Sentences with phrase «available walls of the gallery»

The recreation at David Zwirner presents one of the earliest examples of installation art: encompassing all available walls of the gallery, alternating pink and «gold» produces an immersive, site - situational environment of light and color.

Not exact matches

Corey's travel across the Yellowstone Trail are on the walls of the gallery, but also available as a handmade limited edition journal chronicling the streets, cities and counties along the way.

Previously an artist would have to find a gallery that would accept your work, there would have to be someone who liked your style physically walk through that door, they would have to have money available, and they would have to commit that money to your painting and not one of the other 50 on the walls.

In 1967, the artist devised an arithmetically expanding system of 8 - foot lamps that were placed vertically along the available gallery walls of the Museum of Contemporary Art, Chicago.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

The words are usually displayed on a gallery wall with additional sheets of paper available, which viewers are encouraged to take away with them.

For the inaugural exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that separates the gallery's exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the exhibition; she also removes some of the plaster and bakes it into loaves of bread, which are available for gallery visitors to sample.

A series of handmade hooks line a gallery wall, marking out spaces available for occupancy.

The galleries» walls are made of unbacked 3/4» plasterboard with studs available when necessary.

At its annual meeting in March, the Collectors Committee of the National Gallery of Art made possible the acquisition of Piano / Piano (1963 — 1965/2011) by Richard Artschwager, a major example of the wooden sculptures that employ Formica as a laminate, for which he is known; Plaster Surrogates (1982/1989) by Allan McCollum, the last large grouping available of the artist's signature works in this series; and Condensation Wall (1963 — 1966/2013) by Hans Haacke, a breakthrough kinetic work from the artist's early career.

It also highlights the great use of space in this exhibition; housed in the old Duke of York barracks the gallery has a number of vast rooms and the abundance of space available is perfectly exploited and handled to the benefit of the installations in a way that isn't as easily achieved in exhibitions focused on wall hangings.

Behind the wall, Piktogram / BLA presented another group show, «Zombie Formalism,» which was chosen by the local arts magazine SZUM as one out of nine most interesting venues of the gallery weekend — even before any information about it was available.