eBook discovery, or the ability to browse and find a title based on basic keyword searches at online booksellers, is one of the greatest obstacles for
authors or publishers selling content.
We only make money when
an author or publisher sells books through our distribution platform, which means we have a vested interest in every author's success.
Not exact matches
BITCOIN PRICE OUTLOOK, its
authors, its
publisher and its affiliates (collectively, «BITCOIN PRICE OUTLOOK») is not an investment advisory service, nor a registered investment advisor
or brokerdealer and does not purport to tell
or suggest which securities customers should buy
or sell for themselves.
That reminds me, I was looking on the Hesperian Foundation website (
publishers of «Where There is No Doctor» and other such titles for developing countries, and which illustrious
author should they be
selling in the store but Ina May, «America's leading midwife» (
or something similarly gushy).
Last week, for the first time ever, a major
author —
or, in many minds (as though it's a matter of opinion), THE world - premiere
author of the # 1 best -
selling series in publishing history, J.K. Rowling — has decided (with her
publisher) to release the ebooks directly.
A
publisher may not like an
author selling to international markets if they intend to buy rights —
or the house could see a proven seller & pay more to buy it.
As we've written a number of times at GigaOM, the traditional book - publishing business continues to be disrupted, with some self - published
authors such as Amanda Hocking making millions of dollars without using a traditional agent
or publisher, by
selling their own books through Amazon's (s amzn) Kindle platform.
This change means that the very
publishers who
sell their own works — whether they are the
authors themselves, fully operating
publishers,
or authors with their own imprint for business purposes — can now be undersold and therefore not be the actual seller when a consumer (oblivious to the rule change) clicks «add to cart.»
Publishing industry events have been debating the ins and outs of reaching readers directly for several years, and companies have been exhibiting at these events for that same amount of time, promising both
publishers and
authors they could reach out to book audiences and seamlessly
sell content, wiping out the need to pay fees
or argue over how much a book should cost.
I have seen several books where the
author and
or publisher have decided to make all of their money on
selling a tiny amount of expensive e-books.
Authors typically are paid a percentage (which can be up to 40 %) of the sale from their ebook
or agree to a flat fee from the
publisher which will remain fixed regardless of the number of books
sold.
Some
authors are even
selling the rights to some of their books to traditional
publishers while keeping control of others,
or selling print rights and keeping those to e-books.
The book was particularly to address the rapidly expanding group of self - published
or independent
authors — but what
author doesn't want to
sell more books, even those commissioned by traditional
publishers?
You (as
publisher or self - published
author) might have to
sell 600 copies just to recover the expense of creating the plates and setting up the press for a run.
This policy includes
authors, artists,
publishers, manufacturers,
or third - party merchants
selling the product.
Authors know that when they work with a
publisher, they're partnering with a company that has years, decades
or even centuries of experience choosing, editing, designing, marketing and
selling books.
Authors, writers,
publishers of eBooks, audiobooks and short texts can... A)
sell their eBook through their
author page on XinXii - without
author contract - in real - time, without technical skills - with an own authorpage and online shop - enter all information such as description, tags, cover, price... - upload an eBook in one
or multiple formats: PDF, ePub, mobi, doc, xls... - high royalties per download - consolidated real - time sales reports - keeping full editorial and copyright control
or B)
sell their eBook through their
author page on XinXii and additionally on major eBook retailers - we convert eBooks to the ePub and mobi format for free - we distribute to the leading eBook - shops all over the world for free - we provide consolidated sales reports Readers have... - the opportunity to discover new titles in all categories and genres - an easy access to a huge variety of content - can instantly download after purchase - have the opportunity to rate and comment on eBooks
Meet as many
authors and editors and
publishers and agents as you can, take them to coffee if you can, and ask them every question that you can (do not ask them to read your book, help you get a contract,
or help you
sell it — just ask them to share what they know, and thank them with coffee and a nice hand - written note).
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October
or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to
publishers on behalf of
authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my
author site and blog - I built Publetariat, a free resource for self - pubbing
authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site, which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for
authors and
publishers - I've given away far more copies of my novels than I've
sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of Ebooks panel and raise awareness about self - published
authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow
authors.
Or is it you
publishers are just too cheap to invest some of that money you've scammed from
authors over the years to build some infrastructure to
sell direct to customers because you know that without a middleman such as Amazon and Apple, you will no longer be able to shield exactly how much you've scammed from
authors by claiming the middleman took a big chunk of it?
With
or without a
publisher, every
author must give some thought as to how to build a network to assist in the varied marketing and promotional efforts it takes to
sell books.
The standard agency commission doesn't just pertain to domestic book sales, but any and all of the book's subsidiary rights sales, whether
sold by the agent,
author,
or publisher.
And on a much smaller scale,
Authors After Dark (one of the best conventions ever) manages to just let us
sell our own books regardless of whether we're with a
publisher or not (
or have returnable books
or not).
For example,
authors of color had their books segregated under a separate imprint at Harlequin until just the past year
or two, and
publishers still make excuses for why they don't know how to
sell stories with diverse elements (although many self - published
authors manage to
sell them just fine).
The
author is asked to guarantee that the work is actually theirs to
sell, not plagiarized, stolen,
or already
sold to another
publisher.
If a self - published book
sells 5,000 copies in its first six months, an agent
or publisher is not going to let first rights issues stand in their way (always assuming that the book is well - written [I've known self - pubbed
authors who've managed to
sell large numbers of really pretty bad books] and the sales suggest a market that could be tapped, rather than one that has been exhausted, as with some niche products).
Publishers aren't printing as many new books, especially from debut
authors, and agents aren't able to
sell as many new books
or authors.
Jane Friedman, former
publisher of Writer's Digest and current columnist for
Publishers Weekly defines
author platform in her wonderfully succinct way, as «an ability to
sell books because of who you are
or who you can reach.»
If you're an
author or publisher who wants to
sell more books, never forget this point: you're not in the writing business.
So, it's not just a matter of the
author or US
publisher giving Amazon
or Apple
or BN
or Whoever a thumbs - up to
sell away the English language eBook from their distribution channels in other countries.
When you mention your book title in a blog post (
or anyone's book title) Always hyperlink the title to amazon and Lachesis Publishing
or the web site of the
author you are writing about,
or their
publisher's site
or any other site where the books you mention are
sold.
(Actually, the
authors who will really make money in this new world are those who can write fast
or who have backlists they own and
sell to both traditional
publishers and have other projects up at the same time to take advantage of this promotion.)
Under the system
authors and
publishers can have their books listed on the Google main ebook website but can also
sell them directly on their own blog, store,
or webpage.
Google makes money from advertising whether the e-books are being
sold legally by the
publisher or author,
or whether they are being
sold illegally by a pirate,
or whether they are being «shared» in violation of the
authors» copyright by some blogger via links to a file - sharing site.
Finally, this term can be applied to
authors who continue to self - publish and also deal with an existing
publisher,
or sell them a series of standalone books.
In many cases the
author or publisher requires this for the book to be
sold.
In the past, some
authors have just decided to forget about all the legal drama and publish the book themselves
or sell the book to another
publisher.
During this beta period, Goodreads is working with Amazon Publishing to host Kindle ebook giveaways, but once out of beta, the program will be open to any
author or publisher — whoever owns the digital distribution rights for the book — who
sells their ebooks on Amazon.
Many smaller
publishers and
author cooperatives
sell books without copy protection through amazon (and /
or direct).
I wouldn't hesitate but to recommend Tim to any
authors or publishers looking to grow their profile and ultimately to
sell more books.
I find
authors with promise, work with them to improve their manuscripts and try to
sell them to a large New York - based
publisher, a smaller indie
publisher or help them self - publish their work.
The reality is that most e-books are priced below $ 10, unless they are top -
selling authors and /
or through bigger
publishers.
If you are a new
author,
or a
publisher looking for help optimizing Amazon's services to help
sell books (
or eBooks), give me a call.
While the publishing climate is certainly changing, I think as long as sales are tracked through traditional outlets and
publishers continue to put the most emphasis using Bookscan as a primary sales reference point — versus an
author's statement that the book has
sold 3,000 copies in back - of - the - room sales
or as ebooks — big
publishers are going to be wary of publishing
authors that are showing, say, 100 copies
sold.
If the large
publishers are hoping for tens of thousands
or hundreds of thousands in book sales, then a self - published
author who has
sold more books, say 5,000 copies, is a bit of a dilemma.
A
author who can't
sell to the big
publishers would do better to a small press
or epublisher than to self - publish.
Both
author and musician have a similar goal: being picked up by a major
publisher / label,
or selling enough books / music (and merchandise) to make a living.
Going back to the Shark Tank, I would say that many
authors would be challenged to come up with a short description of their book idea to pitch to some
publisher or agent sharks...
or even to come up with a short description of their book to
sell it to readers through Amazon.
And of course
authors and
publishers can
sell books online through major retailers such as Amazon, both by uploading ebooks and by using print - on - demand
or vendor programs to
sell to consumers.
Even though the volume of books produced and
sold through traditional
publishers can be large, the royalties paid to
authors can be as low as a dollar
or less per book (maybe even way less!).