Sentences with phrase «back space of the gallery»

Furthering his often aggressive use of text, Geers devotes the back space of the gallery to a group of seven ultra violet neon sculptures, which spell out the names of The Seven Deadly Sins.

Hosking's show Contemplating Duality, taking up the back space of the gallery, displays two new sculptural works Not Two and Endless.

Not exact matches

A gallery of pictures and information about military and space - related wristwatches / pocket watches Our maritime traditions Dating back as far as the Bible, marine pilotage is one of the world's oldest trades.

Improved finances over the last few years have allowed the College, amongst other things, to invest in new IT, refurbish learning and teaching spaces throughout the college, and rejuvenate the site's Jervis Gallery, which has been brought back to life as a venue for events and weddings; the first of which is taking place this summer.

We also ran a gallery out of the space for just over 2 years, however we closed the gallery in January of this year so I could get back to being an artist full time.

His Berlin Installation takes up an entire length of the gallery's back room (unusually, broken up with temporary walls for this show dividing the characterful space, which works perfectly for installations and immersive works, into a more classical gallery for showing photography).

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Particularly within the denser configurations, the parallax produced by moving through the gallery space created a startlingly visceral effect of animation, with the individual strands of yarn appearing to dance back and forth, continually shifting their position relative to each other and the viewer.

Three metre high paintings with titles such as Overcoming Optimism and Back on the Worry Beads occupy the main space of the gallery.

Wall paintings in the space reminded me of the eggs thrown at Tate Gallery's walls by a visitor back in 2001 in protest of Creed's winning minimalist submission for the Turner Prize, Work No 227: The lights going on and off.

The Linda Pace Foundation's Space gallery sits in the back corner of the park.

Jonas herself, back in those days, rejected gallery and museum showings of her performance - based videos since she claimed that the old spaces were unsuitable for the transgressive new form.

Recent exhibitions include: Two Forward, One Back at 65 Grand (Chicago IL), Interstice, curated by Rachel Adams and Rob Greene at 308 at 156 Project Art Space (New York, NY), and The Tyranny of Good Taste, curated by Danny Orendorff at Glass Curtain Gallery, Columbia College (Chicago, IL)- an exhibition which travelled to La Esquina Gallery, Kansas City, MO..

The gallery is located at the back of the property, off a garden in a wonderfully custom - designed gallery space which MacNeill helped to create.

The back gallery spaces feature a series of smaller sculptures, both single columns and two part works with panels and stools, plus wall - mounted reliefs.

An Interesting top 5 for FAD this week Pete Doherty leads the way with an exhibition of his «stuff» in Camden Town then news of a new gallery in London and a new 6,000 sq ft space to compliment the other two Sadie Cole spaces, Tabish makes it back into the top 5 and surprised this wasn't even more popular!

After studying at the Royal College of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings Museum and Art gallery, 2010), The Future of Nostalgia (Jerwood Project Space, 2009).

As gallery - goers wandered to the back of the downstair's galleries, they discovered a separate space that the center's insiders still call...

Her work is currently on exhibit at Bates College Museum of Art («Back and Forth: the collaborative works of Dawn Clements and Marc Leuthold»), and has been included in numerous exhibitions including: «Paper» (Saatchi Gallery, London), «Ghost of Architecture» (Henry Art Gallery, Seattle), «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT), «Making Room: The Space Between Two and Three Dimensions» (MassMoCA), «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center), «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China), and the Whitney Biennial 2010 (Whitney Museum of American Art, NY).

These questions hover at the back of my mind as I stand in the audience that has turned up to listen to Lucas talk, at the launch of Sarah Lucas — After 2005, Before 2012, a new catalogue of her work since 2005, in an improvised gallery space upstairs from Lucas's London gallery, Sadie Coles, which has played host to a series of shows by Lucas for the last 12 months, all but one under the headline title Situation (which is also the name of the space).

His new paintings are a long way from the cagey underground - comix - meets - Italian - literature - scholarship sensibility manifested in «Twilit Ensembles,» to which he hearkens back with several later series of spookily whimsical captioned charcoal drawings in the gallery's small project space.

2006...: ICAL KRBBR PRDLY PRSNTS GART JAS, JON KLSY, JOSF STRA, Portikus, Frankfurt, Germany Looking Back, White Columns, New York Next to Kin, Daniel Buchholz, Cologne, Germany Minotaur Blood, Galerie Fortescue Avenue, London, curated by Gionata Bonvicini La maman et la putain, curated by Eva Svennung, Air de Paris, Paris Our Marvellous Ambition, Vilma Gold Project Space, Berlin Make Your Own Life: Artists In and Out of Cologne, Institute of Contemporary Art, Philadelphia; curated by Bennett Simpson (Additional Venues: Power Plant, Toronto; Henry Art Gallery, Seattle, 2007) Von der Abwesenheit des Lagers, Kunsthaus Dresden

It's also looking to steal back a bit of the limelight from its starrier sibling with a 20 - year redevelopment plan called the Millbank Project: conserving the building's original features, upgrading the galleries, opening new spaces to the public and adding a new café.

By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.

In relation to the subject of context, Dawn Kasper will transform a back gallery on the third floor into her personal studio and living space, entitled THIS COULD BE SOMETHING IF I LET IT (2012).

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Opspaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum OpSpaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Due to its massive length, the artwork takes up both the back and right walls of the gallery space, creating an immersive landscape.

Painting Expanded, Tanya Bonakdar, New York, NY Back Room, UNTITLED, New York, NY Sean Bluechel, Anne - Lise Coste, N. Dash, Nicole Klagsbrun Project Space, New York, NY Common Love; Aesthetics of Becoming, Wallach Gallery, New York, NY Prolonged Engagement, Elizabeth Foundation for the Arts, New York, NY In Absentia, Pace University Gallery, New York, NY

I have a really bad taste in my mouth about Cuba,» he told Newsweek earlier in the week, sitting in the back room of Ameringer McEnery Yohe space as the sounds of drills beyond the door signaled a changing of the gallery's guard: Michael Reafsnyder's paintings were coming down so that Larraz's could go up.

This year, New York's Untitled Space is back with «One Year of Resistance» — a show featuring work from more than 80 artists «responding to the political climate in America since the election of Donald Trump», again curated by gallery director Indira Cesarine.

The origins of this gallery dates back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of South Station (Midi) in Brussels.

The illumination, the layering of blacks, and the patterns remind me of some of the best prints (usually grey on grey) of Jasper Johns or the untitled back - lit sculpture made in 1966 by Bruce Nauman, given to the Museum of Modern Art by Joseph Helman (who was connected to this space when it was known as the Blum Helman Gallery).

The exhibition brings together a film, which is installed in the blacked - out space of the main gallery at a scale that fills the viewer's optical range, and new lightboxes, which illuminate the small back gallery with an eerie deep - blue aura.

The Whitechapel Gallery's «archival» show «Supporting Artists: Acme's First Decade 1972 — 1982», like Jon Savage's series of photographs of Uninhabited London (shown in its entirety at Maggs Gallery a year back), depicts a long gone East End and Covent Garden of empty buildings, rotting short - life housing, urban decay and space.

«People enjoy coming back to things that are nostalgic,» says David Blum, the director and heir of the Peter Blum gallery, which recently moved from 29th Street in Chelsea to a space on 57th next to Marian Goodman.

The Victorian building has been boarded up for the past two years, but now it's back, after a # 13m facelift, and the result is a stylish space more in keeping with a gallery at the centre of London's art scene.

Sara Greenberger Rafferty has a history of holding back, and her gallery has enough space to keep anyone at a distance.

Taking the art experience back from the institutional museum or gallery space, Beuys» works demonstrated the importance of the individual in relation to universal artistic theory.

30: A Brooklyn Salon has been organized to celebrate BRIC Rotunda Gallery's status as Brooklyn's oldest continuously operating contemporary art space and to offer a look back at the wealth of artists who shaped the character of our exhibition program over three decades.

Capolavori dalla Phillips Collection di Washington - MART - Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto Group Show Summer 2010 - Loretta Howard Gallery, New York City, NY Kenneth Noland, Helen Frankenthaler, Robert Motherwell - Pace Prints, New York City, NY Art of Our Time: Selections from the Ulrich Museum of Art - Ulrich Museum of Art, Wichita, KS Modern Times - De La Warr Pavilion, Bexhill on Sea, United Kingdom Modern Art, Sacred Space: Motherwell, Ferber and Gottlieb - The Jewish Museum of New York, New York City, NY Abstract Resistance - Walker Art Center, Minneapolis, MN 20TH CENTURY CONTEMPORARY MASTERS - Zane Bennett Contemporary Art, Santa Fe, NM out of the back room - Manny Silverman Gallery, Los Angeles, CA Modern Times: responding to chaos - Kettle's Yard, Cambridge, Cambridgeshire, United Kingdom Group Show 2010 - Loretta Howard Gallery, New York City, NY American Prints - Russell Bowman Art Advisory, Chicago, IL

Hubbards drawings articulate the potential of both the body and camera to delineate space while her large scale photogram installations lead us back to the very real and physical boundaries of the gallery itself.

Tagged as: a.i.r. gallery, AIM, Alex Gingrow, Austin Eddy, Bathers, Benjamin Degen, BoomBoxBoy aka Prince Harvey, Bronx Museum of Arts, CUE Foundation, Damali Abrams, Daniel Heidkamp, Freight + Volume, Fruits of Captiva, Gavin Brown's Enterprise, Gina Beavers, Goddess Clap Back, Hank Willis Thomas, Hold The Floor, Hope Gangloff, Hundred Forsyth, Irvin Climaco Morazan, Jackie Gendel, Jade Townsend, Joshua Liner Gallery, Kalup Linzy, Karen Finley, Lainie Love Dalby (as Diamond Lil), laura owens, Lauren Kelley, Linda Simpson, Loren Munk, Lucas Blalock, Made In Space, Melissa Brown, Michael Scoggins, Michelle Marie Charles, Monkey Town, monkey town 3, Morgan Lehman, myla dalbesio, Narcissister, Nina Chanel Abney, Noelle Lorraine Williams, Oasa DuVerney, One Night Stands, Participant Inc, Peter Harkawik, Princess Hijab, Rashaad Newsome, Rauschenberg Foundation, Ruby Sky Stiler, Ryan Kitson, Ryan Schneider, Sean Paul Gallegos, Shanti Grumbine, Shara Hughes, ted gahl, Venus Over Manhattan, William gallery, AIM, Alex Gingrow, Austin Eddy, Bathers, Benjamin Degen, BoomBoxBoy aka Prince Harvey, Bronx Museum of Arts, CUE Foundation, Damali Abrams, Daniel Heidkamp, Freight + Volume, Fruits of Captiva, Gavin Brown's Enterprise, Gina Beavers, Goddess Clap Back, Hank Willis Thomas, Hold The Floor, Hope Gangloff, Hundred Forsyth, Irvin Climaco Morazan, Jackie Gendel, Jade Townsend, Joshua Liner Gallery, Kalup Linzy, Karen Finley, Lainie Love Dalby (as Diamond Lil), laura owens, Lauren Kelley, Linda Simpson, Loren Munk, Lucas Blalock, Made In Space, Melissa Brown, Michael Scoggins, Michelle Marie Charles, Monkey Town, monkey town 3, Morgan Lehman, myla dalbesio, Narcissister, Nina Chanel Abney, Noelle Lorraine Williams, Oasa DuVerney, One Night Stands, Participant Inc, Peter Harkawik, Princess Hijab, Rashaad Newsome, Rauschenberg Foundation, Ruby Sky Stiler, Ryan Kitson, Ryan Schneider, Sean Paul Gallegos, Shanti Grumbine, Shara Hughes, ted gahl, Venus Over Manhattan, William Gallery, Kalup Linzy, Karen Finley, Lainie Love Dalby (as Diamond Lil), laura owens, Lauren Kelley, Linda Simpson, Loren Munk, Lucas Blalock, Made In Space, Melissa Brown, Michael Scoggins, Michelle Marie Charles, Monkey Town, monkey town 3, Morgan Lehman, myla dalbesio, Narcissister, Nina Chanel Abney, Noelle Lorraine Williams, Oasa DuVerney, One Night Stands, Participant Inc, Peter Harkawik, Princess Hijab, Rashaad Newsome, Rauschenberg Foundation, Ruby Sky Stiler, Ryan Kitson, Ryan Schneider, Sean Paul Gallegos, Shanti Grumbine, Shara Hughes, ted gahl, Venus Over Manhattan, William Powhida

On the back left wall of Pepin Moore «s gallery space — the same endearingly domestic space that, just a few months ago, belonged to China Art Objects — there's a -LSB-.....]

After the elapsed time, the «Only You» multimedia series went on display this month at The Untitled Space, a contemporary art gallery founded by Cesarine in TriBeCa in 2014, and as stories of rampant abuse in the entertainment industry are divulged more frequently than ever, Cesarine hoped the project will make people «step back and take a deep, dark look who you are... and at what our society accepts as «normal.»»

The young dealer couple Martha Moldovan and Harry Schleiff, who works by day at Gavin Brown, opened their by - appointment - only space Rear Window in their home in April 2015, naming it after both the Alfred Hitchcock movie and the gallery's main feature: it takes up the width of their 136 West 118th Street home's back - facing glass aperture.

The litany of uprisings and interventions, stretching back into the 19th century and looming over the gallery spaces below, finds counterparts in other works here.

Back Room, Talley Dunn Gallery, Dallas, TX DallasSITES: Available Space, Dallas Museum of Art, Dallas, TX Ex Libris, Talley Dunn Gallery, Dallas, TX

Tiravanija — who was born in 1961 to Thai parents in Buenos Aires, attended high school in Bangkok, and now spreads his time between New York, Berlin, and Chiang Mai, Thailand — originally staged this pungent artwork in 1992, when he moved all contents from the back office of New York's 303 Gallery into the exhibition space.

Dominique Lévy is opening its new third floor project space, called The Back Room, with an inaugural exhibition of Senga Nengudi's 1970s - era sculptures and performance photographs, the Upper East Side gallery announced today.