Sentences with phrase «autobiographical works such»

Tracey Emin interview: Art, artist and media coverage Propelled by explicitly autobiographical works such as Everyone I ever slept with (1995) and My bed (1998), Brit - celebrity «bad girl»...

Propelled by explicitly autobiographical works such as Everyone I ever slept with (1995) and My bed (1998), Brit - celebrity «bad girl» Tracey Emin has crossed the boundary from artist to a pop - culture phenomenon.

Not exact matches

In an interview that coincided with the opening, Bourgeois explained that the imagery in her work, which deals with themes such as jealousy, violence, sexual desire, betrayal, fear, anxiety and loneliness, was wholly autobiographical and a form of catharsis.

Past works, such as Mask (2011), Cao (2014), and Surveillance Camera with Plinth (2015), each infused with autobiographical elements, transmit ideas of isolation, displacement, governmental control, and environmental disuse.

Re-presenting such early methods, James Welling's works move towards the reanimation of historical approaches; presenting both chemigram surfaces, as well as pristinely isolated autobiographical scenes documented with large format cameras.

Personal history is primary in works such as Radcliffe Bailey's Tricky 3 (2011), a multilayered piece that employs collage and explores both African American history and influences on the artist, and Trenton Doyle Hancock's 548 First Street N.E. (2012), an autobiographical portfolio based on the artist's childhood memories of his grandmother's house.

Exploiting the creative potential of free association and past experience, he created deeply personal, often autobiographical, images by drawing liberally from such disparate fields as urban street culture, music, poetry, Christian iconography, African and Aztec cultural histories and a broad range of art historical sources, a practice that is particularly evident in this work.

Her work addresses autobiographical material as well as the legacy of artistic figures of the 20th century such as dancer Josephine Baker, musician Sun Ra, writers Guillaume Dustan and Jean Genet.

From this point on, Johns's work increasingly includes autobiographical references such as the artist's shadow, first seen in his Seasons series (Summer and Fall, 1987).

This sensibility produced works such as Self - Portrait (2001), inspired by Louise Bourgeois's towers at Tate Modern (2000) and Tatlin's model for the Monument to the Third International (1919 - 20), in a metaphor of her up - and - down life with an autobiographical helter - skelter.

Apart from such extremes, most of Stanczak's works seem to accommodate both Judd's formalist reading and the more personal, autobiographical interpretation suggested by the current show.