Sentences with phrase «back as cinematographer»

Their journey will unfold in groundbreaking 3D that James Cameron, Guillermo del Toro, and David Fincher were all consulted on; having the incredible Emmanuel Lubezki (The Tree of Life) back as cinematographer doesn't hurt, either.

Not exact matches

There's no lack of immediacy in the footage south of the border, where Heineman, who filmed with a small crew and served as one of his own cinematographers, captures the eruption of live fire, a gunpoint interrogation in the back of a moving car and even a scene of torture.

As photographed by John Bailey — at the time, the go - to cinematographer for Paul Schrader (American Gigolo, Cat People, Mishima: A Life In Four Chapters, Light Of Day)-- the city's streets, restaurants, back rooms, and lofts are as much a character as Charlie and Paulie, a dreamer and a schemer trying to get ahead in a world where the chips are stacked against theAs photographed by John Bailey — at the time, the go - to cinematographer for Paul Schrader (American Gigolo, Cat People, Mishima: A Life In Four Chapters, Light Of Day)-- the city's streets, restaurants, back rooms, and lofts are as much a character as Charlie and Paulie, a dreamer and a schemer trying to get ahead in a world where the chips are stacked against theas much a character as Charlie and Paulie, a dreamer and a schemer trying to get ahead in a world where the chips are stacked against theas Charlie and Paulie, a dreamer and a schemer trying to get ahead in a world where the chips are stacked against them.

Dean Cundey (legendary cinematographer for all three Back to the Future films, in addition to iconic movies such as Hook, Jurassic Park and many more), will join the discussion and be available for questions during the Q&A.

Still, no one much cared for Saulnier's debut, Murder Party, back when he was still known primarily as the cinematographer for fellow indie director Matthew Porterfield (I Used To Be Darker).

The much - lauded cinematographer of Sicario — as well as almost every Coen brothers film going — just might be the man to bring old - school values back to the blockbuster

The ensemble is stellar — especially Susan Tyrrell as a belligerent barfly — and ace cinematographer Conrad L. Hall brings out the seedy poetry of the back - alley California setting.

Cinematographer Fred Murphy (whose work can currently be seen on TV's The Good Wife) generates great mood and atmosphere as he moves back and forth between various characters, and Alex North breathes fresh vigour into the story with his musical composition.

He's aided to that end by both veteran cinematographer Peter Suschitzky («The Empire Strikes Back,» «Mars Attacks»), whose complex color scheme fleshes out the storybook feel, as well as yet another awe - inspiring Alexandre Desplat score.

All the while, Collet - Serra and cinematographer Paul Cameron's camera breezes through and between cars, establishing the limited locale and following Michael along his back - and - forth way (It should come as no surprise that some of the passengers begin to suspect him of ill intent, given his behavior and the way he keeps showing up with some new injury).