Sentences with phrase «back of the work surface»

Sue also suggests plugging a power bar into your electrical outlet, and then mounting that power bar to the underside of the back of the work surface.

«Storage nooks on the front and back of the work surface can showcase pretty crafts supplies, books, and fabric.»

Not exact matches

The Crown corporation's original government funding of $ 100 - million increased over time to $ 1 - billion, with the objective of developing technologies and processes that would get the private sector back working on the 90 per cent of the oil sands that were too deep to be surface mined.

After the allegations surfaced, White House Chief of Staff John Kelly and Sen. Orrin Hatch (R - UT), whom Porter worked for, came to Porter's defense, vouching for his character and saying he shouldn't resign — although they both backed off somewhat days later.

If your work surface doesn't have any flour left on it, give it a light dusting, then set the ball of dough back on it.

Flatten with a back of a spoon or your hands to get a smooth surface (moist your hands with water for easier work with the dough).

We OTs love getting kids to work on vertical surfaces (think: easel or chalkboard) because of how it forces them to bend their wrists back (called «extension») as they play, something that is critical for good handwriting skills.

Today, Land cruisers can be driven down the mine and back to surface instead of using the cage that used to carry miners to work underground — Now Northerners are NO MORE NEEDED AT ALL because they are not Proper Akans — no matter their academic qualifications.

Rumors that Cynthia Nixon would mount a challenge to Gov. Andrew M. Cuomo in New York's Democratic primary began to surface in early March; by the 20th she had announced her candidacy, and by mid-April she had secured the endorsement of the progressive Working Families Party, which backed the governor, after some sturm and drang, in his two previous elections.

In our case, we will be doing a lot of engineering work over the summer to install an active surface system, which will allow us to come back in the autumn with a telescope that has much higher performance.

The skull has been recovered from a research institute near Cambridge, unexpectedly brought back to the surface of Earth during building works.

He also works as Project Manager and co-Principal Investigator of the HiRISE high resolution telescope that is currently orbiting Mars and sending back detailed photographs of the Martian surface.

There's one good sequence in «Prey at Night»: Silent Leatherface in Burlap tries to murder Kinsey's brother in a swimming pool, and the director, Johannes Roberts, shoots the works in an effective way, the blood spreading through the water, the camera cutting to below the water's surface, then back up and down again, with «Total Eclipse of the Heart» in sync, popping from the soundtrack foreground to the muffled background.

On the same day, Back to School also surfaces alongside P.C.U. and Bio-Dome in a 3 - movie Partying 101 Gift Set, part of MGM's new, low - priced, 9 - volume College Essentials DVD line of loosely - related works.

After a brief period of inactivity, NASA's Curiosity rover is back at work on the surface of Mars.

Let's replace the assumption that students» misconceptions should prompt digging back through the archive for the right video with the assumption that unfinished learning from prior grades is best surfaced and addressed in the context of grade - level work.

The OEM battery in my 2008 Jetta SE 2.5 L has been nearly fully discharged one month back (had insufficient surface charge after a prolonged use without the engine running, but leaving it idle for 20 minutes made the car start again), then worked fine for a few days afterwards (but without being subjected to much charge), but then was discharged again after only a quarter of the prior abuse (since it was probably not fully charged since the prior discharge, me underestimating the driving time it would take to bring the battery back to fuller life, plus possibly missing out on water, as I found out later).

So little by little we worked on teaching him where his back feet are, how to get all four feet onto a little surface, jumping onto small platforms, balancing on shaky surfaces, climbing and, importantly, safely getting off of things.

We will begin assuming that the drip set, needle, and fluid bag are already connected and the patient has been placed on the work surface (floor, table, counter, back of sofa, etc.).

Following shortly on the heels of the screens that surfaced earlier this week that suggested that a sequel to Rayman Origins was in the works, Ubisoft have registered two domains, RaymanLegends.com and Rayman-Legends.com, that seem to back up the rumor.

With a wife and child back home to support, Jim's looking for any work he can, and finds it on the planet's icy surface in the form of retrieving samples of the energy for NEVEC to study.

They have an intimate relationship with the painting process and we the viewer have a possibility of sharing that intimacy as the work does not shut us out or bounce us back off a hard surface; it lets us in.

The surfaces of the final works, stained with oils and acrylics, or embellished with delicate hand drawn geometric patterns in graphite or crayon, deliver Simpson's sculptural forms back to the realm of drawing.

Soon, figuration started finding its way back into Havard's work, in the form of geometric symbols from Native American iconography that he caused to float across the surfaces of his canvases.

As far back as the early 90s, I've been incorporating mirroring and symmetry in my work, using varying degrees of actual reflection along with painted surfaces.

«When I work I move back and forth between the creation of illusionistic space and a fully non-representational relationship with the process, the surface of the picture, and even the formal considerations relating to its shape,» says Ms Adams.

The artist then builds the surface through paint and subsequent layers of collage, which are peeled back to reveal earlier incarnations of the work.

When I'm up close and I'm painting on a big surface, I'm just absorbed in the most technical of things and then I sit back and think about the work, look at it.

Diane Ayott, by contrast, attempts to erase any distinction between foreground and background, thereby creating an orchestrated relationship in which her use of color and geometric forms interacts with viewers and constantly draws attention from the surface deep into the structure of the work and then seamlessly back again.

On the surface, the work appears to be about the attainment of bliss, a return to the Garden of Eden perhaps; still closer inspection reveals at the bottom left a road, bringing us back to the present moment and reminding us of the ongoing turmoil of inner - city life.

And what is so remarkable is that the very loss at its core — a portrait is a person here, but not here — is countered by the slow lyricism of the work: Gorky's mother is brought back from annihilation, held in the bounding contours and gentle colour, her momentary image indelibly fused with the painting's hard - won surface.

As tiny as I was back then, his large - scale works, especially the Tappezzerie (Upholsteries), were so fascinating to me because the surfaces would stick out of the frame (I'd never seen pictures like that before) and they reminded me of «my sofa and chairs».

Looking to the fundamental conundrum of painting presented by the transference of objects to a flat surface, Stephan's work toggles endlessly back and forth between statement of fact and fiction.

Her work is painting for the sake of painting: Surfaces are built up and worn back down, and the gender of the artist is inconsequential to this process.

Her works feature varied linear forms and subvert the initial structure of the painting by pushing and pulling it back to the surface.

These historical and recent works are from disparate periods of Deacon's 40 - year practice and from different bodies of work, but are united by the continuity of their outlines, their surfaces morphing in the round or else looping back on themselves, suggesting a state that is both fixed and fluid at the same time.

His early work features broad, calm rectangles in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture, in which strange objects float in the foreground or middle distance, against an often mysterious background, in a way that is oddly reminiscent of Miro.

imbues her abstract works with a beguiling and immersive ambience, from the balance of surface media to the foating back - framed aluminum panels bearing these compositions.

The camera is never reflected in the work's shiny surface — Leckey forgot to put it back in — but it only enhances the fakeness of the computer - generated Koons.

Then when he returned to himself (from the surface perspective of commercial media) after a two - year hiatus, with the album Infidels (1983), it suggested that he finally worked his way through it all, that he was finally back on track.

For half a century he has worked in an uncompromising way, scraping back the surface of the canvas to start and re-start the painting process.

Between 1973 and 1974, he moved from sprayed to poured and squeegeed surfaces, working the paint back and forth, up and down, layer upon layer, always in search of the perfect non-color, it seemed.

The back room is populated with six 2.45 x 1.84 meter works all made of white ceramic tiles (a ready - made mapped two - dimensional grid so to speak) with their surfaces embracing, in the same manner as the previous works, enigmatic figures in black soap and wax.

Behind their seductive, and painstakingly created, glittering, beaded surfaces, works such as Kitchen, Back Yard, and Trailer probed the hidden corners of American cultural values, using labor - intensive crafts as a metaphor for and a means to transcend the mundane and the squalid.

Whether subverting artists» original works — including their own — twisting historic narratives or peeling back the surface of consumer - driven culture to reveal the horror and humour that lies beneath, the Chapmans compel us to confront the nagging fears that lie at the dark heart of the Western psyche.

Three works in the exhibition consist of halves of cylinders that have been sliced at an acute angle, the wedges (mostly shown individually, though in one instance displayed as a pair) standing upright so that the edges of the cut surfaces form parabolas that shoot upward and then back down.

The Mpane exhibition features an elegantly carved, life - sized sculpture; boards transformed into portraits of Congolese youth by meticulously subtracting surface layers; and a large - scale work composed of wood strips, held together by a mesh backing, painted and then broken into pieces resembling tile squares.

The New York Times art critic John Canaday was highly critical, but Clement Greenberg proclaimed abstract expressionism in general and Jackson Pollock in particular, as the epitome of aesthetic value, enthusiastically supporting Pollock's work on formalistic grounds as the best painting of its day and the heir to an art tradition - stretching back to the Cubism of Pablo Picasso, the cube - like pictures of Paul Cézanne and the Water Lily series of Claude Monet - whose defining characteristic is the making of marks on a flat surface.

Overby is an obvious precursor to Rachel Whiteread (whether she was aware of him is another question), but although this post-minimal masterpiece is firstly a form of process art, niggling complexities in the work's surface pull it back from clean conceptualism; its painterliness is pervasive.

The process of such evaporation and then condensation together with those other weather processes is an express route to get heat energy from ocean to surface to atmosphere to space and the bigger the temperature differential between ocean surface, atmosphere and space the faster they must all work to move the atmosphere back towards a temperature equilibrium.