It's a shame it's in quite possibly the most
average film of all time.
Not exact matches
Once upon a
time, noted the doom - mongers, before the likes
of it got squeezed by low - cost, high profit fare like horror movies and mega-budget, T.V trumping spectacle, like your
average $ 200m blockbuster, a
film like Annihilation — mannered and mysterious — that 30 years ago might have shared a double bill with John Carpenter's Starman, would have done very well.
The actors aren't all well cast (I counted only about three I'd consider to be above
average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role
of Dogberry - the only
time the audience I viewed the
film with laughed at anything in the
film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part
of Friar Francis) The rest often appear as though they're reciting lines without any sense
of meaning in the words they are saying, and when one
of those happens to be the male romantic lead, that's one hell
of a liability.
The
film undoubtedly could look better if given more
time and attention, but even so, it does look as good as most
of Disney's
average catalogue transfers and quite a bit better than some.
Aasif Mandvi hits his (very odd, in fairness) role at about twice the volume and pace
of anyone else, Justin Bartha barely figures, Mia Farrow is sweet enough, but doesn't make much
of an impact, and Christopher Walken is interestingly restrained, adhering to normal human punctuation for the first
time in recent memory, but at the same
time, hiring Walken to play an
average suburban dad is about like hiring Jason Statham for a
film where he doesn't punch someone in the face.
The Ava DuVernay - directed
film snagged its lead back in July, when Storm Reid boarded the classic sci - fi tale as Meg Murry, the awkward - but -
average girl at the center
of all the space -
time travel.
Take heed, for the shocking desires brought forth in this
film are
of the
average thoughts that a typical male has about a thousand
times a day.
It is slightly jarring as we are so used to the comedic
timing of a witty ex-cop John McClane archetype, that here Washington plays a somewhat introverted, more pensive and less charismatic character which takes the
film from an
average action thriller to a suspenseful character - driven narrative.
Good
Time (Ben and Josh Safdie, 2017) Good
Time boasts energy and frenzied action in a sequential mayhem
of events, yet is more than just your
average heist
film.
This being a summer tent pole, many
of the expected complaints still stick: Much
of the dialogue is too
average to be memorable yet too obvious to go unnoticed, and nearly every one
of the
film's game - changing plot pivots takes conspicuous place at the worst
time possible.
Given that he just released The Tree
of Life last year, it would have been an unprecedented move; the
average time between the release
of Malick
films is 7.6 years (yes, I did the math).
Just by not being political, it is, and you can hear the anti-war statement loud and clear throughout the course
of the
film's candid look at the
average soldier's
time in Desert Storm.
Like Hitchcock's mantra that
films can not exceed the holding
time of the
average filmgoer's bladder or Poe's insistence that the short story last not one more floor - board thudding heartbeat beyond the
average reader's notion
of a «sitting» (whatever that is), flash fiction has been hastily defined in terms
of its least vital statistic — not what it does, or what it says, but what it looks like.
Kim Fischer
of ABC's Good4Utah, graciously joined us to emcee the evening's events, which included the debut
of our new
film, depicting the
average day in the life
of the pets in our care, from the
time we take them from the shelter, to the moment we deliver them into the lives
of their loving forever families.
This chart compares the
average output at different
times of the year
of XCPV, regular PV, and thin
film solar.