And Nan Goldin's naked men are part of a nervy, narcissistic
autobiographical narrative of extreme urban bohemia.
Examples of separation anxiety are crystallised in
the autobiographical narratives of Soviet exiles, who assembled a new consciousness of a son who «never comes back» (p. 511)[47].
Not exact matches
Then, abruptly abandoning the
autobiographical narrative, Augustine embarks on a series
of theological and philosophical speculations about time, memory, and the opening chapters
of Genesis.
Further, Galatians is closer in form and purpose to the letters
of Seneca and Pliny than to the
autobiographical narratives cited by Lyons and the advice
of Quintilian cited by Betz.
1.10 and the corresponding antithesis between the gospel
of Christ and that
of humans in 1.11 - 12 are dramatized by Paul in his
autobiographical narrative.
A Burkean approach to the study
of Paul's
autobiographical narrative seeks to discover both the ways in which Paul sought to identify with the Galatians and the ways in which he asked them directly and indirectly, to identify with him and his message.
No one model can appreciate the richness
of Paul's
autobiographical narrative.
We all feel at least a slight anxiety about dementia because these dreaded symptoms seem to assault our very identities, to dissolve the
autobiographical narratives that constitute the very story
of our lives.
Books like Bunyan's
autobiographical Grace Abounding or Augustine's Confessions are full
of reversals, which indeed provide evidence
of human frailty and thus bolster the
narrative.
Fables, didactic poetry, songs, proverbs, riddles,
autobiographical narratives (or confessions), onomastica, etc. are part and parcel
of instruction at home as well as at school in India.
Crenshaw identified the following forms
of OT wisdom literaturelviii: Proverb (MASHAL), Riddle (CHIDAH), Fable and Allegory, Hymn and Prayer, Dialogue (or, STREITGESPRÄCHE), Confession or
Autobiographical Narrative, Lists (or, ONOMASTICA), Didactic Poetry — Didactic
Narrative.
The focus
of the second chapter is not just Anis Sayegh's
autobiographical narrative, but also the description
of relevant historical information about Tiberias and al - Bassa (the birthplace
of his mother).
Invited Speakers: Martin Conway —
Autobiographical memory and self http://www.city.ac.uk/arts-social-sciences/academic-staff-profiles/profe... Nick Chater — Self and Other in Joint Action http://www.wbs.ac.uk/about/person/nick-chater/ Kevin O'Regan — Phenomenal experience
of self http://nivea.psycho.univ-paris5.fr/ Giorgio Metta — Physical Self and Peri-personal Space http://pasa.liralab.it Yiannis Demiris — Motor Self and Development
of the Mirror system http://www.iis.ee.ic.ac.uk/yiannis Paul Verschure — An Architecture for Self specs.upf.edu Peter Ford Dominey — Construction
of the
Narrative Self over Time http://pfdominey.perso.sfr.fr/RobotDemos.htm
George Michael, Through George Michael's Eyes — Spencer Kornhaber thinks the late singer's
autobiographical documentary conveys a man in charge
of his own
narrative, and reticent to reveal all.
She tells her life story, she is the film's writer and director, but she also positions herself throughout as a theorist
of autobiographical narrative.
We sense a deep personal involvement in the
narrative, though not to the
autobiographical extent
of Potter's The Tango Lesson, in which the director played herself.
If there's a dealbreaker for audiences or commercially minded critics, it's the fact that the
narrative tends to grow unwieldy and wanders non-linearly from a coming -
of - age story to something much more complex and wider (and no doubt
autobiographical) about how the post-war generation's social upheaval and radical thinking damaged the children
of this era (
of which Potter was clearly one).
His first feature, A Little Stiff (1991), was an
autobiographical narrative about his neurotic pursuit
of an art - school painter, with all the principal characters played by their real - life counterparts.
In Maggie's American Dream: The Life and Times
of a Black Family, James P. Comer uses
autobiographical narratives prepared by his mother and himself to identify the «strategies and strengths» by which many minority families have overcome disadvantages.
The Pulitzer Prize - winning author — «an immensely gifted writer and a magical prose stylist» (Michiko Kakutani, New York Times)-- offers his first major work
of nonfiction, an
autobiographical narrative as inventive, beautiful, and powerful as his acclaimed, award - winning fiction.
Conversely, any effective
autobiographical account makes use
of the elements
of fiction: character focus, action, dialogue, scene construction,
narrative structure, conflict and resolution.
The wordless graphic novel is partly
autobiographical, as she explores her struggles with migraines, and is paired with a concurrent
narrative of an invading swarm
of black ants.
Often inspired by
autobiographical details and by the arduous transformations
of his home country, Paci's work intertwines personal
narratives with metaphorical and poetical chronicles
of the experience
of life in exile.
Whether it's a play on the meaning
of image vs. object (á la Magritte), a call to «read» rather than simply look, or an
autobiographical reference to his own isolation from the New York art world, the diversity
of meanings and
narratives derived from this «simple» juxtaposition have kept critics opining for years.
The resulting
autobiographical abstractions forged from his personal
narrative set him apart from conventional Minimalism, while still employing formal techniques
of the movement.
Born in 1946, Binion has maintained an engaging practice that draws on
autobiographical experience, African American
narrative and the visual elements
of Modernism.
His later photography is
autobiographical, grounded in a process - based manipulation
of negatives and text that structure his personal
narrative in multiple frames.
Using
autobiographical threads to inform larger universal fields
of experience, his work constructs
narratives, scenes, and stories that point to the tensions found between the individual and communities.
Although Studio Pietà includes
autobiographical components, the details
of Fujiwara's
narrative are unverifiable and vague.
Weaving together new performance work with excerpts from a number
of his previous acclaimed
autobiographical performances and installations, Fujiwara offers a single
narrative in three acts.
A ghostly yet solid memory
of the piece
of furniture, Whiteread's subjects are inspired by both public and personal
narratives, driven by «an
autobiographical impulse, using something familiar, to do with my childhood» (R. Whiteread, quoted in Rachel Whiteread, exh.
He is known for his
autobiographical explorations
of identity and sexuality that blend fact and fiction into rich, absorbing
narratives.
At the height
of the Pop and Minimal movements, we were making... art that was personal,
autobiographical, expressionistic,
narrative and political.
In those far off days Sonia Boyce made large scale pastel drawings, full
of pattern and portrait, seductive
autobiographical narratives revealing absolutely everything about real life and young love, secret conversations, working peoples aspirations, difficult relationships and childhood memories.
His often complex compositions — typically
of sunlit interiors
of rooms and gardens populated with friends and family members — are both
narrative and
autobiographical.
Whether it's a play on the meaning
of image vs. object (a la Magritte), a call to «read» rather than simply look, or an
autobiographical reference to his own isolation from the New York art world, the diversity
of meanings and
narratives derived from this «simple» juxtaposition have kept critics opining for years.
«
Autobiographical Fiction» will give a taste
of the
narrative of identity, family myths and the ego
of perception.
These artists interpret the thirty - year influence
of the Vietnam War through
autobiographical experiences,
narratives, and postmemories.
With these
autobiographical stories, viewers — for the most part — have no means to confirm these
narratives and are unaware
of the potential exaggerations or the possible private information withheld.
Calle's work springs up around «the association
of an image and a
narrative around a game or
autobiographical ritual, which strives to summon up the angst
of absence while creating a relationship to others that is controlled by the artist,» as curator and art critic Christine Macel puts it.
Bise's work consists
of graphite drawings that combine
autobiographical narrative with labor - intensive attention to detail, creating a disorienting relationship between personal psychology and formal picture making concerns.
Though produced with conceptually rigorous and minimalist strategies, these works were chosen because they represent intimate moments in these artists» lives which may include
autobiographical or
narrative qualities, often presented in the form
of giving themselves over to their audience in a metaphorical or literal sense.
Her inclusion
of narrative — through literary, philosophical, and
autobiographical references — and use
of bold color and theatrical imagery infused these objects and installations with sly humor and a prescient concern with the decorative, generating a feminist legacy increasingly appreciated in retrospect.
Their artworks provide a personal and cultural history
of three generations
of Inuit women whose art practices included
autobiographical narratives and chronicled intimate and sometimes harsh memories and historically resonant moments.
Like nearly all
of Yan Xing's oeuvre, this project is informed by a mix
of art historical research,
autobiographical narratives, aesthetic critique, and sheer confabulation.
Often referred to as an
autobiographical or confessional artist, her paintings are both
narratives of personal and communal experiences.
Using an
autobiographical text and images from Levi - Strauss» published work overlaid with her own images, she has created a compelling
narrative that questions the roles
of anthropology, museums and contemporary travel rituals.
But these works rehearsed all the aspects
of her later art: eccentric dimensionality, large scale, crusty paint surfaces and suggestive, emotionally charged, implicitly
autobiographical narratives conveyed by extravagant distortions
of form.
Inspired by consumer goods, industrial debris and
autobiographical narratives and objects, Cristina Tufiño addresses her practice as an archaeologist hoarder rummaging through a broad cultural system
of references, with a particular nod to artifacts and museological aesthetics.
In Henry Taylor's work, the
autobiographical collides with historical
narratives and popular mythologies to forge a poignant portrait
of the complexities
of the here and now.