Sentences with phrase «auto exhibition in»
The vehicle was unveiled in 2010 Tokyo Auto Salon, the largest auto exhibition in the world.
http://www.tune86.com/ Not exact matches
Having spent the past 24 years at the Makuhari Messe convention center in Chiba, the 42nd show, dating back to 1954 when the Japanese auto industry was still in its infancy, will be held on the Tokyo waterfront at the Big Sight exhibition center.
In addition, EyesOn Design features special exhibitions and concept and production vehicles which debuted during the previous year's auto show circuit, including ones which were awarded at EyesOn Design at the North American International Auto Sauto show circuit, including ones which were awarded at EyesOn Design at the North American International Auto SAuto Show.
«At Honda, we love meeting our customers where their passion lies, and the racing and custom car design in Forza Motorsport is definitely a passion for so many Honda and Civic enthusiasts,» said Tom Peyton, assistant vice president of advertising with American Honda Motor Co., Inc. «Taking an immersive gaming experience like Forza and bringing it to life here at the Chicago Auto Show will make for an exciting exhibition and a real - life demonstration of how cars and gaming are increasingly intertwined.»
The 2018 Beijing International Automotive Exhibition (Auto China 2018) opens to the public April 29 to May 4, 2018, in Beijing, China.
The Holden Design Studio is an important part of General Motors global design network, as one of only three facilities in the world with the capability to design and build prototype concept vehicles for exhibitions and international auto shows.
To announce the Everus marque in 2008, Li Nian, a compact SUV concept car was revealed at the Beijing International Automobile Exhibition Auto China.
China (Guangzhou) International Automobile Exhibition (Chinese: 中国 (广州) 国际汽车展览会), also called Guangzhou International Motor Show (Chinese: 广州国际汽车展览会) or Auto Guangzhou (Chinese: 广州汽车展), is an auto show held by Guangzhou Zhanlian Exhibition Service Co., Ltd, in November and December every year in the Guangzhou International Convention and Exhibition Center, ChAuto Guangzhou (Chinese: 广州汽车展), is an auto show held by Guangzhou Zhanlian Exhibition Service Co., Ltd, in November and December every year in the Guangzhou International Convention and Exhibition Center, Chauto show held by Guangzhou Zhanlian Exhibition Service Co., Ltd, in November and December every year in the Guangzhou International Convention and Exhibition Center, China.
Nissan to showcase 15 exciting models at Tokyo Auto Salon and Osaka Auto Messe Title - winning Xanavi Nismo GT - R to feature in Japan's Biggest Automotive Aftermarket Exhibitions
The 2015 Mercedes C - Class has been unveiled at the CeBIT exhibition in Bangalore and showcases the importance of the IT sector in the auto industry.
Nissan to showcase 15 exciting models at Tokyo Auto Salon and Osaka Auto Messe Title - winning Xanavi Nismo GT - R to feature in Japan's Biggest Automotive Aftermarket Exhibitions Tokyo (January 7, 2009)...
The first ever Geneva Motor Show was held in 1905, making the auto exhibition almost as old as the motor car itself.
What used to be mere a platform for one - to - one interaction has emerged as not only one of the biggest exhibitions anywhere in the country, both in terms of the area occupied and in terms of footfalls, but also one of the major Auto Shows of the world.
For instance, he was elected chairman of the International Association of Exhibitions & Events in 1999, served on the IAEE board of directors for seven years, received the IAEE Pinnacle Award and is an Auto International Association Hall of Fame winner.
The car will go on sale in the United States shortly after exhibition at January's Detroit and Los Angeles auto shows.
Nissan conducted a special preview of their Auto Expo exhibits last month on an exhibition ground in Noida.
NEW YORK CITY — At the New York International Auto Show, Volkswagen of America, Inc., will feature a Passat equipped with an appearance package inspired by the Passat R GT that was shown at the Specialty Equipment Market Association's (SEMA) annual exhibition in November 2005.
Carnival Festivities — 3rd to 10th February (Main Parade 6th and Fun Parade 9th) 2016 Anona Festival (Festa da Anona)-- Faial, Santana -(Cherimoya Fruit Exhibition) March 2016 Madeira Island Ultra Trail (MIUT 2016)-- «East to west» — April 23rd 2016 Madeira Flower Festival — April 7th to 17th 2016 — Children's parade (Wall of Hope Ceremony) 9th & Main parade 17th 2016 Madeira Island Open — Santo da Serra — May 2015 Belmond Reid's Palace Classic Auto Show — May 2016 Festas da Sé - Funchal — May 2016 Atlantic Festival (Festival do Atlântico)-- 4,11, 18, 25th June 2016 — Fireworks Competition Festival of the popular saints — St. John's altars — June 2016 Volta à Madeira - Classic Rally — June 2016 Funchal Jazz Festival — Parque Santa Catarina — July 2016 Madeira Island Summer Opening — Parque Santa Catarina — July 2016 Rali Vinho da Madeira (Madeira Wine Rally)-- Aug 2016 Machico Gastronomy — August 2016 Monte Festival — August 2016 Madeira Wine Festival — 28th August - 4th September 2016 Columbus Festival - Porto Santo — 15th to 17th September 2016 Madeira Nature Festival — 4th to 9th October 2016 Lord of Miracles Festival (Festa do Senhor dos Milagres)-- Machico — October 2016 Beginning of Christmas Illuminations in Funchal — December 1st 2016 Christmas decorations downtown — December 9th 2016 to January 6th 2017 New Year's fireworks — December 31st 2016
Other differences to consider are simple and visible reset buttons, as well as auto - reset, and of course, in exhibition mode you can't quit the game!»
Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.
Kettle's Yard, Cambridge 24 May — 31 August 2014 The subject of a new exhibition in Kettle's Yard, Gustav Metzger has since the 1960s pioneered auto - destructive and auto - creative art.
Her work has been presented in exhibitions worldwide, including Time As Perspective (2013) at the Bergen Kunsthall; Auto Kino!
Renaud has previously presented solo exhibitions at the National Gallery, Prague; GAMEC, Bergamo; and Auto Center, Berlin, and his work has been featured in group shows including the 2015 New Museum Triennial, New York; at k11 Art Foundation, Hong Kong; Palais de Tokyo, Paris; and Le Magasin, Centre National d'art Contemporain, Grenoble.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.
Set in the front exhibition space for the historical museum, the «Ida Badal: Pothole» features new art by Ida Badal which continues her ongoing exploration of shifts in the current environmental landscape, according to Auto Body.
Opening concurrently in the exhibition space above The Visitors is «Auto Body,» an exhibition of more than 40 women artists working in video and performance who use the body and performativity as platforms to address political and economic inequalities in the art world and beyond.
Among these is Franz West's Untitled (2007), perhaps better known as the Rolls - Royce auto featuring 6 miniature sculptures («adaptives») as bonnet ornaments, which was shown at the exhibition «Standard Escape Routes» at the gallery STANDARD (OSLO) in 2013.
Less expected is discovering a trio of art exhibitions in Bellport Village, a short drive away from Auto Body's installations in Brookhaven along Montauk Highway.
Waters's video is part of the group show «Seep», that just ended at PEER, an exhibition of four recent London MA graduates (including Kristeps Ancans, Josh Berry and Caroline Streck) who, along with three BA graduates (who are in turn developing a forthcoming project with the non-profit space Auto Italia) recently completed a year - long studio residency with Acme Studios.
The auto parts included in Holen's exhibition may have been intended to pun on the name of Autocenter, a ten - year - old fixture among Berlin's independent art spaces, but they did not treat it, as Knight might well have done, as a subject for critique.
About to present a performance on April 8, with Emily Pope and other collaborating artists as part of the Feral Kin group exhibition programme, at London's Auto Italia, Edwards renders youth and counter-culture as a reflection of the historical and geographical environments in which they appear.
They will be taking part in the POLYMYTH x Miss Information group exhibition at London's Auto Italia, running from October 4 to November 16, and Lunch Bytes» The Commons panel at the ICA on October 4, 2014.
Ragnar Kjartansson's First Exhibition in Argentina and «Auto Body,» an International Platform for Women Artists Working in Video and Performance
Solo Exhibitions 2018 «Material Longevities», Galeria Francisco Fino, Lisbon (upcoming) 2018 «Tris Vonna - Michell», Local Arte Contemporaneo, Santiago 2017 «From The Serralves Collection: Tris Vonna - Michell», Museu Serralves, Porto 2017 «PUNCTUATIONS & PERFORATIONS», La Verrière, Brussels 2016 «Register», T293, Rome 2015 «Wasteful Illuminations: Distracted Listening», Jan Mot, Brussels 2015 «Capitol Complex», Appleton Square, Lisbon 2015 «Tris Vonna - Michell», Overduin & Co., Los Angeles 2015 «Tris Vonna - Michell», Presentation House Gallery, Vancouver 2014 «Turner Prize 2014», Tate Britain, London 2014 «Postscript III (Berlin)», Metro Pictures, New York 2014 «Capitol Complex», TPW, Toronto 2014 «Tris Vonna - Michell», VOX Centre de l'image contemporaine, Montreal 2013 «Postscript II (Berlin)», Jan Mot, Brussels 2013 «Pebble Dash», T293, Rome 2013 «Capitol Complex», Jan Mot, Mexico City 2012 «Ulterior Vistas», BALTIC Centre for Contemporary Art, Gateshead (in collaboration with Inheritance Projects) 2011 «Tris Vonna - Michell», Metro Pictures, New York 2010 «Wasteful Illuminations», T293, Naples 2010 «Not a Solitary Sign or Inscription to Even Suggest an Ending», Overduin and Kite, Los Angeles 2010 «Tris Vonna - Michell», Capitain Petzel, Berlin 2010 «No more racing in circles — just pacing within lines of a rectangle», Focal Point Gallery, Southend - on - Sea 2009 «Capstans», Halle fur Kunst, Lüneburg 2009 «Finding Chopin: Endnotes», Jeu de Paume, Paris 2009 «Tris Vonna - Michell», Tensta Konsthall, Stockholm 2009 «Auto - Tracking: Ongoing Configurations», Jan Mot, Brussels 2009 «Tris Vonna - Michell», X Initiative, New York 2009 «Auto - Tracking - Auto - Tracking», Kunsthalle Zurich 2009 «Studio A: Monumental Detours / Insignificant Fixtures», GAMeC, Bergamo 2008 «Tris Vonna - Michell», Cabinet Gallery, London 2008 «Auto - Tracking», Kunsthalle Zurich 2008 «The Trades of Others», T293, Naples 2007 «Tall Tales and Short Stories», Cubitt, London 2007 «Puzzlers», Kunstverein Braunschweig Cuboid, Braunschweig 2007 «Tris Vonna - Michell», Witte de With, Rotterdam 2006 «Faire un effort», Palais des Beaux - Arts, Brussels 2006 «Down the Rabbit - Hole», Milliken Gallery, Stockholm
Group exhibitions and collaborative projects in recent years are Llocs comuns, Can Felipa Arts Visual, Barcelona, ES (2014); Systems Thinking from the Inside, 21st Century, Chisenhale Gallery, London; Total Vitality (by Julia Tcharfas), Bold Tendencies, London; Recent Work by Artists, Auto Italia, London; A Space Base, for Instance, [space], London (all 2013); The Biopolitical City (by Tim Ivison), Architectural Association, London; Summer School: The Eltham Open curated by Alex Ross, Gerald Moore Gallery, London; (On) Accordance, or-bits.com; ROCRO, MACRO, Rome IT; Echo - System, Helsinki World Design Capital, commissioned by the British Council (all 2012); For Inclusion in the Syllabi, Pigeon Wing, London; Rules of Engagement, Angus - Hughes, London; (Architecture in Words Only), Hilary Crisp, London (all 2011); New Wight Biennial: New Romance, UCLA Department of Art, Los Angeles US; Counter Constructs, Auto - Italia South East, London; No Soul For Sale, Panel discussion with members of The Suburban, Vox Populi, and Auto - Italia South East at Tate Modern, London; Utopia and Nature, Residency ASFA, Crete, Greece (all 2010).
The auto parts included in Holen's exhibition may have been intended to pun on the name of Autocenter, a ten - year - old fixture among Berlin ’s
The exhibition will include three major sculptures from integral though distinct bodies of work in the artist's sculptural language: voids, mirrors, and the auto - generated.
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bolognin California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, BolognIn a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bolognin the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
From 2013 to 2015 she served as an agent in the Carnegie Museum of Art's Hillman Photography Initiative where she co-curated the exhibition Antoine Catala: Distant Feel (2015, with Tina Kukielski) and co-edited the publication Shannon Ebner: Auto Body Collision (CMOA, 2015).
Her most recent solo exhibition, Auto Body Collision, was presented by the Fondazione Memmo at the Palazzo Ruspoli in Rome, Italy.
2015 Auto Body / International Female Video and Performance Exhibition / Curated by Anthony Spinello, Brandi Reddick, Ximena Caminos, Tami Katz - Freiman and Chana Budgazad Sheldon / Faena Art Center, Buenos Aires, Argentina Leave No Trace / Swampspace / Miami [place art here] / Placeholder Artist Space / Miami The Secret Life of Plants / Clyde Butcher Coconut Grove Gallery / Miami Better Alive Than Dead / Farside Gallery / Miami Attitudes in Latitudes: The Northern Wild Explores the Tropics / Art Center Miami Beach The Moment.
As chief executives of the Big Three auto manufacturers of Detroit plead for an emergency government bailout, Custom Car Commandos, an exhibition opening at Art in General on January 16, 2009 relates the auto industry and the image industry.
They produce exhibitions from a 300 m ² former auto - body garage divided into two gallery spaces in Montréal, Canada.
Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.
The independent exhibition space Autocenter was founded in 2001 by the artists Maik Schierloh and Joep van Liefland in an auto body shop as a not - for - profit space for art.The new space is located at Leipziger Straße, in central Berlin.
In Art Gallery (www.inartgallery.com)-- New York's premier art gallery representing the most sought after Georgian artists and their fine artwork — is proud to present «Auto Portrait,» a solo exhibition featuring new work by Georgian artist Oleg Timchenko.
Voids: A Retrospective, which is both an exhibition in the most traditional sense and an art event in its own right, has been put together by John Armleder, who has always been interested in nothing; Gustav Metzger, a key figure in auto - destructive art, Mai - Thu Perret, a young conceptual artist, Mathieu Copeland, a curator who explores the limits of the exhibition, Clive Phillpot, a writer; together with Philippe Pirotte, director of the Kunsthalle Bern.
Outside the city, Micachu & the Shapes are putting on their GOOD BAD HAPPY SAD performance at DIY theatre and art space Cube Cinema in Bristol, while London spaces Banner Repeater and Auto Italia, as well as Birmingham's Eastside Projects, are collaborating in a UK / South Africa exhibition at Johannesberg's Ithuba Arts Gallery, which also includes CUSS Group.
This exhibition emphasizes the drip for two reasons: first, following a ten year hiatus from painting — roughly from 1972 to 1982 — after a sever illness resulting from toxicity to aluminum paint and auto lacquer used in his earlier work, Batterton returned to the drip in his new artwork.
Wilson's longterm projects AIR (Auto Immune Response) and CIPX (Critical Indigenous Photographic Exchange)-- from which Wilson's work in this exhibition derive — will serve as touchstones for the evening.