Sentences with phrase «average film of»

This is probably the most completely average film of the year.

It's a shame it's in quite possibly the most average film of all time.

Not exact matches

That makes for a pretty good per - film average of more than $ 156 million.

The success of Guardians, no matter how relative, has helped Disney settle into second - place, behind Fox, in the summer box - office race as the company's five summer films have made a total of $ 624.6 million, at an average of almost $ 125 million per film.

In 1999 Alan Moore created The League of Extraordinary Gentlemen which pulled characters from a number of classic (and public domain) novels and placed them together as a sort of super team (this innovative series was scrubbed into an abysmally average 2003 film).

Versatile playmaker, great numbers at the combine, big on film study, yet due to average coaching still has a ton of room for growth.

In fact, after the Sooners» coaches studied all their game film of 1967, Fairbanks said that «our average gain on all plays going over Kalsu, including short yardage and goal line plays, is 6.2 net yards rushing... This is what we coaches grade as... near perfection.»

I've watched several of Davenports game films and he looks average, you'd think he have at least 12 sacks vs small schools teams.

The basic ingredients — good sport, scenery that exhausts the average traveler's supply of film, and charming, eagerly helpful people — are there.

After watching a scene from the film Trainspotting, in which a character reaches into the bowl of an indescribably filthy toilet, they sold a pack of pens for an average of $ 2.74, compared with a price of $ 4.58 for participants shown a neutral clip of coral reefs.

In March the U.S. Department of Energy's National Renewable Energy Laboratory demonstrated a thin - film solar photovoltaic cell that is 19.9 percent efficient, two - thirds better than the industry average of 12 percent.

In March, the company opened a new factory in Tucson, where it plans to produce enough thin - film CIGS solar cells to generate 40 megawatts of electricity next year — enough to power roughly 15,000 average American homes; it hopes to boost the juice to 100 megawatts by 2010 in response to what it predicts will be a growing market.

Results showed that the film had an average thickness of 90 nanometers.

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

Because the film itself is, at best, a slightly better than average piece of entertainment.

Gamble fuck what Thomas Edison might have said, holy shit man, the average filmgoer to the average film blogger, show me this barrage of complaints about frame rates, show me in the span of Row Three, and all the shit that has been parsed over in 100 + threads about everything film related or otherwise, where this great wealth of historical proof exists where people, the masses, film fans, have been complaining about film rates.

There's similarly little doubt that the film benefits substantially from the above - average efforts of its various stars, with Hemsworth and Brühl's stand - out work complemented by a supporting cast that includes, among others, Stephen Mangan, Christian McKay, and Olivia Wilde.

Another one of those average horror films lacking in imagination and fright, yet is somehow mindlessly watchable despite how boring everything is.

The Trees of Life is not a film for the average audience.

What sets this film apart from the average examination of a death row appeal is that the convicted killer is a lesbian African - American.

Unexpected's use of 3D is more noticeable than the average film, but it also feels more detrimental.

It's New York City, by the law of averages, there has to be another film shoot a few blocks away.

Miles ahead of the average teen film, Flirting is a most agreeable sequel to John Duigan's earlier pic The Year My Voice Broke.

In 2013, Paramount led all major distributors in film quality, but even that studio could muster only a C + grade, thanks to a mediocre average Metascore of 58.4.

Still, nearly two - thirds of the studio's films failed to win over critics, and Paramount's average Metascore declined a bit compared to the year before.

(The totals and averages reflected above include films released separately by the two companies prior to the merger, as well as Amplify's first batch of films post-merger.)

The film looks fine with fair costume, location and stunts but the plot is so average and with a mixed cast of good and bad actors it just doesn't work, how Andie MacDowell gets work in films is beyond me.

Universal's specialty films division had a lousy 2014 (in terms of quality), and rebounded only slightly in 2015, increasing its average Metascore by over 3 points and its percentage of films with positive reviews from 25 % to 45 %.

Even with the presence of a rare outright misfire (Third Person, from Crash director Paul Haggis), SPC managed to boost its already - high average Metascore by a few points last year, thanks to widely praised films like Mr. Turner (the year's # 2 drama, behind Boyhood), Leviathan (2014's best - reviewed foreign - language film), and Sundance hit Whiplash.

And the jokes, respectful of the culture the film embraces, rely on the average viewer's familiarity with all - things - Mexican to come off.

Filmed in less than glorious two - strip Cinecolor, this average Eddie Dean western benefited from Dean performing «Ride on the Tide of a Song», «Journey's End «and «I Can Tell by the Stars».

Director Stanley Kubrick, working from a script cowritten with Calder Willingham and Jim Thompson, kicks Paths of Glory off with an admittedly less - than - engrossing stretch, as the movie boasts (or suffers from) a somewhat talky first act that doesn't contain much in the way of compelling elements - although, by that same token, it's clear that the film benefits substantially from Kubrick's stellar directorial choices and a host of above - average performances.

Relativity raised its average Metascore, reduced its number of poorly reviewed films from five to three, and managed to hold onto its 9th - place ranking in domestic market share (though its grosses fell by over $ 50 million).

* Grades are determined (on a curve) almost entirely by average Metascore, but with a small bonus awarded for each «great» film (with Metascore of 81 or higher) released during the year.

Calling it an average or ordinary film is to belie Costner's ambition, but any higher praise is impossible in light of its flaws.

One's appreciation of the film is increased further if one has better - than - average knowledge of Germany's very recent past.

An average slasher film with a bunch of TV stars from the 90s.

In fact, Paramount was the only one of the six major studios to see a drop in average Metascore for its 2012 releases compared to films released the previous year.

Despite releasing 29 scored films (third-most among all distributors) in 2014, TWC boosted its average Metascore by over 6 points, helping to return the studio to its usual position in the top half of our rankings (following a sub-par 2013).

The touching closing stretch isn't, as a result, quite able to make the tearjerking impact that Unkrich and Molina are obviously striving for, which is a shame, clearly, given the film's preponderance of better - than - average attributes (including an animation style that's never not jaw - droppingly astonishing).

** Per - Film is the average domestic gross per new film released nationwide by the studio in 2014, and includes additional 2015 domestic box office grosses through January 19, 2015 (including estimates for the holiday weekend of January 16 - 19) for any 2014 releases that are still playing in theaters.

Warners» success rate (of films receiving positive reviews from critics) dropped from 39 % in 2014 to just 16 % last year, while the studio's average Metascore declined by four points.

L.A. - based Roadside once again saw half of its films (including Chilean drama Gloria and festival hit Dear White People) earn positive reviews, but its Metascore average (and box office grosses) fell a bit compared to 2013.

If the film's best defense is that it's showing what the average teen goes through, the making of mistakes and all, I'm glad I wasn't an average teen because some of her actions border on downright stupid.

Its only when we get to the last half hour or so of the film that things get exciting with those two chase sequences, up to then its seriously average.

Sony also had the lowest per - film average gross of the six major distributors in 2011, and its foreign box office growth (which includes a nice total for The Adventures of Tintin, for which Sony held the foreign distribution rights) didn't prevent the studio from finishing fifth in global market share for the second straight year.

Unlike in 2010, Magnolia released a couple of critical failures last year, but the studio still scored a solid average of 60.5 despite releasing so many films.

As he has proven on «Saturday Night Live» and multiple small film roles, he excels at loosy - goosey, dignity - free merriment and can deliver even the most average of punch lines with enough lunacy to merit a laugh.

After an unfocused 2010 that saw a mix of very good and very bad films, Roadside Attractions managed to boost its average Metascore by over 7 points last year, thanks to a generally improved slate that featured a pair of acclaimed documentaries (Project Nim and Thunder Soul) and the timely thriller Margin Call 76.

His script is more ambitious than that of the average horror film, with a plot structured across different timelines, creating excruciating tension in the process.