Sentences with phrase «background of public speaking»

Quick learner that focuses on utilizing knowledge to solve customer's problems and comfortable presenting to any type of audience with a strong background of public speaking and training.

Not exact matches

My background is in sales training, networking and public speaking, so I feel comfortable in these types of situations.
«This document really puts together a full picture of the president's case to people of faith,» a campaign staffer close to the effort said speaking on background because the information was not yet public.
Nour's background in technology and public policy not only makes her uniquely qualified to speak on these questions, but she was also on the street as the revolt happened, risking the consequences of standing up for her beliefs and the rights of her people.
I have a background in news journalism, editing, public speaking, online media and web publishing, and now specialize in content creation via a variety of online outlets.
Her experience of ground situations (through fieldworks inquiring diverse human rights issues in different regions), are coupled with an active background in public speaking and debating and journalistic writing for public causes.
As background, back on January 27th, 2010, when then - candidate Dan Malloy spoke out after a Zogby public opinion survey found that 79 percent of Connecticut voters supported public financing and the Citizens» Elections Program, Malloy said;
If shared background knowledge is essential for effective reading, writing, speaking, and listening in a nation, then the schools of a nation need to be common schools that teach this shared knowledge of the public sphere.
Markist is a versatile and creative writer from Chicago, IL who fuses background of competitive public speaking, theater performance, and journalistic experience to deliver focused, imaginative, and credible material.
VP: Speaking of expert audiobook narration hints, you've got a public speaking bacSpeaking of expert audiobook narration hints, you've got a public speaking bacspeaking background.
Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important exhibitions of his work; vacillating between the figurative and the abstract in his painting; his working methods.
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
Though he rose to prominence through a proliferation of murals and other uncommissioned public art projects from his native Italy to China and North Africa, since 2007 RUN has made his home London, where, like many artists of his generation and background, he's been steadily working to manifest his vision in a proper studio practice, bringing it, so to speak, in off the street.
Lawyers Weekly set out the background of this highly political matter in an April, 2007 article, Judge defends right to speak out in public:
Extensive public speaking experience and ability to communicate effectively with people of all professional levels, backgrounds, and cultures.
He says not everyone is comfortable in front of a camera, but with a background in public speaking and an out - going nature, it is a marketing angle he really enjoys.
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