Andra worked for New Shelves Books for the last few years and has just launched her own company to help
authors and publishers get their books in front of buyers and reviewers.
The idea of helping
authors and publishers get media attention for their books is powering a lot of startups at dining - room tables these days.
When campaigns succeed,
authors and publishers get paid, and you get a free ebook.
Other sites are rethinking the way
authors and publishers get paid, such as ValoBox and TotalBoox.
That's how
authors and publishers get paid.
If readers read an additional 20 % more,
the author and publisher get credit for a full sale of the book, 60 % of the list price.
Both
the author and the publisher get benefited out of literary agents.
Not exact matches
The only content that
gets effectively communicated these days is authentically shared material (often user -
authored)
and SquareOffs encourages
and accelerates that behavior by helping
publishers and authors provide current
and compelling bite - size choices
and content (suitable for sharing) that triggers our natural (water cooler) inclinations
and behaviors to share something new, something timely, something political, something we're concerned or passionate about, etc. with those around
and closest to us.
By purchasing a Kirkus indie review,
authors can have the opportunity to build some name recognition
and get noticed by agents,
publishers and other industry influencers.
As an example, I not only agented this book myself to a major NYC - area
publisher, I brought in Jay
and his famous brand, I brought in Stephen M.R. Covey for the foreword,
and even wrote my own back cover (something most
authors never
get to do when working with a major
publisher).
While this strategy works just fine for large
publishers that already have established brands
and get thousands of shares on any new article they publish (such as Mashable or TechCrunch), a more pragmatic approach is needed for just about every other business.It's true that
getting quality inbound links starts with great content on your client's website, but the missing link is
getting journalists, contributors,
authors,
and editors at quality publications to become aware of that content so that they can link to it when writing relevant stories / articles.
And this chokehold not only affects the inventory you find on Christian bookstore shelves, but which books are contracted by publishers, what content gets edited in the writing and editing process, and the degree of freedom authors feel they have to speak on their own blogs and platfor
And this chokehold not only affects the inventory you find on Christian bookstore shelves, but which books are contracted by
publishers, what content
gets edited in the writing
and editing process, and the degree of freedom authors feel they have to speak on their own blogs and platfor
and editing process,
and the degree of freedom authors feel they have to speak on their own blogs and platfor
and the degree of freedom
authors feel they have to speak on their own blogs
and platfor
and platforms.
I think it was Jack Canfield (
author of all the Chicken Soup for the Soul books who
got turned down 100's of times before
getting a small
publisher and then going on to sell over 112 million books) who said it's not what people say about you but what you say to yourself when they say things about you.
(In Norwegian with subtitles) Dedication (R for profanity
and sexuality) Romantic comedy about a neurotic, NYC children's book
author (Billy Crudup), depressed by the demise of his longtime collaborator (Tom Wilkinson), who
gets a new lease on life after he's pressured by his
publisher (Bob Balaban) to team with an attractive, aspiring young illustrator (Mandy Moore).
Getting a big following on social media is one of the easiest ways to impress agents
and publishers,
and it's a lot simpler than most
authors realize.
Using a city - branded website lets you
get your local community involved — from booksellers to
authors and publishers.
Now I help
authors get top literary agents,
publishers,
and book deals.
Support indie
authors: StoryBundle is a platform for indie / small
publisher authors to
get exposure for their works, both for the titles featured in the bundle
and for the rest of their catalog.
I also suggest that
authors avoid the
Author Solutions imprints (AuthorHouse, iUniverse, Trafford, Xlibris,
and the imprints AS runs for
publishers, including Balboa Press) since I (Writer Beware) tend to
get more complaints about them than about other self - publishing services.
Under this proposal, Amazon would keep 30 percent of the revenue,
and the
author and publisher would each
get 35 percent.
Top literary agents make simultaneous submissions to
publishers with well - planned
and well - coordinated «attacks» that cause excitement, create maximum leverage, start bidding wars,
and get the best terms for their
authors.
The odds of an
author getting noticed
and getting picked up by a major
publisher are (my assessment) about the same whether you do this with their affiliate or with another.
In addition, it's
getting harder
and harder for traditionally published
authors to wrest their rights back from
publishers, which is undoubtedly cutting down on the number of backlist titles being newly self - published.
An
author who finds an agent
and a
publisher quickly
and when her book debuts it hits # 1 on the NY Times Bestseller List
and then
gets turned into a movie
and she becomes an overnight success story.
Established literary agents also have the ability to pitch books face - to - face (sometimes with the
author present), submit books to
publishers simultaneously, hold auctions,
and get deals done faster.
However,
authors of such books can certainly make themselves more attractive to literary agents
and publishers by bolstering their platform, since having influence
and a large following is one indicator of an
author's ability to
get exposure
and sell books.
Hi, I learnt my lesson with Xibris who is under the wing of Penguin House they were over the top with praises but
got nothing right they didn't follow any of my instructions for my artwork or cover the did nt edit my manuscript as I paid $ 3500 for
and received delay after delay after 8 months which they promised 6 weeks
and my book would be in my hand
and on shelves, I pulled the plug
and cancelled payments through my bank
and received all my money back I sent all 9 consultants emails on my termination of our contract due to their unprofessional ism
and prying on new
authors Plus I sent 9 written termination letters as stated in their contract I now have learnt research every
publisher outlet in legitimacy saves on the heartache
I
got a free consultation from a lawyer about a contract I was being offered by a
publisher and he gave me two key pieces of advice: an audit clause means they have nothing to hide
and allows you as an
author to play IRS
and look at their books if you think you're being cheated (an expensive process, but a good
publisher wouldn't be afraid of you using it)
and believe their BBB rating if they have one.
One thing that a traditional
publisher (
and I am one) will do is to
get their
author's books into book stores.
We're also a literary agency with tremendous clout in the industry, so we can
get many things for
authors from
publishers and film / TV buyers that an
author otherwise would not be able to
get on their own.
It may sound like a big job but indie
and self - published
authors need to think more like a
publisher and therefore as a business if they want to
get their work to a larger audience.
The indie writers who are now wanting to go with a traditional
publisher because — duh — they will
get this huge advance
and will be sent on tours to sign their books
and will soon be playing poker with other best selling
authors ala Castle.
Hybrid models have
publishers pay for some, where the
author pays for some
and gets a higher royalty percentage.
We had lower expectations about e-books a couple years ago, but so many
authors and publishers are
getting it right that readers are raising the bar.
Sometimes referred to as a vanity
publisher, the subsidy
publisher puts all of the expenses of
getting a book edited, printed,
and distributed on the
author.
And if an
author can
get a
publisher to do some promotion, that's helpful also.»
The problem is indeed that traditional
authors expect to have their book published,
get a big advance,
and if it doesnâ $ ™ t earn out hard luck for the
publisher - they have to take risks.
Come out
and get serious about your publishing with a variety of other
authors, readers,
publishers,
and... Continue Reading →
When first - time
author Maria Harrison decided to try
and get her romance novel published, one of the first
publishers that popped up in a Google search looked perfect.
If Book Expo wants to become a trade show where
authors big
and small can
get a chance for their books again, then it has to help
publishers make these major shifts.
The Book
Publisher's Handbook by Eric Kampmann The Self - Publishing Manual: How to Write, Print,
and Sell Your Own Book by Dan Poynter The Complete Guide to Self - Publishing by Tom
and Marilyn Ross 1001 Ways to Market Your Books by John Kremer Business
and Legal Forms for
Authors and Self -
Publishers by Tad Crawford
Getting It Printed by Mark Beach
and Eric Kenly Beyond the Bookstore by Brian Jud Publishing for Profit by Thomas Woll Red Hot Internet Publicity by Penny Sansevieri
Walter John Williams — Well yes, Hachette is mean to
authors, if by mean you mean that Hachette,
and other
publishers, try to
get authors to sign contracts that favor the
publisher over the writer.
And getting your panties in a twist over calling a
publisher a legacy
publisher is like
getting them in wad over calling someone an
author instead of a writer.
Today I'm a coach
and consultant helping
authors get top agents,
publishers,
and book deals.
The project also aims to
get in touch with other interested subjects: first of all the
publishers but also foundations, associations, fairs, museums, science centres,
authors who may be interested in creating a network of exchanges
and collaborations to promote quality non-fiction titles.
«In this way, Unlimited Publishing functions like a traditional royalty
publisher, but by using CreateSpace, we can slash the cost of
getting books to print, which benefits our business
and our
authors.»
A former literary agent answers questions for children's book
authors - find out how to improve your chance of
getting a top literary agent,
publisher,
and book deal.
While it's easy to
get a manscript thrown together
and printed through a service like CreateSpace, this
author wanted it to be the same quality of a traditional
publisher.
However, in its defence these attitudes have improved,
and more
and more
publishers and authors are
getting to grips with technological advances.
Having worked with traditional
publishers and self - published several of her books, Massey has great advice for indie
authors on independent publishing, book marketing
and strategies for
getting a book into bookstores, libraries
and reviews.