Sentences with phrase «background art out»

Get that copy and paste group art and white generic background art out of here!
Get that copy and paste group art and white generic background art out of here!

Not exact matches

... have the kids make art for the nursery - frame it in cardboard painted a nice color... if you know the name (or wait until you do) have the religious background written out nicely for framing (my sister gave me the first bible passage featuring my son's name to frame, she color copied it out of a fancy illuminated manuscript type book - i'm not even religious and it floored me)
As quick to fire off a barbed tweet as he is with a parliamentary put down, in recent years Bryant has fallen out with both the singer James Blunt — who labelled the then shadow arts minister a «classist gimp» after Bryant suggested his music career had benefited from a wealthy background - and the boxer Tyson Fury.
Professionally hand stretched over wood, this fine art canvas print of Two Dachshunds from Marmont Hill showcases a pair of wiener dogs hanging out on an abstract background.
«With my dance background, if I'm taught well, I'm pretty much able to do anything... I trained with [stunt coordinator] Garrett [Warren] for eight months, doing martial arts and weight - lifting... The Losers, every location was a warehouse or a hangar, and we're just whooping out guns and there's stuff firing at you.
Get that copy and paste group art and white generic background out of here!
Growing out of her background in arts learning and interdisciplinary design environments, Andrea brings with her experience as an administrator, teacher, assessment consultant, researcher, and learner.
Whether your background is in journalism, art, software design, or a myriad other fields, there's work out there available for you.
Art pieces that really stood out was the embroidered screenshots from famous games by Per Fhager, and the beautiful moving background screenshots from various games on digital displays.
In some stages, you'll be playing as a silhouette against a bright background and still the strong art style in the game ensures you can still make out every object and enemy despite only seeing their silhouette and animations.
The background art especially is worth paying attention to, as each one jumps out more so than the main graphics of the characters and tower do.
While the background art is certainly very pretty, how the levels play out begin to feel rehashed after a few hours.
While only in a small portion of the last level, one area that really impressed me used an art style similar to a few levels in Donkey Kong Country Returns, where everything in the foreground was shaded black, allowing the background to stand out even further.
All entrants came from very different backgrounds but they were united by two stand - out facts: none of them had a formal arts education or degree but all of them showed incredible creative talent.
Manet shocks by wresting clothed and unclothed figures out of Renaissance art and into the present — and it says something that Thomas skips not just the clothed men, but also Manet's sudden shift in scale to a fourth figure, a woman, in the background.
While reminiscent of the great cultures of the bronze ages and illustrating myths and legends of remote times, his art is also born out of contemporary culture and imbued with a background of rigorous academic training.
«Paula doesn't want art to be something you need background information on to get a lot out of,» Temkin adds.
For a background on the performance art genre, make sure to check out The Phaidon guide to art speak - Performance Aart genre, make sure to check out The Phaidon guide to art speak - Performance Aart speak - Performance ArtArt.
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
My background — coming to New York in 1959 and studying painting at Cooper Union Art School, in and out of the museums and the Cedar Bar, knowing other painters, the Abstract Expressionists in particular — I had no choice but to be well versed.
««There are so many times we see the obvious and miss out on the background objects, and that is what my art focuses on,» Sprecher said.
Starting out with a background in fine art practice at University of the Arts London (UAL), Rosa studied under Griselda Pollock at the University of Leeds, gaining a BA with First Class Honours in Social and Critical Histories of Aart practice at University of the Arts London (UAL), Rosa studied under Griselda Pollock at the University of Leeds, gaining a BA with First Class Honours in Social and Critical Histories of ArtArt.
For a lot more background and info about the book, check out this extensive interview with DB by our friends at The Art Collectors.
Skibska, an artist whose roots lie in Communist Poland, has been greatly influenced by her architectural background (in addition to the lack of creativity she found within it), coupled with her childhood hobbies of creating art in the form of dioramas out of found materials, which included — among other things — broken glass.
Our team works out of a refurbished industrial building on the Brooklyn waterfront, and our backgrounds include consulting for Fortune 500 companies, the performing arts, and the study of military logistics.
They sent out a wordless Tweet with the above image, which is their logo against a Red Dead background, the way it appeared on the Red Dead Redemption box art.
The Museum of Art, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baArt, Franklin, OH 2/2011 — 1/2013 Gallery Aide • Welcomed visitors in a charged and enthusiastic manner and provided introduction of the type of art displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baart displayed at the museum • Conducted tours of assigned museum parts, providing visitors with information on art pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baart pieces and exhibits • Responded to visitors» questions regarding backgrounds and histories of specific art pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular baart pieces • Ascertained the security and safety of exhibit and premises by keeping out a watchful eye for trouble • Coordinated efforts to ensure that the museum was in good repair and cleaned and maintained on a regular basis
Most antiques dealers start out as collectors or work with experienced dealers; others learn from taking a qualification in furniture restoration; and those working in auction houses often have an academic background in fine arts.
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