Sentences with phrase «autobiographical content»

Working primarily in egg tempera, her paintings are characterized by their autobiographical content, detailed brushwork, and brilliant color.

The works selected from the Art Museum's permanent collection reveal his dialogue with old masters of European art, his Spanish heritage, and the highly autobiographical content of images of wives and lovers.

Considered a pioneer of both the Happenings and Pop art in the 1960s, Jim Dine is known merging familiar objects from popular culture with autobiographical content to make work distinguished by its bold, graphic style.

Charlotte Prodger is a Glasgow - based artist working with moving image across the ever - evolving formats that are inextricably bound to the autobiographical content of her work.

Regarded as a seminal figure in gay and lesbian cinema, and in particular, pre-Internet video - work, Benning's short films often feature autobiographical content in fragmented narratives that address feminism, gender identity, and youth and popular cultures.

The spiritual and autobiographical content as well as the formal artistic qualities in this body of work interconnect in ways that have never been examined before.

For the first time in a long time, Woody Allen decided not to put any obvious autobiographical content into his new movie.

Not exact matches

Thanks to all of that, plus the most memorable score of the year, it seems to indicate the birth of a major filmmaking talent, one not content to make something autobiographical about the love lives of twentysomethings for his debut, and that's something to be excited about.

The exhibition will occupy the 10,000 sq. ft. second floor of 548 West 22nd Street with large - scale installations, serial sculptures, wall works and videos that traverse the political aspect in art, integrating performative methods and autobiographical, familial content in ways that established a new discourse around identity and dissent at the end of the 20th Century.

The artist's works, rich in both content and colour, feature autobiographical references as well as map contemporary British society and its wider social issues.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

The other shortlisted artists were Canadian - born printmaker Ciara Phillips, Tris Vonna - Michell, who made an autobiographical film called Finding Chopin: Dans l'Essex, and James Richards, who made Rosebud, a film bearing the show's only content warning, which mingled monochrome images of a budgie on a chain, censored photos from Japanese library books and small flowers caressing a man's penis and sphincter.

Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content.

Dunham continued: «This exhibition was permeated by a belief that painting can speak — has always spoken — without becoming just a talking point, and that its deepest layers of content can partake equally of the historical and the autobiographical without needing to choose.»

Together, they record the «meaty, muscular, autobiographical» content said to be contained in great Abstract Expressionist painting.