Sentences with phrase «back of the gallery»

With lease in hand and the financial backing of his gallery director Virginia Dwan, Smithson hired a construction company to build his work, which was accomplished over two weeks in April.

In the back of the gallery, a more traditional form of landscape imagery is presented on the small panels.

The piece, titled Sick Bacchus (Head and Bread Repeat), 2016, is beautifully echoed by a much more minimal artwork in the back of the gallery: a subtly painted aqua - resin wall work by Anissa Mack titled Gypsy Janus, 2011.

At the back of the gallery, Kempinas presents his latest, previously unseen ink drawings on paper, executed employing a fan (Fan Drawings, 2010).

In the back of the gallery Viale presents Souvenir (Pieta), an isolated figure of Jesus.

However, his flat, which is located in the back of the gallery, is full of the works of artists connected with a diametrically different kind of art: Jean Dubuffet and Hans Bellmer.

Situated at the back of the gallery, in a space reminiscent of the apse of the basilica, Chair of the Ministers of Defense (2016) references Newton's official rank and title within the Black Panther Party.

At the back of the gallery, a selection of work by Hudinilson Jr. showcases the late Brazilian artist's idiosyncratic oeuvre, from a disturbing, jaundiced painting of harlequins (Amantes e casos, Ménage à Trois, 1978) to his homoerotic collages and tender photocopy self - portraits — all masses of hair and folded skin.

In the back of the gallery flesh - hued forms hang from the ceiling, cradled in improvised macrame slings.

JJ: Castelli had been showing videos and collecting them, and there was a whole section in the back of the gallery.

Modifying the architecture of the biennial building, she affixed transducers to the backs of the gallery's drywall, causing the room to literally vibrate - a sensation that could be both heard and felt; a plumb bob hanging from the far wall rattled against the surface, rendering the vibrations of the wall visible.

The chatbots mentioned are three conversational drones programmed by Ian Cheng to talk amongst themselves, endlessly, for a multimedia piece in the back of the gallery.

By contrast, my favorite Porter in the current show is an almost Milton Avery - like impression of a sunrise, made in watercolor in 1974, that hangs demurely in a corner near the back of the gallery.

It incorporates a new reception area at the back of the gallery and a planted walkway for residents of Sceaux Gardens housing estate, where the SLG has run art programmes for a number of years.

Music plays within the hut, beckoning the viewer toward the entrance at the back of the gallery.

Castillo once again was in top form, not only with a few paintings in the front of the gallery, but his dynamic black and white serigraph pieces were showstoppers unto themselves, along with a beautiful mural in the back of the gallery.

I found Barbara Kruger at the back of the gallery, fending off the advances of a tall stranger who identified himself as an artist and mistook her for Boone, to whom he wanted to show his paintings.

In the Curatorial Research Lab at the back of the gallery, don't miss «Signs on the Road,» a three - part installation organized by Workroom G and curated by Gogue Projects (Phase 1), Cathouse FUNeral (Phase 2), Camel Collective (Phase 3).

As you wander through the exhibition make sure you go up the stairs located at the back of the gallery and see several older works done using pigment - tinted fingerprints!

But the most compelling work is tucked away at the back of the gallery: a sketchbook has been opened to its centre spread, turned through 90 degrees and pinned within a frame.

While you're there, be sure to check out the speakeasy bar in the back of the gallery.

Gallerist Emmanuel Perrotin convinces K - Popper G - Dragon to check out some new beats he's been making in the back of the gallery

His studio is at the back of the gallery.

The back of the gallery houses two sculptures, both entitled Door.

If these thirty - four photographs lined up in the side gallery as FOMO, 2015, remind you of Warhol's dance diagrams, you will be happy to see at the back of the gallery the source image for Warhol's «Marilyns» smiling out from behind her protective glycene.

The photographs depict Chisenhale Gallery's interior, its hallways, doorways and thresholds, and together they evoke the experience of navigating the space — from the front entrance, through the gallery, to the office and out onto the canal which runs alongside the back of the gallery's building.

Since the works are on view in a separate enclave at the back of the gallery, and almost constitute an exhibition of their own, I've decided to focus on their installment in this article.

At the back of the gallery was a stage where many concerts were held.

At the back of the gallery, Mariam Ghani's two - channel video installation, A Brief History of Collapses (2012), widens the gaze.

On the Lower East side, the artists have created collaborative mini nightclub called Thinkers, which is entered through a tiny door at the back of the gallery, and will feature weekly music and performance programming.

A work made with body bags is displayed in the archway at the back of the gallery, which is being used for the first time as part of a show.

Church Street Gallery «s premier exhibition was Robert Robert Bohné «s Close to Home collection with a strong grouping of paintings in the main room and drawings in an anti-chamber in the back of the gallery.

A separate room towards the back of the gallery houses four additional paintings.

Perspective, which Cornaro takes pains to create using plinths taller plinths at the back of the gallery and variations in colour (lighter colours in the fore - ground, darker colours at the back) is the ideal metaphor for this because it is an artificial method for reproducing a «natural» reality.

While the audience settled and conversed quietly, Heitzler slipped to the back of the gallery as Ann Marie Mohr, a local performer and the artistic director of OnSite Theatre in St. Louis, made her way up to the front, purposefully donned the glasses and hat, mounted the stage, and began reciting a monologue prepared by Heitzler entitled, «How to Disappear In (to) California.»

Standing alone in the back of the gallery, another sculpture further illustrates the artist's notion of hybridity.

A larger painting hangs at the back of a gallery, along with one the artist by adding paint to unstretched dyed fabric.

The only way to reach the back of the gallery and the rear of the sculpture is to walk through the seemingly precarious triangular tunnel created by the leaning concrete wall.