All three of us love writing and editing and helping
authors see their books in print.
Not exact matches
Joel Greenberg A Feathered River Across the Sky Published by Bloomsbury, USA 304 pages,
in Hardcover, Softcover, and Kindle format Now into its 3rd hardcover
printing Author and Co - Producer / Co-Writer of the upcoming documentary «From Billions to None»
See Reviews Below Naturalist Joel Greenberg is a consultant and writer specializing
in natural history and has
authored numerous
books, including A Natural History of the Chicago Region (2002, University of Chicago Press).
As he does, «The Little Prince» makes a remarkable stylistic leap from the accomplished but familiar CG environs of these opening scenes (big - eyed, bobble - headed humans; modernist - futurist design influences) into 2D stop - motion animation, bringing the world of Saint - Exupery's original story to life
in beautiful handcrafted images based on the
author's own crudely elegant watercolors (
seen in the
book's first
printing and all subsequent editions).
An
author can
print their
books (we recommend
in the hundreds, not the thousands, to start —
see small run
book printing for a more
in depth discussion).
Horizons will make it possible for thousands of
authors, whose manuscripts Harlequin or other traditional publisher can not publish, to
see their
books in print.
It weeds out fly - by - night e-presses that have a contract with PublishAmerica so that
authors can
see their
books «
in print» even though there is no distribution program connected to the
print program.
But then I
see new
books — good
books — by writers
in the region whose names I'm just beginning to recognize, and others by
authors long familiar to me, and still others by people I've never heard of, and my confidence grows that no matter where the rest of the country is heading with the
printed word, the South is moving
in the right direction, and picking up speed.
Nowadays, with nearly 30 years of
seeing my byline attached to things I've written and having
authored a 3 volume encyclopedia and a history
book, I still get that same ethereal shiver every time I look at my name
in print or online because I know that having it there represents the faith an editor has placed
in my abilities as a writer, or researcher, or reporter...
Because
authors get so concerned about
seeing their
print book in stores — it's the «dream» and offers validation of their status — they're unfortunately blind to the truth of the industry: Physical bookstore sales aren't where most trade
books sell; they constitute maybe 30 - 40 % of sales.
So tell us,
authors: Do you
see this as a way to sell more
books by making sure your
print readers are carrying you around
in their digital library, too?
We
see this, at least for
printed books,
in the responses to the
Authors Guild survey (the survey didn't ask specifically about e-
books; that question will have to be added next time).
I think some indie
authors still harbor ambitions to
see their
book sold nationally
in print.
While many have predicted that
print and / or digital have
seen their glory days already, the sales figures from Lulu appear to prove that one version's sales actually stimulate the growth of the other and that the more successful
authors are the ones whose
books are available
in both formats.
This function allows
authors to
see their manuscripts
in page - by - page format almost instantly, while still allowing the
authors to select the height - by - width size of the
printed book.
If Nook Press had developed a viable
print - on - demand option and then told
authors there was even a possibility of
seeing their titles
in their local bookstore on the condition that they pulled their
books from Amazon's exclusive KDP Select program,
authors would have jumped at the chance.
See several examples of Authorlink's design, layout and conversion work; THE SECOND SON project transformed an old existing
printed book in two foreign languages into three digital formats and uploaded the finished files into the
author's retail accounts; the children's titles represent some of our work with complex layout and design and digital conversion.
For those of you unfamiliar with CreateSpace, it's basically Amazon's POD service, and it's the number one means of
print book production I
see mentioned
in the
author circles I follow.
When
authors wanted to
see their
books in paperback, Signalman started its
print - on - demand business.
However, as services such as Createspace and KDP simplified
print book and eBook production to make it a possibility for thousands of self published
authors — and as text - to - speech automation continues to evolve — I don't think it will be long before we
see a breakthrough
in audio
book self publishing capabilities.
With leadership that brings expertise
in publishing, sales and marketing and technology, www.iUniverse.com offers a unique mix of self - publishing products and services and the skills of a professional team dedicated to enabling
authors to
see their
books in print.
I'm still a huge fan of
print books — for an
author, there's nothing more amazing and humbling than holding your own
book in your hands,
seeing your name on that shiny black cover, running your hands over Jimmy Thomas's bare chest....
I'd much rather
see our clients get a feature story,
print interview,
author profile, etc.
in the same newspaper or magazine, rather than a write up
in the
book review section.
It's hard to
see how the publisher is losing «real» sales on these titles, since the reader can't purchase them as ebooks, or,
in the case of the out - of -
print books,
in any format that benefits the publisher and
author at all.
POD publishing has entirely revolutionised life for many
authors, since many who can not be published
in the traditional way can now
see their
book in print.
With leadership that brings expertise
in publishing, sales and marketing and technology, iUniverse offers a unique mix of self - publishing products and services and the skills of a professional team dedicated to enabling
authors to
see their
books in print.
Because a few monolithic, profit - focused companies are controlling the publishing industry, critics claim, we are
seeing fewer and fewer fringe
books and new
authors — and even established
authors who sell respectably but not spectacularly (the so - called midlist) are having a tough time staying
in print.
Bloggers are not unpublished
authors desperate to
see their work published
in print as
in a
book publisher /
author relationship.
>> When
authors complain, upon
seeing their proofs, about the low quality of editing or typesetting, they get lip service about fixing everything before publication, but then the corrections are not made and the
book is
printed uncorrected — with a separate charge to the
author for making changes after the fact that should have been made
in the first place.
However, after reading this blog post I looked up a handful of fiction
authors on Amazon and
see that most
print books are indeed
in double digits, except for the mass
printed authors.
Outfits such as Balboa Press, Outskirts Press, BookPal and others, prey on unknowing
authors with hopes and dreams of
seeing their
book in print.
Every day, established, talented
book authors are writing 3000 — 5000 words for readers who will never
see those words
in a
printed book.»
In a move
seen as a concession to
authors, Google revised its position last week on a lawsuit to give other companies a means to license Google's catalog of copyrighted, out - of -
print books.
One way for an
author to
see their
book in print is to self - publish, but since that became more acceptable some vanity publishers try to pass themselves off as self - publishers.
But one can choose the
books out of a list on a website and then download them then you are to read and then do a review on it mainly on Amazon.com but one can do their review on say Barnes and Nobel and on Goodreads which then gives you more options to have more chances of winning either the
author's
book that you read
in a
print copy or win an Amazon.com gift card usually a $ 10.00 gift card,
see?
Every
author, whether indie or trad, knows the horror of
seeing your
book in print for the first time and spotting a typo.
«What an
author gets per copy is not adequate to conclude that they make more money
in total... I don't
see any correlation
in the different direction of market share based on price increases... Amazon's bestseller list is comprised mostly by low priced or almost free titles, so it is not fair to conclude that Indy
authors make more money by using this sample... more and more of the Big5 publishers have been re-designing their websites to sell ebooks and
printed books it could be a reason for the effect into the decreased market share that they have on Amazon.»