Sentences with phrase «back of the canvas»

Inscribed» «Drought» 1962 Kenneth Noland» on back of canvas Acrylic on canvas, 69 1/2 x 69 1/2 (176.5 x 176.5) Purchased from the Galerie Rudolf Zwirner (Grant - in - Aid) 1965 Prov: With Galerie Lawrence, Paris (purchased from the artist 1962); with Galerie Rudolf Zwirner, Cologne Exh: Kenneth Noland, Galerie Lawrence, Paris, April - May 1963 (works not listed) Repr: Kenworth Moffett, Kenneth Noland (New York 1977), pl.115

(ETAT DEFINITIF) 1921» on back of canvas Oil on canvas, 36 1/4 x 23 5/8 (92 x 60) Purchased at Christie's (Grant - in - Aid), with the aid of the Friends of the Tate Gallery 1976 Prov: With Galerie Simon, Paris (purchased from the artist); Dr G.F. Reber, Lausanne, 1926; with Frau Walter Feilchenfeldt, Zurich, 1956; with Marlborough Fine Art, London, 1958; Gustav Zumsteg, Zurich, 1961; Zumsteg sale, Christie's, London, 6 April 1976, lot D, repr.

Inscribed» «Morning» 1965 a.martin» on back of canvas Acrylic and pencil on canvas, 71 7/8 x 71 5/8 (182.7 x 182) Purchased from the Mayor Gallery (Grant - in - Aid) 1974 Prov: With Mayor Gallery, London (purchased from the artist 1974) Exh: Fundamentele Schilderkunst, Stedelijk Museum, Amsterdam, April - June 1975 (Martin 5, repr.)

and» «OPEN, # 121 (BOLTON LANDING ELEGY)» Robert Motherwell 1969» on back of canvas Liquitex brand acrylic on sized canvas, 96 x 174 (244 x 432) Presented by the artist through the American Federation of Arts 1969 Exh: L'Art Vivant aux Etats - Unis, Fondation Maeght, Saint - Paul, July - September 1970 (works not numbered, repr.)

Each canvas 1981 x 1473 (78 x 58) Inscribed on back of canvas in blue felt - tipped marker «3 Figures and Portrait 1975 Francis Bacon oil and pastel» top left Purchased from Galerie Claude Bernard (Grant - in - Aid), 1977 Provenance: Purchased from the artist by Marlborough Fine Art, London by whom sold to Galerie Claude Bernard, Paris Exhibited: Francis Bacon: oeuvres récentes, Musée Cantini, Marseilles, July - Sept.

on top canvas turnover on reverse and «SMITH 59 / PAINTING JAN59 / 125 GNS» in centre of back of canvas.

«Patrick Heron Purple Shape in Blue 1964 52 x 48» on back of canvas.

Glazed areas made with egg and dammar resin had been destroyed, while in unglazed parts the ink had seeped to the back of the canvas through complex layers of oils, pigments, colourants and glues.

The canvas prints from Printcopia come with a hook already on the back of the canvas — and so it makes them super easy to hang.

The easiest way to do that is to paint from the back of the canvas to the front.

Bring the thin wire and battery box to the back of the canvas, remove the glass from the frame and pop in the finished canvas.

(The Enchantress, Heinrich Lossow) «Both you and paintings are layered... first, ephemera and notations on the back of the canvas.

It is a homage to the greats and at the same time undermines them with faked signatures on the back of the canvas.

Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)

One could settle for the back of the canvas or watch it burst through to the front, with Jane Fox Hipple.

Both Scott Lyall and Charles Hinman have drawn depth from a second color along the back of a canvas by the wall, while Becky Beasley has cantilevered black Plexiglas to suggest a physical landscape.

Schori has painted the back of the canvas a different color, and the very damage allows one to see it.

A motif often seen in Paolini's work is that of a blank or back of a canvas, leaving the original painting obscured.

In his paintings, Andy Cahill uses both the front and the back of the canvas.

Jeff McMillan pays as much attention to the backs of his canvases as to the front.

The canvas de La Villéon painted that day was a landmark in his work, a presage of what was to come, and he himself considered it so important that he noted on the back of the canvas, the date and the fact that it was painted from nature.

Chong - Hyun's works, in earth tones and grays, for the most part, often feature his distinct process: pushing the paint through the back of the canvas.

Their built - up layers of paint and collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are painted: on the floor, tacked to the wall, and on the back of the canvas, picking up studio detritus along the way.

The painting is displayed on a false wall, with an aperture behind that enables us to see the back of the canvas.

Inscribed «Patrick Heron» and «March 1957» on back of canvas; «Scarlet Lemon and Ultramarine 24» x 72» March 1957» on stretcher.

When it becomes necessary to handle or move a painting, avoid touching the paint surface or the back of the canvas.

Do not apply any kind of pressure (even finger pressure) to the back of a canvas — cracks in the paint will likely develop after a time if this is done.

These paintings, several of which have never before been exhibited or published, cover nearly every phase of the artist's career, with the exception of his portraits — wrapped package paintings, including three massive triptychs; numerous still lifes and trompe l'oeil works, like that which depicts faithfully the back of a canvas and its stretcher peeking through; and plein air studies of Moroccan towns.

When paintings are stored in attics or basements, the mice can nibble the glue from the back of the canvas, and insect droppings can corrode the surface.

The painting's composition appears abstract at first; it takes a second to register that the fingerprinted white column depicts the back of a canvas leaned against a wall.

While most paintings sit flush to the wall, two are supported by wooden, free - standing structures, revealing the backs of the canvases and the exquisite craftsmanship that goes into the work.

Stephenson even took to writing the words «any orientation» on the back of his canvases, to emphasise the fact that traditional composition had gone out of the window, structure no longer applied, and subject - matter was indefinable.

Bonalumi is most recognised for his Picture - Objects, created through «extroflection» — a process using frames fixed to the backs of canvases to deform them, which led to later work including sculptures and immersive environments.

In 1937 Mainer Marsden Hartley copied three lines from T.S. Eliot's poem «Ash Wednesday» on the back of his canvas titled «In the Moraine, Dogtown Common, Cape Ann.»

In the Fondazione Prada Milano exhibition, artists flip the back of a canvas to the front by painting or photographing it, or drape translucent plastic instead of canvas, thus exposing the otherwise hidden structure as well as the wall behind.

«Bernard Cohen In that Moment October 1965» on back of canvas.

I have purchased a landscape painting on canvas from a sale in Kansas City it is signed TMurch 62 but does not look like these examples, however I am puzzled because looked at the mark on the back of the canvas and the maker is from Brooklyn New York.