At the same time, their work is often characterised by a postmodernist, self -
aware sense of irony that undercuts a mythologised view of «American life», even as it enacts that very mythos.
Not exact matches
Marlon de Azambuja challenges us to be
aware of our relationship with the city, claiming the spaces that are ours, we are tempted to intervene them, to experience a new
sense of freedom and elasticity
irony contributing to what seems fixed and established.
The Justice Ministry with no
sense of irony attempted to reassure me that «Cafcass practitioners are
aware of the potential for children to be influenced by parental views and are alert to this possibility throughout the progress
of a case.»