Sentences with phrase «back end of the film»

Hugh Jackman plays Barnum with all the energy we've come to expect from the actor, and the supporting cast — from Zac Efron as Barnum's young partner, to Zendaya as a high - wire artist, to Michelle Williams as Barnum's loving wife who sort of vanishes from the back end of the film — all bring their A-game.

Not exact matches

Significantly, film usage is substantially less thanks to the sealing depth of the bags being reduced on the end seal from typically 10 mm to just 3 mm, and on the back seal from typically 13 mm to just 6 mm.

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

On the heels of her new video release, Till the World Ends, the singer is making plans to get back into acting and develop a serious film career.

Empire Strikes Back ended with the Empire winning, Han Solo being taken by Jabba the Hutt, and Luke Skywalker facing his darkest moment, and the next film more or less reversed all of that over the course of its running time.

Early in the film, when Laura is being readied for her mission, the backdrop is a blank white, with no sense of where a floor ends and a wall begins; later, when men come back to her unassuming lair, they walk into a pool of inky black, dotted with grayish blobs that look only vaguely familiar.

However, because the film ends just as humanity has managed to reach a positive tipping point, that means 99 % of WWZ's prior material follows special forces man Gerry Lane (Brad Pitt, who also co-produced the film) as he struggles to save his family from fast - moving, ravenous zombies, and then get back to the wife & girls after globe - trotting to hot zones in search of a solution to the viral contagion.

Smith swears «'' Strike Back»» signifies the end of Jay and Silent Bob's memorable film careers, but you have to wonder if he has the strength to put these characters to rest.

There are two main stories really, one which sees Kronk back with «Yzma» again and the other revolving around his job as a camp counselor for the Junior Chipmunks, something that was touched on at the end of the first film.

This is the first entry in the series that feels like it's an entry in a series; there's even a bit that explicitly calls back to the ending of the last film.

That said, the Macguffin of getting her involved — Luthor had stolen a photo of her that she was trying to get back — makes absolutely zero sense, as what she eventually chases down is a digitized scan which has been copied at least three times (and probably more) by the end of the film.

For this mortal, the film converts piety into pathology and then converts it back again at the end with a Song of Bernadette conclusion.

By the time we get to the bar scene, we're willing them to get with things so much that we don't really mind whether they grow as people or not, and at the end of the film everything goes (more or less) back to the way things were.

The story of what went on behind the scenes was as interesting as what ended up on the screen — if not more so — as the world learned when Greg Sestero, a star of the film and compatriot of Wiseau, pulled back the curtain in his 2013 book The Disaster Artist, in which he chronicled his life as a friend to Wiseau and the ridiculously lengthy and taxing production of The Room, while also trying to shed some light on the legend of Tommy Wiseau.

Braff's attitude on religion remains unclear by the end of the film, with the film initially seeming as critical as something like The Coen Bros A SERIOUS MAN, although he backs off later on.

Producer Robert Rodriguez had originally begun developing this film as far back as the early 1990s after the success of El Mariachi but Hungarian filmmaker Nimród Antal (Vacancy, Armoured) has ended up directing.

At the end of the film, Chaplin essentially breaks character to deliver a long speech about rising above, fighting back and all that stuff.

By the ending of filming, the Foxcatcher cast were worn out physically and mentally, and wish to never go back to that dark place ever again.

In their attempt to give a woman a diverse part, they end up flipping the film back in the direction of the male character, by default, because human beings aren't interested in one - dimensional assholes like Mavis.

Being a movie, the only way of winning her back is to get back in shape and back into the ring, one last time... It's directed by Antoine Fuqua and was originally conceived as a vehicle for Eminem; the rapper didn't end up appearing in the film but has contributed to the soundtrack album.

«No End in Sight» — Iraq War criticism that counted because of its levelheadedness — continues Nick Rogers» daily look back at the 365 best films of 2000 - 2009.

The Way, Way Back is more than satisfying and could end up being the feel - good film of the year.

The film's thrust is the countdown to a vote as Lincoln and his agents battle to find enough Republicans and Democrats to back the amendment while simultaneously keeping end - of - war negotiations on track.

But now that that iteration of the franchise has ended, it looks like he's swinging back to indie films.

We don't see the film's last seconds until it loops back to the end, but, be forewarned at the onset: This party will go out of bounds.

In The World's End, Edgar Wright's best film to date, Gary takes the same gang of gents back home to try to recapture the glory days of youth.

Joss Whedon is back marshalling this one, and the film also features the likes of Don Cheadle, Andy Serkis, Paul Bettany (whose character, The Vision, finally shows his face properly, if briefly, at the end), Hayley Atwell and Thomas Kretschmann.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

AVP 2 continues directly from the ending of the first film, with an alien / predator hybrid causing the ship to crash land back on Earth.

«I've never worked on a film, ever, where the order of scenes didn't get change and things from the back half didn't end up at the front half,» he says of editing.

Mosab's father, however, still believes him a traitor and has disowned him much like the majority of Palestinians, a point Schirman makes a bit too much on the nose by having Mosab deliver a lengthy speech near the film's end, culminating in choking back and wiping away tears.

With more than six minutes of never - before - seen footage woven back into the film and an additional 24 minutes of deleted scenes, alternate endings and a retrospective documentary featuring the cast of the film, Dumb and Dumber: Unrated is a must own for every comedy fan!

«Happy End» talks back to almost all of 75 - year - old Haneke's previous films, so much so that it feels like a career epilogue.

Animated feature «The Croods» «Despicable Me 2» WINNER: «Frozen» «Monsters University» «The Wind Rises» Action movie «The Hunger Games: Catching Fire» «Iron Man 3» WINNER: «Lone Survivor» «Rush» «Star Trek Into Darkness» Actor in an action movie Henry Cavill — «Man of Steel» Robert Downey Jr. — «Iron Man 3» Brad Pitt — «World War Z» WINNER: Mark Wahlberg — «Lone Survivor» Actress in an action movie WINNER: Sandra Bullock — «Gravity» Jennifer Lawrence — «The Hunger Games: Catching Fire» Evangeline Lilly — «The Hobbit: The Desolation of Smaug» Gwyneth Paltrow — «Iron Man 3» Comedy WINNER: «American Hustle» «Enough Said» «The Heat» «This Is the End» «The Way Way Back» «The World's End» Actor in a comedy Christian Bale — «American Hustle» WINNER: Leonardo DiCaprio — «The Wolf of Wall Street» James Gandolfini — «Enough Said» Simon Pegg — «The World's End» Sam Rockwell — «The Way Way Back» Actress in a comedy WINNER: Amy Adams — «American Hustle» Sandra Bullock — «The Heat» Greta Gerwig — «Frances Ha» Julia Louis - Dreyfus — «Enough Said» Melissa McCarthy — «The Heat» Sci - fi / horror movie «The Conjuring» WINNER: «Gravity» «Star Trek Into Darkness» «World War Z» Foreign language film WINNER: «Blue Is the Warmest Color» «The Great Beauty» «The Hunt» «The Past» «Wadjda» Documentary feature «The Act of Killing» «Blackfish» «Stories We Tell» «Tim's Vermeer» WINNER: «20 Feet from Stardom» Song «Atlas» — Coldplay — «The Hunger Games: Catching Fire» «Happy» — Pharrell Williams — «Despicable Me 2» WINNER: «Let It Go» — Robert Lopez and Kristen Anderson - Lopez — «Frozen» «Ordinary Love» — U2 — «Mandela: Long Walk to Freedom» «Please Mr. Kennedy» — Justin Timberlake, Oscar Isaac and Adam Driver — «Inside Llewyn Davis» «Young and Beautiful» — Lana Del Rey — «The Great Gatsby» Score WINNER: Steven Price — «Gravity» Arcade Fire — «Her» Thomas Newman — «Saving Mr. Banks» Hans Zimmer — «12 Years a Slave»

While the actual ending the film settles on is extremely far - fetched given all of the elements that would have had to proceed flawlessly, which seems like an impossibility if you really think back to the very beginning, the film isn't really about who wins or loses, but competing styles.

The real progenitor of these films is not Steven Spielberg, or even Irwin Allen, but Smokey and the Bandit, Honkytonk Freeway and all those other Kentucky - fried demolition derbies that littered up the back end of the seventies with their multiple shunts, pile - ups and smasheroos.

Mark of three rows back and Tom of Digital Shortbread are hosting a blogathon where the theme are films from years ending in the number five.

Here, a meeting between Carol and Therese in a restaurant is rudely interrupted by a loud friend, prompting Carol's departure; the film then casts back to the start of their story, returning in due course to this opening scene and what appears to be the end.

«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»

The ever - growing cult behind Russell and his work will undoubtedly enjoy this riveting look back on the maverick director right in the midst of filming his chaotic classic, which, negative press notwithstanding, ended up kicking off a series of successes in the 1970s.

Back in 2014, Transformers: Age of Extinction was roundly trashed by critics but the film ended up being the only release to pass $ 1 billion at the box office that year.

We no longer have 10 slots to back - fill, so if the Academy ends up with six or seven nominees in the lead category after voting, a number of films (like «Bridesmaids») have a chance of being left on the outside of the race, looking in.

The first two Mummy films are part of my DVD collection for some reason, and I think that's mainly because I bought them back when my purchasing knew no end.

Yet it's the kind of movie where that real - life incident ends up hanging over the entire film, almost holding it back from being able to be great on its own merits.

When Studio Ghibli announced it was closing production of feature films in 2014 many saw it as the end of an era, even if they did take back that statement a few years later.

Granted, there were a number of film that could have ended up at the # 10 spot on this list, but only one of them has you coming back time and time again for a rewatch.

It ends the way all of these Ghibli films seem to end with a surge of emotion leaving only the hardiest in the audience able to hold back tears.

When Twentieth Century Fox and producer Lauren Shuler Donner brought director Bryan Singer back into the X-Men film universe with X-Men: First Class - a movie Singer was originally set to direct - little did we know that the man behind the first two X-Men films would end up working on an entire new trilogy of series installments.

With Barker's status as one of the most prominent openly gay figures in genre fiction at the back of the mind, that Candyman is something of an elegiac lament for the outcasts and the sexually humiliated only augments its status as one of the best of the end - of - the - eighties / start - of - the - nineties body mortification films.

Jack Gracie chats with Mary and The Witch's Flower director Hiromasa Yonebayashi and producer Yoshiaki Nishimura... When Studio Ghibli announced it was closing production of feature films in 2014 many saw it as the end of an era, even if they did take back that statement a few years later.