Sentences with phrase «back wall of the gallery»

The back wall of the gallery features an arrangement of ten paintings.

On the back wall of the gallery is a group of works hung salon - style which includes works by exhibited artists as well as additional artists featured in the Smither collection.

Images of numerous flies and a clear plastic collared shirt are mounted on a white polysilk curtain, which takes up the entire back wall of the gallery.

Stretching across the entire back wall of the gallery is Wilke's large - scale multiple latex wall piece Ponde - r - rosa 3: Double Sun (triangle), Blue Champagne (square), Broken Blossoms (circle)(1975).

Installed upon the back wall of the gallery, partially hidden by the mezzanine above, the work can be viewed from multiple vantage points.

On the back wall of the gallery are ten small works all also dated 2015 through which one can trace morphing iterations of motifs.

(Hung high in a narrow, unlit corridor, these thirty - three small square canvases are first visible over the back wall of the gallery in which the «Pavement Karaoke» paintings are installed.)

Not exact matches

Morning light is happy light and as I sat there admiring my gallery wall, the pictures brought back memories of my wedding, vacation destinations and special family moments.

They were stacked in clusters against the gallery walls, back - to - back and face - to - face and sometimes separated by sheets of cardboard or covered by plastic, suggesting they were on their way in or out of storage and weren't yet meant for public viewing.

At the National Gallery event, Miller says he built a new house, with walls backed by plywood to facilitate the display of his art collection and Golden «did the first hanging.»

I remembered where it was installed the gallery, on the back side of the back dividing wall.

His Berlin Installation takes up an entire length of the gallery's back room (unusually, broken up with temporary walls for this show dividing the characterful space, which works perfectly for installations and immersive works, into a more classical gallery for showing photography).

From mid gallery looking to the back: There's a better view of the Anuszkiewicz at left, and Bill Kommodore on the wall between the windows.

Wall paintings in the space reminded me of the eggs thrown at Tate Gallery's walls by a visitor back in 2001 in protest of Creed's winning minimalist submission for the Turner Prize, Work No 227: The lights going on and off.

The back gallery spaces feature a series of smaller sculptures, both single columns and two part works with panels and stools, plus wall - mounted reliefs.

Come see a rare and comprehensive collection of Sci - Fi Pulp magazines, paperbacks, and hardcover books displayed on the Back Room Gallery walls.

Glowing neon emits from behind each piece, positioning them as a type of marquee as they rest along the back wall of the main gallery.

Modifying the architecture of the biennial building, she affixed transducers to the backs of the gallery's drywall, causing the room to literally vibrate - a sensation that could be both heard and felt; a plumb bob hanging from the far wall rattled against the surface, rendering the vibrations of the wall visible.

In 1953, during her third solo exhibition at the Tibor de Nagy Gallery, the director of the Museum of Modern Art, Alfred J. Barr, had taken one of her paintings, The Persian Jacket, off the wall of the gallery and back with him tGallery, the director of the Museum of Modern Art, Alfred J. Barr, had taken one of her paintings, The Persian Jacket, off the wall of the gallery and back with him tgallery and back with him to MoMA.

In our upcoming intervention, (ƒ) utility projects (a collaborative comprised of Paola Cabal, Michael Genge, and Chris Grieshaber) seek to elevate the natural elements of the back yard of the Riverside Art Center to «Art Object» status by selectively positioning white «gallery walls» between and around the landscaping and trees already located there.

By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.

Back in the gallery, a golden net sweeps across the front - facing wall, pivoting into a «V» shape as it culminates at the top along a horizontal line of tiny nails.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Due to its massive length, the artwork takes up both the back and right walls of the gallery space, creating an immersive landscape.

Twenty - one large paintings on newspaper, containing hundreds of small images, hung salon - style on the gallery's thirty - foot back wall.

2017 A Show Yet to be Titled, Lucie Fontaine, New York SIX RIGHT, Fürstlich Fürstenbergische Sammlungen, Donaueschingen, Germany Salon Vogue, New Bretagne Belle Air, Essen 2016 ICHTS, Dortmunder Kunstverein, Dortmund Robert Bordo, Sam Anderson with Michel Auder, Bortolami, New York 2015 Anemic Cinecat: International Cat Art Film Festival, Anthology Film Archives, New York Greater New York, MoMA PS1, New York All back in the skull together, Maccarone, New York Looking Back: White Columns Annual, White Columns, New York 2014 In Free Circulation, mother's tankstation, Dublin Another, Once Again, Many Times More, Martos Gallery, New York Warm side of Zero, Overduin & Co, Los Angeles Die Geister, die ich rief werd» ich nun nicht los, Cookie Butcher, Antwerp International Woman's Day, Night Gallery, Los Angeles That Singing Voice, Marta Cervera Gallery, Madrid, Spain Morning and Evening Asylum, Tanya Leighton / Off Vendome, Berlin / Dusseldorf, Germany Objects of Thin Air, Foxy Production, New York 2013 Under the BQE, M / L Artspace, Brooklyn, New York Black Cake, Team Gallery, New York, New York 2012 How's Your Wback in the skull together, Maccarone, New York Looking Back: White Columns Annual, White Columns, New York 2014 In Free Circulation, mother's tankstation, Dublin Another, Once Again, Many Times More, Martos Gallery, New York Warm side of Zero, Overduin & Co, Los Angeles Die Geister, die ich rief werd» ich nun nicht los, Cookie Butcher, Antwerp International Woman's Day, Night Gallery, Los Angeles That Singing Voice, Marta Cervera Gallery, Madrid, Spain Morning and Evening Asylum, Tanya Leighton / Off Vendome, Berlin / Dusseldorf, Germany Objects of Thin Air, Foxy Production, New York 2013 Under the BQE, M / L Artspace, Brooklyn, New York Black Cake, Team Gallery, New York, New York 2012 How's Your WBack: White Columns Annual, White Columns, New York 2014 In Free Circulation, mother's tankstation, Dublin Another, Once Again, Many Times More, Martos Gallery, New York Warm side of Zero, Overduin & Co, Los Angeles Die Geister, die ich rief werd» ich nun nicht los, Cookie Butcher, Antwerp International Woman's Day, Night Gallery, Los Angeles That Singing Voice, Marta Cervera Gallery, Madrid, Spain Morning and Evening Asylum, Tanya Leighton / Off Vendome, Berlin / Dusseldorf, Germany Objects of Thin Air, Foxy Production, New York 2013 Under the BQE, M / L Artspace, Brooklyn, New York Black Cake, Team Gallery, New York, New York 2012 How's Your Wall?

«Untitled» (2012) is a large - scale site - specific painting spanning the entire back - wall of the gallery.

The exhibition begins with a door numbered 1703 propped against the gallery wall in the foyer and ends, via a series of the artist video works, in the back room of the gallery.

My own interest in eighties New York came from Occupy Wall Street, which led a lot of critics to look back at alternative gallery models and activism of that time.

As if to generate an anxiety about the prospect of catastrophic submersion, the gallery has been transformed by a carpeted floor that rises like an enormous wave against the back wall, threatening at any moment to crash down and wash the visitor away.

Yellow was also the color of Dan Gunn's cinder block walls at the back of Frieze's ghetto for its younger or smaller galleries.

On the back left wall of Pepin Moore «s gallery space — the same endearingly domestic space that, just a few months ago, belonged to China Art Objects — there's a -LSB-.....]

Six of these works fill the back wall of the New York - based artist's solo booth with Guatemala City gallery Proyectos Ultravioleta — though at $ 4,000 apiece, the works were quickly snapped up in the first two hours of opening day.

Standout booths (naturally, aside from the light - pink corner wall housing Abramović's self - portrait) included New York galleries Johannes Vogt (who had just jetted back from ARTISSIMA in Torino just a month before) with Garth Evans, Y Gallery with a vivid typography of mural images from Carlos Motta.

The walls of the gallery have been painted various shades of green and a glass door that leads into a back garden area is covered by a camouflage sheet and adhered with packing tape.

Artists of Domestic Memory May 17, 6:30 - 8:30 pm: Women's Networking Night @ Back Bay Social Saturday, May 19, 1 - 3 pm: Discover SoWa: Guided Gallery Tour Saturday, June 2, 7 - 10 pm: Spring Mixer - Off the Wall with AFH

The cotton relief covering the wall in the back part of the gallery might at first look like an anti-form work of the»60s, but it takes on a different meaning through the title Bamiyan - Apparat, which alludes to the valley in Afghanistan where the Taliban destroyed ancient statues of the Buddha.

This panoramic view shows the work of most of the participating artists: Foreground, Sylvia Netzer; clockwise around the gallery: Rachel Friedberg on the left wall, my installation grid on the back wall, Diana Gonzalez Gandolfi and Megan Klim on the right wall

In the cycloid vaults of Kahn's Kimbell building, sunlight falling through slots running the length of their apexes is cast back upward by gull wing — shaped aluminum reflectors, imbuing the curved ceilings with a silvery glow that contrasts with the galleries» warm beige travertine walls.

In her 1998 show at Galerie Lelong in New York, she presented her first series of nuns, in which plaster figures bent their heads to the wall in prayer, while thick horsehair cascaded off their backs and across the gallery floor.

Once you reach the main gallery floors, the experience becomes more focused: the rhythm through the rooms is broken only occasionally, when a wall peels back to allow glimpses of the city.

A wall runs the length of the gallery from front to back, through 2 exhibition spaces, along a corridor and through the back office space.

Willats» large - scale wall drawings, which have been shown in various galleries and museums in recent years, combine drawing and video projections and go back to a specific, unprecedented diagrammatic method of drawing that Willats has been developing since 1962.

The gallery's back wall is a beauty, with three masters of the lean and clean: Ellsworth Kelly (a white diagonal arc cutting through black), Robert Mangold (irregularly shaped orange canvas «corrected» by pencil lines within), and Robert Ryman (white - on - white, in this case a froth of choppy sea).

The second wall drawing, ArcelorMittal Steel Shipping Building No 1 Right # 270 - 278, encircles the back gallery with a series of numbers Calame traced from the floor of the ArcelorMittal Steel factory in Buffalo, NY.

Like so much at the South London Gallery, the overall simplicity of the space hides some surprise; the west wall pivots to open a continuous field between the back garden and the interior.

The mundane is made sacred in the full - wall alter created at the back of Jonathan Levine's gallery for the first solo New York show by Faith47.

Six thousand patterned books line the walls of two rooms at the back of James Cohan Gallery.

But in this large Chelsea gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.

Phallus forms abound, of course, from the giant bronze and concrete squashes to the billboard - like, peeled - banana imagery on the back gallery's walls.