Sentences with phrase «average film by»

Not exact matches

The average poly film was replaced by a higher quality cloth sheet.

In March, the company opened a new factory in Tucson, where it plans to produce enough thin - film CIGS solar cells to generate 40 megawatts of electricity next year — enough to power roughly 15,000 average American homes; it hopes to boost the juice to 100 megawatts by 2010 in response to what it predicts will be a growing market.

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

Hi I'm 5» 7 169 pounds black hair brown eyes average build i smoke and i drink occasionally I'm a Gemini i.like being black and surrounded by color I'm a portrait artist a sculpter and musician (industrial Gothic rock) short films special effects poet writer love British.comedies avidity horror...

There's similarly little doubt that the film benefits substantially from the above - average efforts of its various stars, with Hemsworth and Brühl's stand - out work complemented by a supporting cast that includes, among others, Stephen Mangan, Christian McKay, and Olivia Wilde.

It's New York City, by the law of averages, there has to be another film shoot a few blocks away.

Per - Film Average is the average domestic gross for all new films released nationwide by the studio in 2013, and includes additional 2014 domestic box office grosses through January 20, 2014 for those 2013 films that are still playing in thAverage is the average domestic gross for all new films released nationwide by the studio in 2013, and includes additional 2014 domestic box office grosses through January 20, 2014 for those 2013 films that are still playing in thaverage domestic gross for all new films released nationwide by the studio in 2013, and includes additional 2014 domestic box office grosses through January 20, 2014 for those 2013 films that are still playing in theaters.

(The totals and averages reflected above include films released separately by the two companies prior to the merger, as well as Amplify's first batch of films post-merger.)

Universal's specialty films division had a lousy 2014 (in terms of quality), and rebounded only slightly in 2015, increasing its average Metascore by over 3 points and its percentage of films with positive reviews from 25 % to 45 %.

** Per - Film is the average domestic gross per new film released nationwide by the studio in 2015, and includes additional 2016 domestic box office grosses through January 24, 2016 for any 2015 releases that are still playing in theaters.

Below are the films released by each individual distributor during 2015, ordered by average Metascore (beginning with the major studios as a group and then moving on to the smaller companies).

Even with the presence of a rare outright misfire (Third Person, from Crash director Paul Haggis), SPC managed to boost its already - high average Metascore by a few points last year, thanks to widely praised films like Mr. Turner (the year's # 2 drama, behind Boyhood), Leviathan (2014's best - reviewed foreign - language film), and Sundance hit Whiplash.

Filmed in less than glorious two - strip Cinecolor, this average Eddie Dean western benefited from Dean performing «Ride on the Tide of a Song», «Journey's End «and «I Can Tell by the Stars».

Director Stanley Kubrick, working from a script cowritten with Calder Willingham and Jim Thompson, kicks Paths of Glory off with an admittedly less - than - engrossing stretch, as the movie boasts (or suffers from) a somewhat talky first act that doesn't contain much in the way of compelling elements - although, by that same token, it's clear that the film benefits substantially from Kubrick's stellar directorial choices and a host of above - average performances.

Relativity raised its average Metascore, reduced its number of poorly reviewed films from five to three, and managed to hold onto its 9th - place ranking in domestic market share (though its grosses fell by over $ 50 million).

* Grades are determined (on a curve) almost entirely by average Metascore, but with a small bonus awarded for each «great» film (with Metascore of 81 or higher) released during the year.

What elevates this film from terrible to just average is the performances by Samuel L. Jackson and Harris.

Per - Film Average is the average domestic gross for all new films released by the studio in 2012, and includes additional 2013 domestic box office grosses through February 6, 2013 for those films that are still in thAverage is the average domestic gross for all new films released by the studio in 2012, and includes additional 2013 domestic box office grosses through February 6, 2013 for those films that are still in thaverage domestic gross for all new films released by the studio in 2012, and includes additional 2013 domestic box office grosses through February 6, 2013 for those films that are still in theaters.

Despite releasing 29 scored films (third-most among all distributors) in 2014, TWC boosted its average Metascore by over 6 points, helping to return the studio to its usual position in the top half of our rankings (following a sub-par 2013).

The studio did manage to raise its average Metascore by 10 full points in 2013, while going 6 - for - 10 with critics; back in 2012, by comparison, Paramount released only one positively reviewed film.

** Per - Film is the average domestic gross per new film released nationwide by the studio in 2014, and includes additional 2015 domestic box office grosses through January 19, 2015 (including estimates for the holiday weekend of January 16 - 19) for any 2014 releases that are still playing in theaters.

Warners» success rate (of films receiving positive reviews from critics) dropped from 39 % in 2014 to just 16 % last year, while the studio's average Metascore declined by four points.

Per - Film Average is the average domestic gross for all new films released by the studio in 2011, and includes additional 2012 domestic box office grosses through January 31, 2012 for those films that are still in thAverage is the average domestic gross for all new films released by the studio in 2011, and includes additional 2012 domestic box office grosses through January 31, 2012 for those films that are still in thaverage domestic gross for all new films released by the studio in 2011, and includes additional 2012 domestic box office grosses through January 31, 2012 for those films that are still in theaters.

Ranked 8th among all studios (by average Metascore) in 2013, Fox Searchlight shot up to # 3 last year by avoiding any negatively reviewed films and impressing critics with best picture nominees Birdman and The Grand Budapest Hotel.

There is a darkness in all these «average» characters, underlined by low - key acting and the film's sinisterly calm, measured pace.

After an unfocused 2010 that saw a mix of very good and very bad films, Roadside Attractions managed to boost its average Metascore by over 7 points last year, thanks to a generally improved slate that featured a pair of acclaimed documentaries (Project Nim and Thunder Soul) and the timely thriller Margin Call 76.

Even though Sony released only one positively reviewed film in 2010 and managed to boost that total to six films in 2011 (led by best picture nominee Moneyball), its overall Metascore still dropped nearly two points last year, while the studio's average Metacritic user score was also the lowest among the big six distributors.

Director Steven Soderbergh has averaged a film a year since his acclaimed 1989 debut Sex, Lies & Videotape, an incredible work rate by modern filmmaking standards especially for one who frequently works within the political vagaries fof the studio system.

The film, distributed by The Film Arcade, ended the three - day frame with an estimated strong average of $ 30,084 per screen.

Once upon a time, noted the doom - mongers, before the likes of it got squeezed by low - cost, high profit fare like horror movies and mega-budget, T.V trumping spectacle, like your average $ 200m blockbuster, a film like Annihilation — mannered and mysterious — that 30 years ago might have shared a double bill with John Carpenter's Starman, would have done very well.

All in all, Danny Collins leaves a film critic feeling okay and perhaps an average moviegoer better than that, as evidenced by the film's formidable 7.2 average user rating on IMDb, where the scribe's every film is overrated.

Roadside Attractions earned their highest ever opening weekend per screen average with «Manchester By The Sea,» which took in $ 64,125 per screen — the fourth highest per theater average of any film released this year.

Figuring that by now viewers have become jaded with the predictable, cross double - cross triple - cross trajectory of your average con film, «Matchstick Men» also offers a psychological profile of a conflicted, conscience - plagued career criminal, and throws a credible family drama into the mix for good measure — all of which makes for a surprisingly substantial film whose many facets leave you with plenty more to digest after the final credits have rolled than just who did what to whom and how (although it certainly has that too).

Dodgeball: A True Underdog Story has become a sports cult film of sorts — one of the best of the Frat Pack movies — telling the story of the scrappy dodgeball team at Average Joe's gym, led by Peter La Fleur (Vince Vaughn), going against Ben Stiller's White Goodman and the formidable Purple Cobras from his Globo Gym.

The Details may have cost less than the average film, but you can't tell that just by looking at it.

Male critics write slightly longer reviews, on average, about films directed by and / or with at least one woman writer (average of 485 words) than about films directed and / or written by males (average of 473 words).

Reviews female critics write about films with female directors and / or written by at least one woman are considerably shorter (average of 480 words).

Male critics assign higher average ratings to films with exclusively male directors and / or writers (63 %), followed closely by films directed by a woman and / or employing at least one woman writer (60 %).

Last week at the Santa Barbara Film Festival, director Ted Melfi said by comparison that the average film crew is usually no more than 25 % female.

Female critics award the highest average scores to films directed and written exclusively by males (67 %), followed closely by films directed by a woman and / or employing at least one woman writer (64 %).

There actually is a story (savvy science fiction addicts have compared it to the similarly - premised 1951 short story, «The Marching Morons», by Cyril Kornbluth) within the film, revolving around an average - intellect military librarian named Joe (average Joe, get it?)

Dog lovers will probably eat it up, as evidenced by the most respectable 6.8 average user rating the film currently holds on IMDb.

Starring Daniel Day - Lewis, the film directed by Paul Thomas Anderson grossed $ 1.19 M in 558 locations, averaging $ 2,136, though that is an uptick from last weekend's PTA.

While it's sure to drop, it seems likely to remain above the 7.8 average rating shared by Anderson's three top - rated films, Rushmore, Moonrise, and Fantastic.

I Confess (Blu - ray) Release date: Feb. 16 Details: 1953, Warner Archive Collection Rated: Not rated The lowdown: This thriller was not one of Alfred Hitchcock's better movies, even though an average Hitchcock film is better than efforts by many other directors.

The film failed to repeat the performance of its kinder, gentler (if equally tin - earned) faith - based counterpart I Can Only Imagine — which is still holding strong at No. 4, by the way — opening with a splat at No. 12 with $ 2.6 million on 1,693 screens, a dismal $ 1,553 per - theater average.

With a per - screen average of exactly that amount, the film bested the 2016 record set just last weekend by Woody Allen «s «Café Society.»

Because the picture boasts production values considerably above those usually found in AA features and, more importantly, because of the use of the new photographic technique, the film is sure to be accorded more important programming than the company's average product, an evaluation already established by initial bookings.

There are some enjoyable bits scattered throughout, but while that may be enough to please the legion of fans who invested hours upon hours into «World of Warcraft,» average moviegoers unaffected by that sort of fan service will see «Warcraft» exactly for what it is: just another bad video game film.

The gorgeous romantic film, directed by Luca Guadagnino, just earned the year's highest per - theater average opening at $ 101,219 over Thanksgiving weekend, per Deadline, ultimately grossing $ 404,874 in four New York and Los Angeles theaters.