Sentences with phrase «autobiographical works by»

Watch for autobiographical works by McFarland that explore the ideal of a pristine object or trophy, and products of intuition and impulse by Kom as part of «Bushwick Basel.»

Call me Woman» is the title of an autobiographical work by Ellen Kuzwayo, one of the noblest of South African women who waged scientific war against...

Looking to Brazilian folklore and Baroque religious imagery, as well as Alchemical and Pagan symbols, Stephan has created his own unique language and style which embraces his influences and lets them evolve naturally into his own autobiographical work by combining them with his roots in urban art and Pop culture.

Gillian Wearing is going to be showing a video there, and someone will read from a 20,000 - page autobiographical work by Swiss «outsider» artist Adolf Wolfli.

Not exact matches

Lewis later described this in his autobiographical work Surprised by Joy: «But then the key to my books is Donne's maxim, «The heresies that men leave are hated most.»

Intellectual Memoirs, 1936 — 1938 by Mary McCarthy Harcourt Brace Jovanovich, 114 pages, $ 15.95 The novelist and critic Mary McCarthy, who died in 1989, was up to the time of her death working on a memoir of her life in the late 1930s, in effect a sequel to her two previous autobiographical....

Indeed, reading Homage to Catalonia alongside 1984 is instructive, as in the autobiographical work Orwell clearly charts his growing distrust of the Communist forces and his growing admiration for the anarchists who were of course betrayed and in many cases murdered by their Stalinist «allies».

For Smoczynska, who came of age inside the confines of a nightclub where her parents worked, the film's autobiographical dimension was eventually phased out by the specificity of Robert Bolesto's screenplay and sisters Barbara and Zuzanna Wrońskie's music.

Two motifs predominate in Ross McElwee's 25 - plus years of autobiographical filmmaking: the search for identity in the face of handed - down ideas about family, love, and work; and the undertaking of journeys fueled by desire, curiosity, and varying degrees of irony.

Selected Foreign Publications about Howard Gardner (PDF) Mind, Work, and Life: A Festschrift On the Occasion of Howard Gardner's 70th Birthday (PDF) «A Blessing of Influences,» an excerpt of an autobiographical essay published in Howard Gardner Under Fire (PDF) One Way of Making a Social Scientist (PDF) Short biography written by Ellen Winner (PDF) «My Way,» a chapter in Psychologists Defying the Crowd by Robert Sternberg (Amazon) Fifty Modern Thinkers of Education: From Piaget to the Present Day (Amazon) «21 years later, «Multiple Intelligences» still debated» (Washington Post) «Thought Leaders: An Interview with Howard Gardner» (Strategy & Business)

The nominees, chosen by a blue - ribbon panel of judges, reflect the wide range of material being published in comics and graphic novel form today, from crime noire to autobiographical works to cartoon adventures.

Often inspired by autobiographical details and by the arduous transformations of his home country, Paci's work intertwines personal narratives with metaphorical and poetical chronicles of the experience of life in exile.

In Fragmented Memory fatmi furthers this personal journey by mining his memories — marking a rare autobiographical approach in his work.

Teller's work, in books, magazines or exhibitions, is marked by his refusal to separate the commercial fashion pictures and his mostly autobiographical un-commissioned images.

Fabric drawings by Louise Bourgeois integrate the artist's autobiographical locus with allegory and memory conjured from working in the family tapestry shop as a child.

The exhibition title Looking at Pictures is inspired by a section in the artist's memoir, The All Night Movie (1999), in which she highlights the self - referential and autobiographical nature of her work.

Considered a pioneer of both the Happenings and Pop art in the 1960s, Jim Dine is known merging familiar objects from popular culture with autobiographical content to make work distinguished by its bold, graphic style.

Exploiting the creative potential of free association and past experience, he created deeply personal, often autobiographical, images by drawing liberally from such disparate fields as urban street culture, music, poetry, Christian iconography, African and Aztec cultural histories and a broad range of art historical sources, a practice that is particularly evident in this work.

Other works from York's collection on display include a drawing by Berlinde De Bruyckere and part of Helen Chadwick's autobiographical work Ego Geometria Sum.

Ego Geometria Sum (1982 - 4), is an autobiographical work in which she charted her growth from premature birth up to the age of 30 by means of geometric sculptures and photographs.

The title of the display, «My Personal Museum», was an epithet Chadwick used for Ego Geometria Sum (1982 - 4), an autobiographical work in which she charted her growth from premature birth up to the age of 30 by means of geometric sculptures and photographs.

Gallery Espace was established in New Delhi (India), in 1989 by Renu Modi with an exhibition of autobiographical works of MF Husain, Modern India's most celebrated artist and one of the founder members of the path - breaking Progressive Artists Group.

The exhibition tracks the artist's evolution back into figuration and the various themes and symbols that comprise his controversial late works, including Blackboard (1969), Edge of Town (1969), The Studio (1969), and Flatlands (1970), which were included in the groundbreaking Marlborough Gallery show, and By the Window (1969), in which Guston creates poignant autobiographical statements.

Calle's work springs up around «the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist,» as curator and art critic Christine Macel puts it.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

The work on display by female artists indicates the extensive range of the exhibition: Hannah Wilke (who died that year), whose autobiographical works dealt directly with female iconography as well as the effect of cancer on her own body; the performative, body - based work of Cheryl Donegan, referencing both video and gestural painting; the more traditional yet highly stylised and idealised portraits of Elizabeth Peyton, and the critical performance and media work of Coco Fusco.

His abstract works may fit into the modernist tradition, but by using his own autobiographical material as a foundation, he complicates the paradigm, boldly charting out his own identity in the process.

The self is presented in states of dreamlike transformation informed by both biological imperatives and, in a series of works with autobiographical dimensions, the social and cultural influence of Internet communities and pop culture.

Gray's work is also autobiographical and informed by his position in the African Diaspora.

The catalog for Shinique Smith: Menagerie at the Museum of Contemporary Art in North Miami contains an essay by the forever groovy DJ Spooky, aka Paul D. Miller, who writes about Smiths knack for synthesizing mediums, her stature in the post - Facebook / YouTube generation and the «libidinal economy of «scripting autobiographical statements into her work.

His 1950s and 60s works include paintings like First Row Orchestra (1951), the surrealist Rooms by the Sea (1951), Morning Sun (1952) and Hotel by a Railroad (1952), Excursion into Philosophy (1959), Intermission (1963), his great Sun in an Empty Room (1963) and his autobiographical Two Comedians (1966).

Through her eloquent, diaristic writing, it becomes increasingly clear that, whilst often associated with the Minimalists, her work was actually defined by a powerful emotional and autobiographical reflex.

Propelled by explicitly autobiographical works such as Everyone I ever slept with (1995) and My bed (1998), Brit - celebrity «bad girl» Tracey Emin has crossed the boundary from artist to a pop - culture phenomenon.

Juergen Teller's work in books, magazines and exhibitions is marked by his refusal to separate the commercial fashion pictures and his most autobiographical un-commissioned work.

But these works rehearsed all the aspects of her later art: eccentric dimensionality, large scale, crusty paint surfaces and suggestive, emotionally charged, implicitly autobiographical narratives conveyed by extravagant distortions of form.

His work is also inherently autobiographical, balanced by a sly sense of irony and humor, which allows the viewer to identify with his imagery.

The letter prompted outrage of its own, and generated a wide - reaching debate about who is allowed to make work about certain subjects, a question taken up, with an autobiographical slant, by writer Zadie Smith in «Getting In and Out — Who owns black pain?»

Her latest body of work that will be on display at AK exhibition explores pieces by Swiss - Austrian painter Angelica Kauffmann known for adding the autobiographical element to her portraits.

Curated by Emi Fontana, a Mike Kelley expert and independent curator based in Los Angeles, and Andrea Lissoni, curator at HangarBicocca, Mike Kelley: Eternity is a Long Time, has been conceived as a way of coming to grips with the artist's complex and highly diverse body of work, while simultaneously creating the opportunity to examine the fascinating web of cultural aspects and autobiographical memories that are engrained in his art.

This sensibility produced works such as Self - Portrait (2001), inspired by Louise Bourgeois's towers at Tate Modern (2000) and Tatlin's model for the Monument to the Third International (1919 - 20), in a metaphor of her up - and - down life with an autobiographical helter - skelter.

Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.

Tracey Emin interview: Art, artist and media coverage Propelled by explicitly autobiographical works such as Everyone I ever slept with (1995) and My bed (1998), Brit - celebrity «bad girl»...

Working primarily in egg tempera, her paintings are characterized by their autobiographical content, detailed brushwork, and brilliant color.

Apart from such extremes, most of Stanczak's works seem to accommodate both Judd's formalist reading and the more personal, autobiographical interpretation suggested by the current show.