Sentences with phrase «back of canvas in»

Each canvas 1981 x 1473 (78 x 58) Inscribed on back of canvas in blue felt - tipped marker «3 Figures and Portrait 1975 Francis Bacon oil and pastel» top left Purchased from Galerie Claude Bernard (Grant - in - Aid), 1977 Provenance: Purchased from the artist by Marlborough Fine Art, London by whom sold to Galerie Claude Bernard, Paris Exhibited: Francis Bacon: oeuvres récentes, Musée Cantini, Marseilles, July - Sept.

Not exact matches

It's a gentle version that Brinley gives, and once the New Englandy town of Mammoth Falls starts to believe Dinky Poore's fib about the monster in Strawberry Lake, The Mad Scientists» Club picks up another classic element of boys» books» for that's the moment when Henry Mulligan, the club's vice president and chief of research, leans his piano stool back against the wall of Jeff Crocker's father's barn and begins to think about how the boys could use their radio equipment, a wrap of canvas around a chicken - wire frame, and a quiet outboard fishing motor to make the monster come alive.

In London against Nigel Benn, McClellan didn't quit either, though the fight ended with him bending one knee to the canvas and the referee counting to 10; no, against Benn, McClellan fought until his brain was bleeding — until he walked back to his corner and collapsed, a blood clot growing inside his skull that would soon spark a renewed debate over the morality of prizefighting.

Knocked out as an NCAA sport back in 1960, boxing is getting up off the canvas with the help of some dedicated men like Al McChesney of West Chester State

But Barcelona hauled themselves off the canvas as pushed Arsenal back into a corner until a moment of magic in the 83rd minute which undid the Catalans and delivered one of the finest goals you will see at any football ground this year.

Glazed areas made with egg and dammar resin had been destroyed, while in unglazed parts the ink had seeped to the back of the canvas through complex layers of oils, pigments, colourants and glues.

With the high price and fine leather of this bag, I'd probably be too nervous to take it on an airplane, even as a carry on, but I could certainly see myself throwing Monogram Canvas Speedy in the back seat of a rental convertible and setting out for the coast.

but here's the thing: the brand really took the comments to heart and came back this year with not only a lower price point on their original leather bag, but a brand new bag: the julien canvas set, which comes in the black you see in my photos, along with a variety of other fun color combinations.

Hhmmm, I've long time had this canvas bag by Stella McCartney in the back of my head, especially on hot days like this I really don't want to drag along a black leather shopper.

I'm linking up with these fab ladies: Let It Shine with Still Being Molly and Lipgloss and Crayons Manic Monday with On the Daily Express and More Pieces of Me How I Spring with Pink Sole and Cha Cha the Fashion Genius Mix It Mondays Style to Inspire Monday Mingle Creative Mondays Visible Monday Styled Up Shoe and Tell Sophisticated Style Linkup with Lisa Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Turning Heads Tuesday Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Oh, Hey Girl Watcha Wearing Wednesday Trendy Wednesday Thursday Fashion Files with Doused in Pink and Curly Crafty Mom Throw Back Thursday Let Your Light Shine with Made with Zeal & Rooted in Salt Thursday Favorite Things Fun Fashion Friday Fashion Friday Passion 4 Fashion

-LSB-...] Linking up with these fab ladies: Let It Shine with Still Being Molly and Lipgloss and Crayons I Would So Rock This Mix It Mondays Monday Bloom Manic Monday with On the Daily Express and More Pieces of Me How I Fall with Pink Sole and Cha Cha the Fashion Genius Style to Inspire Monday Mingle Creative Mondays Visible Monday Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Stylish Tuesday Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Watcha Wearing Wednesday Oh, Hey Girl What Wives Wear with God Life Happy Wife and Curly Crafty Mom Three - fer Thursday with Perfectly Coutured and White Coat Wardrobe Throw Back Thursday Let Your Light Shine with I'm Perfectly Human and Made with Zeal Thursday Favorite Things Be.You.Tiful -LSB-...]

-LSB-...] Linking with these lovelies: Let It Shine with Still Being Molly and Lipgloss and Crayons I Would So Rock This Mix It Mondays Monday Bloom Manic Monday with On the Daily Express and More Pieces of Me How I Fall with Pink Sole and Cha Cha the Fashion Genius Style to Inspire Monday Mingle Creative Mondays Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Tremendous Tuesday Bloggers Who Have Inspired Me Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Midweek Muse What Wives Wear with God Life Happy Wife and Curly Crafty Mom Three - fer Thursday with Perfectly Coutured and White Coat Wardrobe Throw Back Thursday Let Your Light Shine with I'm Perfectly Human and Made with Zeal Thursday Favorite Things Be.You.Tiful -LSB-...]

-LSB-...] Linking up with these fab ladies: Let It Shine with Still Being Molly and Lipgloss and Crayons I Would So Rock This Mix It Mondays Monday Bloom Manic Monday with On the Daily Express and More Pieces of Me How I Fall with Pink Sole and Cha Cha the Fashion Genius Style to Inspire Monday Mingle Creative Mondays Style Sessions Confident Twosday Celebrate Southern with Bless Her Heart Y ’ all and 2 Cats and Chloe Tremendous Tuesday Stylish Tuesday Trend Spin with Walking in Memphis in High Heels and The Fashion Canvas What I Wore I Feel Pretty Random Wednesday Watcha Wearing Wednesday What Wives Wear with God Life Happy Wife and Curly Crafty Mom Three - fer Thursday with Perfectly Coutured and White Coat Wardrobe Throw Back Thursday Let Your Light Shine with I'm Perfectly Human and Made with Zeal Thursday Favorite Things Be.You.Tiful -LSB-...]

Bring the thin wire and battery box to the back of the canvas, remove the glass from the frame and pop in the finished canvas.

Whether you're watching Beck at a rural drive - in movie theater, backed up by 40 gospel singers, blowing into his rambler's harp, or the artist who dips marbles in ink and then sets them loose on a canvas, allowing the momentum of the train to dictate the drawing, every portion of Aitken's odyssey is a worthy addition to his collective ode to ideas and the endless possibilities of aesthetic communication.

The opening scene, in which all the mecha - aliens transform back and forth between giant robots and various makes of automobiles and heavy trucks, becomes so abstract it looks like a Jackson Pollock canvas in motion screeching through the middle of a Hollywood action movie.

My synopsis of that procedure is, there are three parts to the top: the upper canvas roof, the aluminum stretcher bar, and the snap - in back window panel called the Weatherguard.

Color - matched Escalade door and tailgate handles as well as door mirrors, Titan 52 - gallon fuel tank with skid, Bedrug, Softopper canvas collapsible shell, brake light under tailgate, two backup cameras, full size spare, tinted windows and windshield, slightly tinted taillights, 4 - inch turbo - back stainless steel exhaust with 6 - inch RBP tip in front of rear tire.

The interior of the car has been redesigned by Hermès and is entirely covered in leather and canvas, the interior also features several pockets made in Hermès» style as well as umbrella which clips to the back of the seats.

I think my favorite features of this truck have to be the push button four wheel drive that can be engaged anytime under 10 mph, the suicide back half doors in the king cab, the power seats and windows and mirrors, and also the canvas cover for the bed which by the way is full size.

I believe that he attempted to recover some of these canvases, and to my certain knowledge, one moonlit night, would have stolen back a portrait of Mrs Euphemia Urquart of Woodside Terrace, Glasgow, had not he been interrupted in the act of forcing a water - closet window by the Urquarts» butler, who (apparently cut short in solitary labours of his own) had been sitting in the dark; and who - despite the handicap of having his trousers at his ankles - grasped the intruder's shoulders as they emerged beneath the sash.

With this info, the turned backs, snowy scenes and desert wanderings dovetail into themes of isolation, obscurity, and operating with one's «back to the world», to paraphrase Agnes Martin, one of Tabouret's up front subjects and inspirations... Functioning in all of the canvases is a disarming, restrained and informed use of neutral hues that serve to contextualize the images as having a life before they were references, and imparting a slower, more contemplative read.»

Over the course of her young career, Erika Keck has been steadily minimizing canvas (or other traditional backing) in her paintings, composing instead with long, sticky - shiny stripes of acrylic paint, draped across stretcher bars or other structures.

Ms. Siegel's organization of the show proposes that painting progressed from stretched, rectangular canvases to loosey - goosey off - the - stretcher works and back, culminating in stretched paintings by Elizabeth Murray, Pat Steir and Ron Gorchov, and finally in an unusually incoherent work by Joan Snyder.

One gets the scale, the immersion in oil, the pull to the edge of the canvas and back toward the center, and a personal insignia.

Entitled «Reporting Back», the latter spans more than fifteen years of painting, whilst the exhibition in London presents new works, on canvas and paper.

«Spire» (1958) stands out for its powerful evocation of space — not just as movements forward and back, but as the resolute locating of forms across the canvas; its airy, angular movement of ochres and bluish tints culminates, along one side, in a clamber of reds, blues, and a final, teetering black.

The lovingly compiled exhibition highlights a recent body of paintings and drawings on canvas but also reaches back with prints, drawings and paintings beginning with his arrival in New York in... Read More

Samorì's reinterpretation of Ribera's The Martyrdom of Saint Bartholomew (Ebbro, 2011) is seen as if in a memory, but instead of the saint's skin being flayed the artist peels back the rich crimson paint from the canvas to give a totally contemporary stance to the work.

The lovingly compiled exhibition highlights a recent body of paintings and drawings on canvas but also reaches back with prints, drawings and paintings beginning with his arrival in New York in the late 70's.

In your inquiry, please include the unframed dimensions, the medium (oil, watercolor, pastel), the support (canvas, wood, cardboard, paper), any inscriptions on the front or back of the painting, and clear digital images of the front and back of the painting.

«The desire for direct expression finally became so strong that even the interval necessary to reach back to the palette beside me became too long; so one day I put up a large canvas and placed the palette in front of me.

Back in the sixties, Morris Louis developed an innovative method of painting by «staining» his unprimed canvases with thinned washes of acrylic pigments, and was one of the... read more... «Morris Louis unveiled»

Finally, farthest back, there's a stretched linen canvas of the same dimensions on which the outlines of the facade are delineated in pencil.

The canvases sit one on top of the other, with the near one protruding horizontally, the one in back vertically — but to a different size and extent each time.

Soon, figuration started finding its way back into Havard's work, in the form of geometric symbols from Native American iconography that he caused to float across the surfaces of his canvases.

Back at the current show at Lehmann Maupin, Varejão walks by a wall of large canvases in earth tones with deep fissures across their surfaces.

This superlative show is huge in every sense: big themes, giant icons of mid century art, enormous canvases, and no small amount of ambition on the Royal Academy's part, tackling an often shied from movement — or «ism» — which was last explored in such a survey in the UK back in 1959.

In the book accompanying «Painting Paintings,» Reed recounts how he became dissatisfied with this particular canvas, which his «friends, colleagues, supporters» urged him to have removed from the show in favor of a different Brushstroke painting, and how he destroyed it after it came back from the Whitney, a decision he regrets because he now thinks that it may have been his «strongest statement» from that timIn the book accompanying «Painting Paintings,» Reed recounts how he became dissatisfied with this particular canvas, which his «friends, colleagues, supporters» urged him to have removed from the show in favor of a different Brushstroke painting, and how he destroyed it after it came back from the Whitney, a decision he regrets because he now thinks that it may have been his «strongest statement» from that timin favor of a different Brushstroke painting, and how he destroyed it after it came back from the Whitney, a decision he regrets because he now thinks that it may have been his «strongest statement» from that time.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

«Patrick Heron Purple Shape in Blue 1964 52 x 48» on back of canvas.

In his paintings, Andy Cahill uses both the front and the back of the canvas.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that..In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that..in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that..in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

The flat, unstructured formations of these layers wander over malleable and ethereal backgrounds; individual marks assert themselves and are instantaneously absorbed back into the canvas in a never - ending cycle.

The canvas de La Villéon painted that day was a landmark in his work, a presage of what was to come, and he himself considered it so important that he noted on the back of the canvas, the date and the fact that it was painted from nature.

In working the two sides of a canvas, Nelson eventually decides on a «front» and «back» and then permanently stretches the canvas accordingly.

In a continued synthesis of form, production and process, each painting is comprised of individual segments of canvas that are cut, collaged and sewn back together.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

Upon searching through this work, Januszkiewicz discovered an old, unprimed roll of canvas, never used by Reed in his practice, which dated as far back as the 1960s.

Chong - Hyun's works, in earth tones and grays, for the most part, often feature his distinct process: pushing the paint through the back of the canvas.