Not exact matches
I can take
away a meaning from it just like I can take a meaning
away from a Superman comic, but
at the end of the day, both are just
fiction.
I was watching Pulp
Fiction this weekend, this reminds me of the great scene when Vincent and Jules are surprised by a guy who empties his revolver
at them from 6 ft
away an misses with every shot.
Moving
away from
fiction, Guinness World Records 2016 is in eighth spot on the list of most borrowed nonfiction (all library users), and I Am Malala — the 2012 memoir of education activist Malala Yousafzai, aimed
at readers aged 10 - 18 — is
at number 10 in the list of most borrowed biographies.
At its best, fantasy
fiction is transportive, taking us
away from the world we know.
Moving
away from books, both
fiction and non-
fiction, centering on the courtroom, but keeping a character we've met in previous books (Kindle County journalist Stewart Dubin) Scott Turow tries his hand
at a World War II story, inspired by his father's own military experience.
Kris and I have walked
away from many, many contracts that had bad clauses that we just wouldn't sign and we negotiate everything and we still make our living
at this business of
fiction writing.
I have known several people who published both
fiction and nonfiction books with several different Christian publishers who published them without agents and signed
away rights that they didn't realize were important
at the time.
This writing is
at the opposite end of the scale to writing Flash
Fiction which may be read in a flash but can take many attempts to whittle
away the word count.
Good ol'
fiction: The River
at Night by Erica Ferencik The Storied Life of AJ Fikry by Gabrielle Zevin Pictures of You by Caroline Leavitt A Paris Apartment by Michelle Gable Before I Go by Colleen Oakley Caravans: A Novel of Afghanistan by James Michener We Need to Talk About Kevin by Lionel Shriver What She Knew by Gilly Macmillan In the Unlikely Event by Judy Blume The Deep End of the Ocean by Jacquelyn Mitchard Since She Went
Away by David Bell Cutting for Stone by Abraham Verghese The Decent Proposal by Kemper Donovan The Revised Fundamentals of Caregiving by Jonathan Evison Happy Family by Tracy Barone Lily and the Octopus by Steven Rowley The Wangs vs. the World by Jade Chang Bird in Hand by Christina Baker Kline The Weight of Him by Ethel Rohan Eleven Hours by Pamela Erens Fates and Furies by Lauren Groff Cage of Stars by Jacquelyn Mitchard Saving Grace by Jane Green After You by Jojo Moyes Britt - Marie Was Here by Fredrik Backman The Reluctant Fundamentalist by Mohsin Hamid Fourth of July Creek by Smith Henderson The Invention of Wings by Sue Monk Kidd Truly Madly Guilty by Liane Moriarty The Light We Lost by Jill Santopolo My Name is Lucy Barton by Elizabeth Strout This Must Be the Place by Maggie O'Farrell The Passenger by Lisa Lutz The Girls by Emma Cline Cruel Beautiful World by Caroline Leavitt The Interestings by Meg Wolitzer The Couple Next Door by Shari Lapena The Woman in Cabin 10 by Ruth Ware In a Dark, Dark Wood by Ruth Ware The Marriage Lie by Kimberly Belle Behind Closed Doors by B.A. Paris California by Edan Lepucki Seven Days of Us by Francesca Hornak Christmas in London by Anita Hughes
In the case of literary
fiction / non-
fiction, I write from the perspective of someone who is constantly looking for that book that chip
away at my highly negative outlook on the literary genre.
Tor is a popular publisher of science
fiction and fantasy books, and now the folks
at Tor.com are giving
away a free ebook each month.
Tellingly, Emma Straub, the author of the Modern Lovers, (PRH / Riverhead), which just debuted
at # 14 on the NYT Hardcover
Fiction list, recently told that paper that she set her book in the Ditmas Park section of Brooklyn, because she «wanted to stay as far
away from the quote - unquote Brooklyn book as I could,» a fine distinction to those who are» t familiar with the differences of Brooklyn real estate.
Think of any science
fiction scene where human soldiers plink
away at armoured monstrosities, only to be slaughtered once the aliens open fire; that's what the start of X-Com felt like, especially when the aliens showed up with heavy weapons.
Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art
at UB Anderson Gallery, University
at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum
at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is
FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN
AWAY, Krannert Art Museum, University of Illinois
at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).
This is a personal remembrance of Arthur Charles Clarke, science
fiction author extraordinare, advisor to The SETI League, life member of AMSAT, and the world's second greatest communications engineer, who passed
away on 18 March 2008,
at the age of 90, of complications arising from post-polio syndrome.
Novels to escape into and to transport you
away to magical lands and mystical times, non
fiction to make you wonder
at the world.