide to Vellum by Chuck Heintzelman (an incredible new app for producing print
and eBooks; I'm a total convert myself).
Their
publishers are really not «
publishers,» at least in the sense that they have the infrastructure to
create and support a quality book
and its
author or that they have their internal team — from editing to some semblance of book design
and publishing marketing
and publicity
and that they are accountable in the critical accountability departments of actual book sales
and responsibility.
While the
author should be willing to
create an index if requested, paying the
publisher to do it is ridiculous,
and this language should be stricken from the contract.
Experienced writing coach,
author and publisher Darcy Pattison has
created an appealing
author platform with a blog for fiction writers.
And remember that you too can become a seasoned and successful publisher with the opportunity down the road to create a business that can help other autho
And remember that you too can become a seasoned
and successful publisher with the opportunity down the road to create a business that can help other autho
and successful
publisher with the opportunity down the road to
create a business that can help other
authors.
This
creates an excellent negotiating position for the
publisher and a horrible one for the
author.
We are a traditional
publisher, which essentially means that we publish titles where the
author does not pay a cent,
and where we professionally edit, proofread, format in - block text, have covers
created, assign ISBNs,
and insert into professional distribution systems.
Google + Communities
Create New Networks for
Authors and Publishers describes this feature
and profiles Digital Publishing
and APE:
Authors,
Publishers,
and Entrepreneurs communities
Many small traditional
publishers are open to new writers, accept unagented submissions,
create attractive book covers, market the books they publish,
and pay real royalties... without charging
authors anything.
German
publisher, GABAL, has partnered with
Author Solutions to
create GABAL Global Editions for
authors to publish their books — about current issues in business
and education — in English.
Well, there * are *
authors who have gotten badly screwed by
publishers / agents / etc,
and I can definitely understand how that would
create bitterness
and mistrust.
Best of all, the ebook revolution has challenged the master / slave relationship that had been
created between the big
publisher and the lowly
author.
Publishers Weekly How to
Create a Successful Self - Published Children's Book Self - publishing a children's book isn't all fun
and games Digital Book World Blurb Does Deal With Ingram to Help Indie
Authors Get Into Bookstores Self - publishing services provider Blurb has launched a series of initiatives designed to help indie authors get their print books into bookstores, -L
Authors Get Into Bookstores Self - publishing services provider Blurb has launched a series of initiatives designed to help indie
authors get their print books into bookstores, -L
authors get their print books into bookstores, -LSB-...]
Sydney Mathieu is a digital marketing expert who
creates innovative campaigns for
author and publisher clients for JKS Communications.
Self published
authors have to rely on their own resources, be more creative in finding retail shelf space for their books (as a rule, self published
authors have far less access to chain bookstore shelves than the big
publishers who spend millions on marketing dollars),
and have to work very hard to
create any sort of buzz about their books.
This could mean working smarter with
authors, bringing books to market quicker than they do now (often it takes a
publisher 18 months to publish a book),
and creating exciting partnerships with indie
authors.
We work with
authors,
publishers and industry professionals
creating book cover designs
and marketing materials.