Sentences with phrase «back of canvas oil»

(ETAT DEFINITIF) 1921» on back of canvas Oil on canvas, 36 1/4 x 23 5/8 (92 x 60) Purchased at Christie's (Grant - in - Aid), with the aid of the Friends of the Tate Gallery 1976 Prov: With Galerie Simon, Paris (purchased from the artist); Dr G.F. Reber, Lausanne, 1926; with Frau Walter Feilchenfeldt, Zurich, 1956; with Marlborough Fine Art, London, 1958; Gustav Zumsteg, Zurich, 1961; Zumsteg sale, Christie's, London, 6 April 1976, lot D, repr.

Not exact matches

One gets the scale, the immersion in oil, the pull to the edge of the canvas and back toward the center, and a personal insignia.

In your inquiry, please include the unframed dimensions, the medium (oil, watercolor, pastel), the support (canvas, wood, cardboard, paper), any inscriptions on the front or back of the painting, and clear digital images of the front and back of the painting.

Each canvas 1981 x 1473 (78 x 58) Inscribed on back of canvas in blue felt - tipped marker «3 Figures and Portrait 1975 Francis Bacon oil and pastel» top left Purchased from Galerie Claude Bernard (Grant - in - Aid), 1977 Provenance: Purchased from the artist by Marlborough Fine Art, London by whom sold to Galerie Claude Bernard, Paris Exhibited: Francis Bacon: oeuvres récentes, Musée Cantini, Marseilles, July - Sept.

Lee's recent oil on canvas work and new prints bring the viewer back to Lee's early investigations of materials and process.

Whereas Minimalism is the rejection of symbolism for pure structure, sans evidence of the artist's touch, Hollingsworth's mission as a practitioner of oil and canvas is to bring the art of affirmation back into the fold.

Artist Statement on DEEPHORIZON: «The supreme discipline of art — oil painting — is back with a vengeance — in the form of an oil painting on a 80.000 square miles ocean canvas with 32 million litres of oil — a unique piece of art... It has been 13 days since a BP oil and gas exploration well blew out, setting fire to the drilling rig, which sank, killing 11 people.

His nudes, on the other hand, reveal echoes of the past, as can be seen in the small series made in 1997 which comes back to life in the rectangular outlines of a canvas and in the change of technique to oil painting.

In Untitled (Suite «Blancs»)(1973), Hantaï also engages both sides of the canvas, using the back of an earlier oil painting as his support; faint color patches from the original work are visible within the colorful pattern, fulfilling the artist's desire to «draw out the qualities of the reverse.»

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

James Wilson Morrice Canadian, 1865 - 1924 Born Montreal, Quebec; died Tunis, Tunisia Standing Nude, from the Back 1912 oil on canvas Gift of Mr. And Mrs. Jules Loeb, Toronto, 1987 © 2004 Art Gallery of Ontario

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Original oil on Canvas by South Carolina Artist Floyd Gordon In the manner of highwaymen paintings this one was done in 1980 Floyd Gordon is hailed as a true South Carolina Treasure Look this guy up and sit back, there...