In the Spotlight section, devoted to solo presentations of historical works, Brooklyn's Southfirst brought a selection of performative photographs by Jared Bark, made between 1969 and 1976, for which he employed the predetermined grid of
the automatic photobooth strip, reprising the gallery's recent critically acclaimed exhibition of the artist.
Automatic writing is also utilised in her work Midnight, Baker Street (1983) in which she overlays photobooth portraits of herself with a dense layer of automatic
Automatic writing is also utilised in her work Midnight, Baker Street (1983) in which she overlays
photobooth portraits of herself with a dense layer of
automaticautomatic writing.